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Hamlet as a psychological drama
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The idea of madness is common among many literary pieces, including 1 Samuel, A Midsummer Night’s Dream, The Odyssey and Hamlet in which feigning madness portrays the sanity of the characters. The play, “Hamlet,” by playwright William Shakespeare, demonstrates the tragic story of the Prince of Denmark, Hamlet, who may or may not be insane. His overall change in behaviour was caused due to the murder of his late father, King Hamlet, by his uncle who is the current king and his mother’s second husband, King Claudius. Ophelia’s lack of affection and attention also affected his sanity. Throughout the play, Hamlet puts on an act to be mad around certain people to show that he is not a threat and to demonstrate his capability to elaborate and execute …show more content…
his plans in order to fulfill his revenge. Through Hamlet’s revenge plan, it can be proven that he is indeed feigning his insanity in order to seem harmless to those who may doubt his intentions.
Hamlet indicates that he must “put an antic disposition on” (1.5.179-180) in order to realize his plans. He also claims that “[he] must be idle” (3.2.88). This reveals part of his plan in the hunt for confirmation regarding his suspicions of Claudius’ involvement in his father’s murder. It also reveals that by putting on this act, he is capable of confusing and fooling many, especially Claudius, to think that he has gone mad, and therefore he does not pose a threat by his presence. By doing so, Hamlet can keep an eye on those he suspects, without revealing his true intentions. Therefore, Hamlet’s lunacy is only an act, which is revealed to be an important part of his plan to avenge those who did him and his father …show more content…
wrong. Evidence which shows that Hamlet is feigning his madness can be seen when he acts insane in the presence of certain characters.
He only acts insane in the presence of Claudius, Gertrude, Polonius, Ophelia, Laertes, Rosencrantz and Guildenstern, whereas he is sane in front of Horatio, Bernardo, Marcellus, Francisco and the players whom he used to confirm Claudius’ involvement. Hamlet claims “[that he] essentially [is] not in madness, but mad in craft” (3.4.189-190). This demonstrates that he is intentionally acting the part of a madman in order to attain his objective. He attempts to capture the attention of certain characters whom he suspects to be part of his father’s death. Through his deceiving performance, the prince is able to learn the involvement of other characters in his father’s murder, because he does not trust them and thinks that in some way they are all linked to Claudius. Whereas, regarding Horatio, Bernardo, Marcellus, Francisco and the actors, he has included them in his plans and believes that they will help him with his motives. Therefore, the young prince puts on an act in which he is only pretending to be mad among certain people, in order to gather information regarding their involvement in the recent
events. Lastly, it is evident that Hamlet is sane, and that he is putting on a performance which is seen through his well thought decisions and well planned actions. If he were to be mad, then he would not be able to execute and create elaborate plans. For instance, he intends to “have [the] players play something like the murder of [his] father before [his] uncle [where] [he will] observe his looks” (2.2.581-583). This shows that he can think straight and can focus on his purpose which tells the audience that he is not mad, because mad people do not have a reason for their actions and they certainly do not have the talent to focus on any matter. Therefore, Hamlet is capable of planning and realizing a scheme with ease, in order to acquire his desired answer for his big question. It also reveals that he can make rational decisions based upon his situation. Therefore, by feigning madness, Hamlet is capable to elaborate and execute various plans to ultimately find justice for his father. With this in mind, it can be said that Hamlet’s lunacy is truly an act to reveal the truth behind his father’s death. The young prince puts on this act to gather information on those he suspects to have a hand in this felony. Therefore, Hamlet believes that by feigning madness is the only way to expose those who wronged him.
The reasoning behind Hamlet’s madness is the investigation that occurs with the cause of his father’s death. As Hamlet recognizes the truth associated with his father’s death, he realizes the death was committed by murder. This is revealed in act one, scene five, as his father’s ghost explains that Claudius poisoned him (1.5.64-80). In addition, the circumstances concerning the marriage of Claudius and Gertrude enhances Halmet’s urge to act mad. When Hamlet encounters his father through the figure of a ghost, Hamlet reveals his sanity: “Here, as before, never, so help you mercy/ How strange or off so ever I bear myself/ As I perchance hereafter shall think meet/ To put an antic disposition on” (1.5.187-190). Hamlet describes his madness to be an act, to put on a show. This madness allows for Hamlet to advance his intention of finding out the truth behind his father's death. As Hamlet presents this form of madness, it allows him to advance his plan on killing his stepfather, Claudius. Claudius believes that Hamlet is mad, although he does not know the reason for why he is mad. This allows for Hamlet to create a plan to kill Clausius without many questions being asked. In act two, Hamlet admits that he can alter his madness: “I am but mad north-north-west. When the wind is southerly I know a hawk from handsaw” (2.2.390-391). With this information, the suggestion is that Hamlet is clever in the way he acts. During the beginning of the play, some of the characteristics of Hamlet are identified. The explanation of Hamlet being a student and attending university provides the audience with information that as a character, Hamlet has an abundance of knowledge. As Hamlet conducts his form of madness and the plan for the death of Claudius, his intelligence characteristics are displayed. The act of a madman creates successful opportunities for Hamlet as other characters reveal
In Shakespeare's tragedy, Hamlet, there is much debate over whether Prince Hamlet is truly mad or feigning madness. Based on his actions and context clues, one can see that Hamlet is perfectly sane, if not a prodigy. His intellect, philosophical ideas, quick wit, and clever strategies makes it clear to readers that his "madness" is merely a masquerade.
Throughout William Shakespeare’s play, Hamlet, Hamlet undergoes a transformation from sane to insane while fighting madness to avenge his father’s death. The material that Shakespeare appropriated in writing Hamlet is the story of a Danish prince whose uncle murders the prince’s father, marries his mother, and claims the throne. The prince pretends to be feeble-minded to throw his uncle off guard, then manages to kill his uncle in revenge. Shakespeare changed the emphasis of this story entirely, making Hamlet a philosophically minded prince who delays taking action because his knowledge of his uncle’s crime is so uncertain. To begin with, Hamlet portrays himself as sane.
Riddled with ambiguity by its very nature, the text of William Shakespeare's Hamlet has been a commonly debated subject in literary circles since its first performance. The character Hamlet undergoes intense physical and emotional hardship in his quest for revenge against his despicable uncle. This hardship, some argue, leads to an emotional breakdown and, ultimately, Hamlet's insanity. While this assessment may be suitable in some cases, it falls short in others. Since Hamlet is a play, the ultimate motivation of each of the characters borrows not only from the text, but also from the motivations of the actors playing the parts. In most respects, these motivations are more apt at discerning the emotional condition of a character than their dialogue ever could. Thus, the question is derived: In Kenneth Branagh's film adaptation of Hamlet, does the character Hamlet suffer from insanity? Giving halt to the response, this paper will first endeavor to establish what insanity is and will then provide sufficient examples both from the text, film, and Branagh's own musings on his motivations as proof that Hamlet's character, at least in Branagh's version of the play, is not insane.
Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his persona of seeming insane to the other characters. Hamlet comes up with the idea to fake madness in the beginning of the play in order to confuse his enemies. However, for Hamlet to fulfill his duty of getting revenge, he must be totally sane. Hamlet’s intellectual brilliance make it seem too impossible for him to actually be mad, for to be insane means that one is irrational and without any sense. When one is irrational, one is not governed by or according to reason. So, Hamlet is only acting mad in order to plan his revenge on Claudius.
Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full understanding of what if going on around him. Most importantly, Hamlet does not think like that of a person who is mad. Hamlet decides to portray an act of insanity, as part of his plan to seek revenge for his fathers murder.
Shakespeare 's play "Hamlet" is about a complex protagonist, Hamlet, who faces adversity and is destined to murder the individual who killed his father. Hamlet is a character who although his actions and emotions may be one of an insane person, in the beginning of the book it is clear that Hamlet decides to fake madness in order for his plan to succeed in killing Claudius. Hamlet is sane because throughout the play he only acts crazy in front of certain people, to others he acts properly and displays proper prince like behavior who is able to cope with them without sounding crazy, and even after everything that has been going on in his life he is able to take revenge by killing his
To put an antic disposition on” (1.5.58-60) but his sane mental state began to decay over time leaving him actually insane. As the play goes on, the role of madness becomes much larger and more crucial, and begins to sweep the spotlight from the other themes within it. Hamlet’s intentions of appearing “mad” did have an advantage in the play, which automatically impacted it. He basically simulated madness as a strategy to direct the suspicion of his plotted revenge elsewhere. It does not sound very complex, but his performance of madness ended up slightly distracting him from his plot rather than benefitting him.
After Hamlet talks to the ghost of his father, he finds out that Claudius killed him to gain the throne of Denmark. Hamlet has to get revenge by killing Claudius. To do this, he must act insane to draw away suspicion from himself. Hamlet says to Hortaio "How strange or odd some’er I bear myslef as I perchanse hereafter shall think meet to put an antic dispostion on,"(I;v;170-172), this indicates that from this moment Hamlet will act insane. He believes this way he will be able to kill the king and get away with it. Polonius becomes aware of Hamlet’s madness and wants to uncover the reason behind it. He says "Mad let us grant him then, and now remains, that we find out the cause of this defect, for this effect defective comes by cause."(II;ii;100-103). Claudius and Polonius spy on Hamlet and Ophelia as they talk. After hearing their conversation Claudius says "And I do doubt the hatch and the disclose will be some danger; which for to prevent, I have in quick determination thus set it down: he shall with speed to England"(III;i;163-166). This means that Claudius is starting to believe Hamlet is dangerous and wants to send him to England. From this point Claudius is very suspicious of Hamlet, he suspects that Hamlet is plotting against him, he says, "Madness in great ones must not unwatched go.
Hamlet throughout the play seems insane but in reality it is only an act to achieve his goal of killing his father's murderer. Hamlet chooses to go mad so he has an advantage over his opponent and since he is the Prince of Denmark certain behavior is unacceptable, so by faking madness he is able to get away with inappropriate sayings and actions. We can see this when he talks to Claudius, Polonius, Ophelia and his mother. When Hamlet talks to Horatio in the first act he says how he is going to "feign madness" and that:
In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character. All examples of madness begin and end with death.
Hamlet, the young prince of Denmark loses his father at an early age. Ever since this tragic event occurred, Hamlet was perceived as a troubled individual in a state of madness, a type of madness that develops into insanity. Hamlet presents many clues that in fact he appears to be insane. William Shakespeare does an outstanding job in leading the reader to believe that in fact, Hamlet is insane. "Why, then, 'tis none to you: for there is nothing either good or bad, but thinking makes it so: to me it is a prison. (Hamlet II. ii. 252-254).
Hamlet’s plan of faking insanity to avenge his father’s death eventually backfires and he winds up hurting those closest to him. What began as feigned madness slowly becomes reality. In the beginning of the play, Hamlet could be characterized as a respectful, well-mannered son who is mourning the death of his father and shows signs of depression. In the end of the play, Hamlet turns into an irrational, unforgiving maniac who is unaware of the complete and utter chaos that he inflicts on himself and everyone he loves. Instead of controlling his “antic disposition”, Hamlet's antic disposition controls him, resulting in tragedy and death.
There is much evidence in Shakespeare’s Hamlet that the titular character deliberately feigned fits of madness in an attempt to confuse and disorient Claudius and his cadre. His explicitly stated intention to act "strange or odd" and to "put an antic disposition on" (I. v. 170, 172) is not the only indication. The latter phrase should be taken in its context and in connection with Hamlet’s other remarks on the same topic. To his old friend, Guildenstern, he says that "his uncle-father and aunt-mother are deceived," and that he is only "mad north-north-west." (II. ii. 360.) Guildenstern later comments that Hamlet 's is "a crafty madness." (III. i. 8.)