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An essay on why graffiti is not good
An essay on why graffiti is not good
An essay on why graffiti is not good
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Recommended: An essay on why graffiti is not good
Nisar Ahmad
Instructor: Brenda McKinney
Art 1301
09/08/2017
Mr. Brain Wash
Why people hate graffiti artists? In my personal perspective is because graffiti is a drawing or writing that people have been doing illicitly on private properties to show to the public. This illicitly acts make people think wrong about graffiti artists. Usually, graffiti is simple written words that have been existed since ancient time. For example, we can see the signs and paints today from Ancient Egypt, Ancient Roman Empire, and Ancient Greece. These clues tell us graffiti is not something new, it has been existing among us for a long time. Graffiti is a kind of art that has a free expression to declare a message to the public. This art is considered vandalism, but as painting design can be
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These vandalism acts damage the private properties and visually pollute the cities. In fact, graffiti artists are very talented and they use graffiti as a way of expression to society. On the other hand, people think graffiti should not be abundant because it reduces the property value. In the video that we watch in class show us the real picture of graffiti. How Thierry uses street art to become a famous and successful artist in the world. Success has many definitions, but in my philosophy, being a successful person is not an accident that happens when you get up the next day. Being successful dedicates hard work, perseverance, sacrifice, studying and learning. The most important thing is love what you are doing or learning to do for your feature. We all should have goals in life, in order to reach our dreams that we wish since we were little children. The video teaches us many lessons in life. The video shows how a French shop-keeper and amateur film maker fall in love with street art. Followed Banksy who was so famous in street graffiti art all the way to French. Just to make a documentary about
The identity of a graffiti artist is hardly ever known, but the style of the art is. They can be identified by the way they express themselves. It can be broad and can be shown in many different forms. The forms can range from a simple tag of identity, an expression of protest and politics, to an alluring scene of art work. Although the graffiti writers work is their expression; they are trying to convey a message about the issues in the world around them.
If one drives south on I-69 enough, they may begin to remember that “Bob loves Brenda” or that some bodies, only referred to as we, “hate people.” These things are written on the bridges, billboards, and road signs of the interstate to advertise the artist’s message to the general public, while drivers are left to think why should they care who loves who and who hates what. Graffiti is a part of the world that people see everyday and whether it is truly artful or a visual impediment is up to the individual.
Although many people believe that graffiti is vandalism, it is in fact art because many museums display graffiti, people are interested in it, and it displays beauty and emotional power. Many people have learned to appreciate graffiti as an art form and have opened their eyes to the beauty and emotional power it holds. From the video on CBS News, “Is Graffiti Art or Vandalism,” Laura Fanning (museum visitor) explains at 1:42 “. now I see it as more of a commentary and a statement of ‘I’m leaving my mark’.” This quote exhibits a museum visitor whose perception of graffiti changed when she went to a museum that displayed graffiti.
Even though there is a fear of getting caught, this is what artist usually consider the very core of graffiti culture. Many critics have argued that graffiti is vandalism and should be removed. However, “someone painted over your house and, of course, you’re not too happy about it. No one has the right to do that without your permission and, without even looking at it, you can pronounce it vandalism. But would you feel the same way if you saw a really breathtaking piece of graffiti art on an otherwise dull wall in the city?” (Kordic). Yes, by definition, graffiti is “an action involving deliberate destruction of or damage to public or private property”, And we can not really argue that graffiti often ends up someone’s walls, we do have to think about if it really is “destruction”, and if, perhaps, we have been asking the wrong question the whole
Graffiti can be traced back to the beginning of time with the cavemen. Many caves have drawings done by cavemen. The cavemen used what they had available, whether it was a rock, a stick, or a bone to crave or draw on the inside of the caves to communicate. The drawings were a way to communicate or to express themselves. When discoveries of the drawings were made, no Archaeologist, I believe, thought these drawings were a form of vandalism. Now let’s, fast forward to modern day today, graffiti artist uses spray cans to display communicate versus the traditional artist who uses a paint brush. But, does this make a graffiti artist less of an artist just because he/she uses a spray can and a building to express inner thoughts? I think not.
Within the last few years, graffiti has been deemed an acceptable and tasteful genre of art. Long gone are the days where the spray can belonged exclusively to the local delinquent. From the past to present, there has been a shift in how street art is recognized by the general public and the government. Laws and policies are being put into place that both defend and threaten the promulgation of this creative medium. By both protecting and prohibiting, the government displays an inconsistent and confusing relationship with street art. When art is so subjective, it can become challenging to delineate the fine line between vandalism and creativity. This essay will discuss the changing public perception of graffiti, the trademark and copyright battles between graffiti artists and property owners, the categorization of street art as an artform, and the beneficial aspects of commissioned street murals.
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
The documentary, “Exit through the Gift Shop” is very structured. The introductions at the beginning of the film give it great context. This film shows a totally different aspect on the street art world. The general idea of this documentary is to show to its viewers that street art wasn’t about money at all. The documentary debuts a British street artist, Banksy. Throughout the film Banksy tells the story of Thierry Guetta, who is a French, Los Angeles thrift shop owner. In this film, Guetta is the primary focus. His compulsion to videotape each and every moment in his life led him to document street art.
To begin with, graffiti is exhibited in many museums and galleries along with art. London is home to many galleries that showcase graffiti, such as the Lawrence Alkin Gallery. If graffiti is displayed in galleries along with art, this should qualify it as such. Secondly, art has changed and is still changing throughout many phases, from the era of cave painting to the era of postmodernism and deconstructivism. Graffiti has also gone through many movements and changes in style, from the first simple scribble to the large murals. Its display in galleries and its development into more complex forms suggest that it is a form of art.
Graffiti is a form of art that people use to express themselves and to convey various messages to people in a particular community. In the movie "Graffiti Verite':. One of the graffiti artist explained that his purpose in doing graffiti is that it allows him to "express his anger' on the wall. Another kid by the name of "Jipsie" said that graffiti is a "form of growth". There were several different explanations that artists shared as well as several different reasons why they like graffiti. The common theme among the graffiti artist and taggers was that graffiti is simply a form of self-expression (Bryan). At the end of the film one tagger made a comment and said, "graffiti is not vandalism, but it is a beautiful crime". This comment did not make sense to me. Committing a crime, a hideous act, is not a beautiful thing to do by any means. Graffiti does not mean people can go around and draw and spray paint on other peoples property. Regardless of what types of graffiti are being expressed by the tagger, this type of self expression is considered vandalism when people decide to draw, destroy, or violate any persons property without consent. As a result of taggers committing the crime of vandalism, property owners, concerned citizens, and law enforcement officers spend too much time, money, and energy trying to put an end to the unlawful act of vandalism.
Art is the expression or application of our thoughts, desires, emotions and feelings. Art helps us spread and share our thoughts with others. There are many different types of art and graffiti is one of them. Each person living in this world has their own definition of art. Some define graffiti as illegal because they believe that it abuses public property. Others believe that Graffiti should be legalized because they see it as not just another form of art but also as a useful form of political expression, a way to beautify scenery and as a potential source of income.
Street art is understood to be a subculture of graffiti, but cannot be simply defined as one form (Hughs). “Street art, originally coined by Allan Schwartzman in 1985 (Lewisohn, 2008),
Mention the word graffiti and what typically comes to mind is something unpleasant and distasteful like indecent language scribbled on a wall of a store or crude pictures. Most graffiti is characterized as vandalism on property that does not belong to the culprit. Graffiti also displays negative graphics that promote some type of vulgar message such as violence, sex, drugs, gangs, and racism. On the other hand, when the terms “street” and “art” come together, a blast of colorful creations upon blank slates on the street comes to mind. Although street art is technically considered graffiti, it is a type of graffiti with positive qualities, but certain figures in society find street art to be, in some way, disruptive. If used properly, street art can be appreciated artistically and socially. Despite the negative stigma attached to graffiti, street art has emerged as a progressive valuable art form whose vast history, surge in popularity, and urge for social change warrant its classification as a fine art.
There are a great number of reasons as to why graffiti is generally looked down upon by common folk. A point often overlooked is that graffiti is vandalism. Most graffiti is in fact done without consent of the owner of which the piece actually appears on. It is illegal and that’s the bottom line. At the end of the day it is still someone’s property that is being defaced. Another key point is that gangs typically use graffiti in a variety of ways. Gangs can use it to publicize their status of power, mark territories, send messages, and warn intruders. Yet, even though it is wrong that does not mean it still isn’t art. If there were a beautiful and eye-catching mural on a wall, would most people not take a glance at it and consider it a work of art? People will realize it is art before processing the fact that it is illegal.
Graffiti is the light of the concrete jungle, too bright to be ignored, but is this unique form of art beautiful or an eyesore. Graffiti is an urban art form that rapidly grew in the 1980’s with a link to the Hip-Hop scene. Many Graffiti subcultures also grew, such as stencil art, which was popularized with help from Banksy. Graffiti is art, not vandalism, due to the fact that it is technically legal, graffiti gives artists a noticeable canvas, and it is a movement of expression in metropolitan areas.