Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Masculinity is explored by
Masculinity is explored by
Cultural construction of masculinity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In her 2014 article entitled “Why Are All the Cartoon Mothers Dead?”, author Sarah Boxer emphasizes her belief that the seemingly coincidental or harmless tendency to eliminate mothers from animated movies results in a cleverly incorporated patriarchy. Boxer’s article starts out by questioning the role of the dead-mother trope, mentioning the the overused plot device is dated back to ninth-century China. Moving on to the suspected reason for such a morbid plot device, Boxer claims that mothers are killed off in order for the father to take his position in the spotlight. The father now has the ability to come off as a charming, sensitive man capable of making mistakes while still being a good father. Boxer mentions the fact that animated movies
Maybe the problem is partly in what we expect a father to be. The film raises the problem of whether someone can function as both a great
Due to the impressionable essence of the audience, the film’s message has a responsibility as it will leave an impact on the viewership. The film Stagecoach (1939) was a Western film which essentially spoke to generations of men seeking a model of manhood grounded in bravery, moral violence, and independence; whereas with the women characters, they represented civilization and domestication” (Dr Nance week 3). The reception of the audience was positive; the film thrived in society as it came out at a time where the Great Depression saw a time of family breakdown and disillusionment of the American Dream (Dr Nance week 3). Essentially, the dark aspects and the gendered representations resonated with the audience as it was relevant to their own lives. The impact of this film, however, can come from the desensitization to violence in society. Another example can be from the film King Kong and the representation of the ‘damsel in distress’ trope of a woman needing to be saved. Although it generated an overall popular response, the detrimental effects comes from the domestic imbalance and influence it had on
Leaper, Breed, Hoffman, and Perlman (2002) reiterates Junn (1997) findings that compared to women, men are overrepresented (Leaper, Breed, Hoffman, & Perlman, 2002). Leaper et al. conducted a time-based structured observational study by evaluating a total of 12 different child target television shows. They selected 3 shows from each of the following categories: traditional adventure, nontraditional adventure, comedy, and educational/family (Leaper et al, 2002). In addition, Leaper et al examined the number of characters in each film while also looking at the amount of time each character exhibited predetermined behaviors (talking fear, negative, physical aggression, victim, romantic, directive, politeness, and support) throughout the show (Leaper et al., 2002). At the conclusion of the study, Leaper et al. reaffirmed that female characters are underrepresented. In addition, however, Leaper et al. found that one genre, traditional adventure (“emphasizing a central male hero”) was more likely to contain gender stereotypical behaviors (Leaper et al., 2002, p. 1655). Ultimately, Leaper et al.’s conclusion can suggest to children that male characters’ overrepresentation in child-targeted media is because men are at the top of the hierarchy and are more important in society than women (Leaper et al.,
Our mothers have played very valuable roles in making us who a we are and what we have become of ourselves. They have been the shoulder we can lean on when there was no one else to turn to. They have been the ones we can count on when there was no one else. They have been the ones who love of us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, causes Jing-mei to struggle with who she wants to be. “Only two kind of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard the daughter rebels, but realizes in the end that their mothers only wanted the best for them and had their best interest at heart.
The Lion King also seems to emphasize the notion that males should be protective and females should be nurturing. In today’s society, a stereotypical mother is caring, generous,
Society cements certain roles for children based on gender, and these roles, recognized during infancy with the assistance of consumerism, rarely allow for openness of definition. A study conducted by Witt (1997) observed that parents often expect certain behaviors based on gender as soon as twenty-four hours after the birth of a child. The gender socialization of infants appears most noticeably by the age of eighteen months, when children display sex-stereotyped toy preferences (Caldera, Huston, & O’Brian 1989). This socialization proves extremely influential on later notions and conceptions of gender. Children understand gender in very simple ways, one way being the notion of gender permanence—if one is born a girl or a boy, they will stay that way for life (Kohlberg 1966). “According to theories of gender constancy, until they’re about 6 or 7, children don’t realize that the sex they were born with is immutable” (Orenstein 2006). The Walt Disney Corporation creates childhood for children worldwide. “Because Disney are such a large media corporation and their products are so ubiquitous and wide spread globally, Disney’s stories, the stories that Disney tell, will be the stories that will form and help form a child’s imaginary world, all over the world, and that’s an incredible amount of power, enormous amount of power” (Sun). Because of the portrayal of women in Disney films, specifically the Disney Princess films, associations of homemaker, innocence, and dependence are emphasized as feminine qualities for young children. Thus, children begin to consider such qualities normal and proceed to form conceptions of gender identity based off of the movies that portray the very specific and limiting views of women (...
Gender is a popular topic in the world today. It is a subject that is talked about and argued over, yet even with all the discussions being had, there are numerous other matters related to gender that should also be considered and included in the conversation. One of these issues is parenthood. The two articles “The Social Construction of Gender” and “The Joys of Parenthood, Reconsidered” each talk about how their topics are influenced by culture.
One of the main ideas acknowledged in this cartoon is that a woman’s job is cooking, cleaning, taking care of her husband and kids. It reveals Western gender ideologies at that period and demonstrates how society idealized gender roles. Feminist critiques by Gifford-Gonzales, explain that the perspective on women and men in the society and how women’s place is at home is cumulative. In other words, she demonstrated how women’s stereotypical image concerning their role in societies is spreading even in cartoons. Moreover, the cartoons represent two different ages so we have a combination of the past and the present. For example, people did not exist at the time of dinosaurs and telephones weren’t created until the nineteenth century. In addition, some fictional elements are added such as the elephant vacuum cleaner. Therefore, confusion between eras but also between fiction and reality is created. That affects how children apprehend issues represented in this cartoon. Growing up watching this animated series, youngsters develop the idea of gender stereotypes until the belief of women as background objects. Especially that these simple characters, with whom children identify, have a great impact on them and make it easier to convey a certain message
John Milton’s epic Paradise Lost and Mark Water’s movie Mean Girls display how different parental styles affect children. Parents are important characters in all works, whether it be a novel, play, movie, epic, or television show. As a result of the many mediums in which parents are portrayed, often different representations of parents can appear. This is the case with Paradise Lost and Mean Girls. Not only do these works showcase the different ways parental figures govern over children, but they also show how the reactions children have to these controls can be very similar even in different situations. As is apparent with the parent and/or divine leader roles of God the Father and Satan in Paradise Lost and Mrs. George and Mr. and Mrs. Heron in Mean Girls. An analysis of both Paradise Lost and Mean Girls
Emily Kane begins her book, The Gender Trap, with a flash back on her attempt at gender-neutral parenting in the midst of “traps” that make this effort frightening: our societal world is arranged to focus on the differences amongst girls and boys, as Kane saw in such ordinary experiences as the narrow selection of “princess” or “cowboy” themes when shopping for children's apparel. Kane also observed some of the everyday consequences of gender-unbiased parenting in, for example, the social rejection her son faced as a result of not having the toys unofficially necessary for playing with the other boys at his preschool. The rest of Emily Kane's book explores this “gender trap”—“a set of expectations and structures that inhibit social change and stall many parents' best intentions for loosening the limits that gender can impose on us”, in a social scientific manner.
In “Why Fatherhood Matters,” author Stephen Marche inscribes about how important it is to have a father around during the developmental stages of a child, but it can influence the child’s life in a negative manor while growing up without a dad.
Death of a Doll: Paternal and Maternal Figures in Henrik Ibsen’s “A Doll House”. Nora’s final actions at the end of Henrick Ibsen’s “A Doll House” have certainly been the subject of much criticism. In fact, “So much has it disturbed audiences that a few well-known productions changed the ending to have her return before the curtain falls”(Brooks). After all, why would a mother abandon her children and her husband with no clear indication if she was going to return?
In the dearth of women, love and human sentiments could be routed through children, so stories based on children dominated the screen.
Author Betty Rolling presents a quote from source a stating, “If motherhood isn’t instinctive, when and why, then, was the motherhood myth born?” Betty demonstrates the fact that if females were not born with the niche of parenting a child, why should women be the only one to nurture babies? Also, it is examined that the parenting of a child is both the mother’s and father’s responsibility. If both men and women were not born with the instinct of parenting, society has no firm to claim that taking care of babies is the sole responsibility of the mom or woman. To further validate this point; if a relationship combines similarities with one another why can’t there be mutual share to take care of one’s child. According to source a Betty Rolling writes, “But that gives for both males and females who have been mothered themselves.” The author is trying to convey the message that if both man and woman were nurtured at least one in their life by mom, why couldn’t either the son or daughter inherit the quality to take care of their future sons and daughters. If a man’s penis and a woman’s vagina were interchanged with one another, would that change the view of parenting? Who knows? The author displays the fact that men and women must care for their children regardless of what society puts on their perspective of
Motherhood is a traditional role for women. From the time they are young, girls are taught to grow up, marry and become mothers. Of course they can do other things with their lives like play sports, have careers, and travel, but an overwhelming amount of women want to be mothers no matter what else they accomplish with their lives. It is common knowledge that being a good mother is one of the hardest jobs in the world. It is to forever have a special link with another person or people and have a tremendous influence, maybe the most tremendous influence over their lives. Motherhood is a roller coaster ride for women, full of ups and downs, fears and accomplishments. But what happens when motherhood defines who a woman is? All children grow up, and while a woman is always a mother, children need their mothers less and less until eventually their dependence is very minimal. What happens to the woman whose singular role and purpose is no longer needed? In The Summer Before The Dark, and The Fifth Child, the maternal roles of Kate Brown, and Harriet Lovatt are analyzed and traditional motherhood behavior is deconstructed due to these characters’ experiences and relationships with their children.