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The origin and history of rap music
Hip hop effect on society
Hip hop rap negative impact
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Recommended: The origin and history of rap music
The novel Who’s the Best Rapper: Biggie, Jay-Z, or Nas confronts head-on the issues that individuals involved in hip-hop culture endure. The author, Ronald Crawford, wrote this book with the intention of reaching an audience of people who do not have the resources or motivation to read. As a psychologist and hip-hop lover, Ronald Crawford felt it was necessary to reach as many people as possible with information pertaining to the betterment of youth and adults in hip hop culture. In doing so, he wrote a book with relevant and controversial subject matter to attract that particular audience. Ronald Crawford utilizes his book as a platform for reviving the origins of hip hop. In it, he demonstrates the proper way of listening to rap music, allowing the audience to better understand and choose who the best rapper may be. In discussing who the better rapper is between Biggie, Jay-Z, and Nas, Ronald digs deeper into the roots of hip hop and also educates his audience about the authenticity and historical importance of rap. His goals are to provide his audience with knowledge about the intersectionalities that each rapper confronts, as well as understanding the perfect technique utilized in delivering their music. Ronald Crawford also wishes to challenge the misconceptions and misunderstandings of rap by using the actual lyrics of the chosen rappers and demonstrating their lyrical intelligence. Ultimately, the author wishes to help the youth read at a more advanced level because if they are highly skilled with reading, that may possibly manifest in them making more constructive choices with their lives. Conversely, Crawford wrote this book as an opportunity to confront his own personal insecurities in writing. It was a way for him to challenge himself and grow as a writer. He also acknowledges the impeccable metaphoric ability that Nas possesses when writing his rhymes. But overall, although Nas would be exceptionally high on Crawford’s list of favorite rappers, he would not be number one. By sculpting his outreach for urban youth and adults through literature, Ronald Crawford will certainly be reaching masses of individuals. His motivations for creating this book manifest themselves throughout every chapter, and those reasons are extremely salient. Among B.I.G., Nas, and Jay-Z, Ronald Crawford mentions his other favorites, such as Rakim and Eminem. The author specifically discusses the issues pertaining to the urban streets of Philadelphia and how he aspires to better them. Through this book, Who’s the Best Rapper, he has done his part in contributing to the betterment of not only that community but countless amounts of individuals.
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
Perry, Imani. 2004. Prophets of the hood: politics and poetics in hip hop. Durham: Duke University Press.
Prophets of the Hood is the most detailed and a brilliantly original study to date of hip hop as complicated and innovative literary story form. It is written with a refreshing harmonious combination savvy significance rigor as well as brave and creative narrative verve. Imani Perry’s research is an interesting analysis of late twentieth century in American great culture. Prophet of the hood is an excellent and unique book. It draws up a clear division between the negatives and positives involved in hip hop. She takes the discussions of rap to a deeper and greater levels with an insightful analysis of the poetic and political features of the art form. Being a fan and a scholar, Perry is aware the art, tradition of hip hop through an analysis of the song lyrics.
Hip hop’s rise to popularity has come at a price. It has been put under a magnifying glass as a result of its commercial success. Hip hop’s critics and fans alike have commented on the current state of hip hop through opinion pieces and books. Tricia Rose’s observation that “Hip Hop is in a terrible crisis” in her book The Hip Hop Wars Rose paints a picture of a culture in a dilemma. Rose describes an example that causes hip hop’s current state of crisis: how people discuss hip hop.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries, and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and content. It will also identify the history of hip hop and its transition into popular music. In particular, this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
For any avid consumer of hip-hop music, the timeless question of how to judge rapping skills is often brought up. Just as sports fans argue over who are the best players, rap fans argue over who is the best rapper. Instead of comparing touchdowns or homeruns, songs and verses are compared. The two major ways of judging someone's rapping ability are the free style rap and the written rap. Although mainstream, or written, rap does not lend much airtime to true free styling, mainstream rappers are finding a way to combine free styling with written rap.
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).