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Gender equality in the films industry
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Of the glaring inadequacies in the writing of Home Again, Myers-Shyer’s dialogue stands out as some of the worst. Her film’s run-time is peppered with conversations that roll off her actors’ tongues so unnaturally that they leave audience members cringing. Numerous scenes are particularly memorable for their poorly-scripted discourse, but two in particular stand out. The first is between Alice and her lover-slash-guest house live-in, Harry. Alice is in anguish when Harry misses the entirety of a dinner party she invited him to, which was intended to be their debut as a couple. When Harry comes home, he enters Alice’s room to beg for her forgiveness. Alice, however, says she's too old to cry over boys— which, food for thought, is what Alice is doing in her first scene in the movie— and that because of his age he’s bound to keep screwing …show more content…
For “struggling filmmakers”, Harry, Teddy, and George seem to have a lot of things go right for them: After being kicked out of the motel they’d been staying at because they’d run out of money, the three men conveniently earn an invite to live with the daughter of their favorite director. Furthermore, while living in Alice’s guest house, the boys’ biggest quandary is how to reconcile working together with striving for their own individual success: George working on a screenplay other than the trio’s own is seen as a betrayal by Harry, as is Teddy’s secret audition for a television pilot. Like Alice, there simply isn’t much at stake for the boys: even if they didn’t make it in Hollywood, they could always go home to their families— they just didn’t want to. Perhaps because she was born into the entertainment industry, Myers-Shyer is unable to write realistic struggles for her characters who weren’t. All things considered, the version of the starving artist that Myers-Shyer conveys in Home Again feels uninspired and
She spoke about how life became so different, and having to live a life without Charles took years to learn. The number of life lessons she needed to learn without Charles was overwhelming but Alice showed a lot of self-awareness, explaining that she understood life needed to keep going, and that she needed to be there for the people still in her life. The interviewer was flabbergasted on how insightful and humble Alice was throughout this sensitive subject. Alice also spoke highly of her children as well, but also lost one of her daughters from breast cancer in the early 2000's, which she stressed really challenged her religious values and taught her how to accept that things are out of her control, and in God’s hands. Alice has outlived her great-grandson, who passed away in a car accident a few years past, which made her
Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship between Bruce Bechdel and his family and his attempts to disguise his homosexuality by creating the image of an ideal family, themes which are prevalent throughout the rest of the nook.
The classic novel, Of Mice and Men, written by John Steinbeck was made into a Hollywood Blockbuster in 1992. Directed and acted by Gary Sinise and John Malkovich, Hollywood took a stab at trying to recreate this literary success. The novel, which takes place in the 1930’s, follows the lives of two men, George and Lennie, as they try to attain their dream of owning a farm. George is a smart man who always seems to have things figured out. Lennie is massive, but has the mind of a young child. George looks after him, but it is not easy since Lennie always seems to get himself in some kind of trouble. As they struggle towards their dreams, George and Lennie face obstacles that test their friendship. In the end, with Lennie dead, George finds out that dreams aren’t worth striving for, and eventually, loneliness overcomes everything. The movie, running almost two hours, stays very true to the book, although some things are removed or added. While the movie differs from the book in a few ways, it still gives its audience the same message.
George Milton has a goal to be independent, self sufficient, safe and companionable which motivates him to work hard on the ranch and save money; however, his goal is important because it portrays that false hope is a crucial part of life. Additionally, George Milton has a life goal to become a self-sufficient man who works for himself, and does not have to listen to the orders of a boss. He wants to live in a little farm house with his close friend Lennie Small so he can avoid loneliness and keep Lennie out of trouble. George wants guest beds so friends can stay over as well.
As the plot progresses, Sethe is confronted with elements of her haunting past: traumatic experiences from her life as a slave, her daunting escape, and the measures she took to keep her family safe from her hellish owner plague Sethe into the present and force her to come to terms with the past. A definitive theme observed in the novel is slavery’s dehumanization of both master and servant. Slave owners beat their slaves regularly to subjugate them and instill the idea that they were only livestock. After losing most of the Sweet Home men, the Schoolteacher sets his sights on Sethe and her children in order to make Sweet Home “worth the trouble it was causing him” (Morrison 227).
Fun Home shows how as the reader we can become educated and heal from the stories like that of Alison Bechdel’s childhood. We also can see Alison’s journey of healing as well. This full circle journey is why literature is so versatile and important to our society and culture. We depend on the creation and growth of literary themes like the ones we see in Fun House to help us grow and deal with the real world.
In Fun Home, Alison principally characterizes her desire for a masculine life while trying to find herself in an environment
Countless times throughout Robinson’s work, the idea of the home is used as a way to contrast society’s views, and what it means to the characters of Robinson’s novels. In Robinson’s most famous novel Housekeeping, two young girls experience life in a home built by their grandfather, but altered by every person that comes to care for them. After their mother
Things like looking at nudie cards to making mental notes that Mr. Smootes slutty daughter, Mary Jean is an easy lay. Harry starts to have feeling for the opposite sex that confuse, excite and terrify him. An example of this can be seen when Harry describes how he just wants to get away from Mrs. Louise Canerton during her Halloween party because as Harry puts it, "She was making me feel funny, her face close to mine, her breath sweet as a hot peach pie. I had grown warm and itchy all over." (123). Later that night he reminisces about the swell of her bosom and how her dress fit her in all the right places. Many readers may agree that there is almost nothing more awkward and confusing in becoming an adult then the beginnings of ones own realization of sex and sexual
Both Miller and Lorraine created a theme of achieving goals, Willy Loman just wanted to earn the respect of the people around him while Walter Younger wanted to get rich quick and support his family. American politician Reubin Askew once said, “We must stop talking about the American dream and start listening to the dreams of Americans.” What this means is people like Willy Loman and Walter Younger like to talk about the American dream and how it is their right, but they won’t go anywhere unless they actually go out and follow their own dreams. “Yes, [he is] a fine man—just couldn’t never catch up with his dreams that’s all.” (30). Both Willy and Walter think they have it all figured out, but they are sadly mistaken. Willy believes that to succeed in life all you need to do is be well liked, but all it got him was a lack of respect from coworkers even younger than he. Walter was sure he had found the answer to his families problems by investing in a liquor store; as a result one of his co investors and alleged friend ran off with all the money Walter had invested. Both Walter and Willy have the idea that all of the pressure in on their shoulders and no one else understands what its like. “Man, I’m a volcano, a giant surrounded by ants. Ants can’t understand ...
The title character, Alice, is a young girl around pre-teen age. In the real world, the adult characters always look down on her because of her complete nonsense. She is considered the average everyday immature child, but when she is placed in the world of "Wonderland," the roles seem to switch. The adult characters within Wonderland are full of the nonsense and Alice is now the mature person. Thus creating the theme of growing up'. "...Alice, along with every other little girl is on an inevitable progress toward adulthood herself"(Heydt 62).
Miller uses the misapplication and failure of the "American Dream" to captivate the audience and make them feel sorrow for both Willy and Biff Loman. It is heart breaking to see this sixty-year-old man finally come to the realization that he is really not who he thought he was. In addition to that, the fact is pointed out by his own son, who turns out to be wiser than him. Unlike Willy, Biff finds out who he is, and that the American Dream is not for everyone.
Although the novel is notorious for its satire and parodies, Alice’s Adventures in Wonderland main theme is the transition between childhood and adulthood. Moreover, Alice’s adventures illustrate the perplexing struggle between child and adult mentalities as she explores the curious world of development know as Wonderland. From the beginning in the hallway of doors, Alice stands at an awkward disposition. The hallway contains dozens of doors that are all locked. Alice’s pre-adolescent stage parallels with her position in the hallway. Alice’s position in the hallway represents that she is at a stage stuck between being a child and a young woman. She posses a small golden key to ...
The basic law of a contract is an agreement between two parties or more, to deliver a service or a product. And reach a consensus about the terms and conditions that is enforced by law and a contract can be only valid if it is lawful other than that there can’t be a contract. For a contract to exist the parties must have serious intentions, agreement, contractual capacity meaning a party must be able to carry a responsibility, lawful, possibility of performance and formalities. Any duress, false statements, undue influence or unconscionable dealings could make a contract unlawful and voidable.
...inal realization that she is growing up and that is normal, therefore, she accepts it. In brief, Alice in Wonderland is a book about growing up, and Alice definitely has grown up since the beginning of her journey and she has entered the adolescence phase when she rebels against everyone. Although she is not able to control herself when she gets angry, in other words she is behaving like a normal adolescent, she has gained a new “power” from this confusing experience: being a person with a voice to say something that matters.