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Ansel adams bio essay
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Ansel Adams was born on February 20th 1902 in San Francisco CAlifornia . He died April 22nd 1984 Through his photographs he has taught people the importance of saving and preserving the forests, National Parks, and other wild lands. Also, he was an important activist with several conservation groups and was involved with congress on behalf of the wilderness. One person Adams was influenced by was Albert M. Bender, an insurer and patron of arts and artists. after they met, Bender helped publish Adam’s first portfolio. Bender’s friendship, and connections changed Adams’s life forever, he finally had the energy and creativity to have his photos be great and be seen. a Second person who influenced Adam’s was Alfred Stieglitz. On March 28, 1933, Adams met him in New York. Stieglitz was a highly respected photographer of his day. He was very impressed by Adams's photos and promised him an exhibit at his gallery. …show more content…
Today, many people are influenced by this famous photographer.
One example of this is a prospering photographer names Casey Choma. she wrote a short blog about how “When I was asked about who my photographic influences were, there was really only one name that came to mind.” she is speaking about Adams. The legacy of Ansel Adams is a creative mind that motivated all outdoor photographers. Through his trips to Yosemite Valley and other wilderness lands, Adams practically created modern nature
photography.
For Emerson, the reticent beauty of nature was the motivator. To him, photography should be recognized because its still-life beauty was able to persuade the public’s appreciation of the life and nourishment
Benny Andrews was also inspired by the jazz clubs of Chicago and his work as a civilizing activist. He served as the Director of the Visual Art Program at the National Endowment for the Arts. Recognized for his collage works as well as carving, graphic, drawings, paintings, he is also a writer and critic and was a professor at Queens College in New York. Andrews is an outstanding designer, who is straightforward, but his powerful work is also unremarkable. He is also a writer and critic and was also a wonderful professor at Queens College in New York.
...sion of more city-like features like highways and billboards that are not needed. Although he constantly fought for the preservation of nature, he treated people who disagreed with him with “respect and courtesy” (Turnage). He was a man that fought for what he believed in and made a huge difference in the photography field by playing a role in establishing the first photography department in a museum, more specifically the Museum of Modern Art in New York (Turnage). Ansel Adams has changed the vision of landscape photography and will always be known and admired for the work he did.
... conservationism. He is inspiration for all of us to see the natural world as a community to which we belong.
Raymond Johnson, most famous for his collages in the days of early Pop art was simply never a household name. Instead, the movie How to Draw a Bunny proclaims he was "New York's most famous unknown artist.” The movie explains this and so much more as the people “closet” to Raymond reflect how disconnected and different he was from society in his lifetime. The movie captures this and so much more as the director thouroughly investigates the enigma of what Raymond was and his mysterious death that baffled both friends and the public by interviewing people th...
He believes that the wilderness has helped form us and that if we allow industrialization to push through the people of our nation will have lost part of themselves; they will have lost the part of themselves that was formed by the wilderness “idea.” Once the forests are destroyed they will have nothing to look back at or to remind them of where they came from or what was, and he argues everyone need to preserve all of what we have now.
1980: A Century of Illustration. New York: Published for the Society of Illustrators by Madison
Each of the artists mentioned here met Andy Warhol at different phases of his career. While the majority of them were seen at the infamous Factory, some came both before and after. Regardless of where they met and knew Warhol, they each had their own individual lessons and impacts. Jean-Michel Basquait was perhaps the last artist to come around and really know Andy Warhol. Julia Warhol was certainly the first. In between were very many amazing artists, almost too many artists to talk about. The most important, of course, have been mentioned in this paper. Andy Warhol is a man still impacting art long after his death. His visionary style changed forever the face of both commercial art and gallery art. Hopefully this paper communicated a bit of that genius.
Philemona Williamson and Charles Burchfield are two well-known artists from around the New York region. Creating art is what they both find great passion in. If one were to hold a piece by each artist side by side, at first glance, they are almost complete opposites. However, when going more in depth, there are similarities. Philemona and Burchfield had different and similar reasons for why they created artwork, how they created artwork, and what their artwork consisted of.
At AMB he created many pieces and worked alongside many artists, poets and philosophers. (insert Arthur and friends 1940s)
W. Eugene Smith: Shadow and Substance : The Life and Work of an American Photographer by Jim Hughes
My biggest influences outside of specific artists are video games and animation. I've always loved the design aspect of video games, anime, and cartoons—the different worlds created to fit each storyline. Those are my biggest inspirations when working with low-poly design and color. As for artistic inspirations, I've always been fond of Alphonse Mucha and Aubrey Beardsley. I like the style associated with Art Nouveau—the little decorative details in Mucha's art, and the 'strange and grotesque factor' that I see in Beardsley's. I am also heavily influenced by music, poetry, and a love for animals. I believe that my personal work is defined by most, if not all of these interests, and that they help to make my design work truly versatile.
From a very young age, “my dad inspired me a little bit and also some of the landscape and Photographers like Ken Duncan in Australia,” as Phill stated. For this reason, he had made it as far as he did in his career.
From the 1950’s he was commissioned a series of books, which helped refine these subjects. The image I will be discussing was likely to be published under the same circumstances.