Moving Home In “Where the World Began” by Margaret Laurence, the author describes her hometown, a small prairie in Canada called Neepawa. She paints a vivid picture of Neepawa; its nature, its buildings, its inhabitants, both alive and dead. For Laurence, her hometown is not “uninteresting”, or “dull”, as the stereotype about small towns goes. In fact, even after having explored many different locations such as England and Africa, this little town is the place she is most drawn to. She provides the reason for this strong attraction herself: "Because that settlement and that land were my first and for many years my only real knowledge of this planet, in some profound way they remain my world, my way of viewing. My eyes were formed there". Laurence draws a strong bond between home and personality throughout the essay, giving immense importance to the influence of her childhood home on her adult outlook. She concludes by telling the reader: "This is where my world began … A world which formed me, and continues to do so, even while I fought it in some of its aspects, and continue to do so. A world which gave me my own lifework to do, because it was here that I learned the …show more content…
sight of my own particular eyes". Laurence’s home shaped her personality because it was where she first formed her views, beliefs, and culture. It was where the world was first introduced to her. Home is an immovable part of her core. Joan Didion shares a similar sentiment regarding home, in “On Going Home”.
The essay is Didion’s account of a visit she made to her family house in the Central Valley of California for her daughter’s first birthday and how she found herself facing her past at every turn. According to Didion, family life was “the source of all tension and drama” in her life. She mentions over and over that being home gave her a sense of unease, “some nameless anxiety”, but despite this she suggests that home, and the emotional baggage that came with leaving home, defined the character of her generation and she sees it as essential in having formed her personality. Didion ends the essay with the rather upsetting revelation that she “would like to give [her daughter] home for her birthday but we live differently
now”. Reading these essays and contemplating the ideas further made me wonder: How do we live, in the modern age, now that we are without homes? How can we be? Samuel Beckett’s masterpiece Waiting for Godot is a play that touches on modern humanity’s existence without home. This is made obvious by the state of the two main characters, Vladimir and Estragon, who are tramps.
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
Joan Didion’s reaction to when her husband passes away is characteristically American because of how she is unable to cope with her husband’s death. “[She] would still get up in the morning and send out the laundry. [She] would still plan a menu for Easter lunch. [She] woul...
...ll wants and desires often results in a future filled with deep sadness. However, children do not degenerate by themselves; rather they are not spoiled till those of influential stature in the eyes of the children sink in to the corruption of favoritism. Even though times have changed, this corruption present in “Why I Live at the P.O” is analogous to what favoritism is today. In the modern world, partiality towards a certain child usually comes from strong feelings of love that bury themselves in an prominent figure’s mind and subconsciously spoil the child. This irony, that amplified love actually causes one to suffer later in life, depicts the broader issue that by getting one used to an imaginary life where all desires are fulfilled, he or she cannot accept the fact of human nature that, outside the household, people are indifferent to another person’s wishes.
She then shifts to discussing TV shows that bring family members together such as Sally Jesse Raphael or Oprah. As the mother imagines what it will be like when her daughter comes home, she brings out the imagery of tears and wrapped arms, and since we have all seen these shows, the reader can see the stage set up with four chairs and the daughter waiting for the parents to come out on stage. We can see the look of surprise on the daughter's face as they come out onto the stage. She has not seen her daughter, Dee, for a while and imagines b...
...ther is losing her daughter to time and circumstance. The mother can no longer apply the word “my” when referring to the daughter for the daughter has become her own person. This realization is a frightening one to the mother who then quickly dives back into her surreal vision of the daughter now being a new enemy in a world already filled with evils. In this way it is easier for the mother to acknowledge the daughter as a threat rather than a loss. However, this is an issue that Olds has carefully layered beneath images of war, weapons, and haircuts.
Allison, Dorothy. “This Is Our World.” Seeing and Writing. Ed. D. McQuade & C. McQuade. 1st ed. vol. 1 Boston: Bedford St. Martins, 2000. 155-60.
The main idea of the essay is to demonstrate the different ways in how Annie Dillard, the speaker, thinks and admires her mother’s personality and her qualities. This essay is not unusual because every daughter feels admiration and Proudness toward their mothers, even if they express their feelings in many different ways. As the speaker says, she takes pleasure in describing her exceptional mother and is proud of the lessons her mother taught her. The style of some mother’s uses to teach their kids is always in the beginning of their lives which lead them to have success or failure.
...family that she grew up in was such a negative environment. It is very possible that she will grow up to be an art teacher. One might think this because she looked up to her art teacher so much and admired her; Ellen’s mind is full of creativity and ideas. When Ellen’s school found out that her dad was abusive to her they put her up at her art teacher’s house. Ellen says “I came a long way to get here but when you think about it really hard you will see that old Starletta came even farther… And all this time I thought I had the hardest row to hoe” Like Ellen did, it is important for everyone to look back into their life and see what they have learned. Doing so cannot change ones past but only add to their future. Ellen will always carry the horrors of her childhood with her but by using all of her assets that she gained throughout the book her future can be enriched.
After a decade of not seeing his mother and brother, Howard returns to his hometown in Mississippi. It is evident how thrilled he is. As the train approaches town, he begins “to feel curious little movements of the heart, like a lover as he nears his sweetheart” (par. 3). He expects this visit to be a marvelous and welcoming homecoming. His career and travel have kept his schedule extremely full, causing him to previously postpone this trip to visit his family. Although he does not immediately recognize his behavior in the past ten years as neglectful, there are many factors that make him aware of it. For instance, Mrs. McLane, Howard’s mother, has aged tremendously since he last saw her. She has “grown unable to write” (par. 72). Her declining health condition is an indicator of Howard’s inattentiveness to his family; he has not been present to see her become ill. His neglect strikes him harder when he sees “a gray –haired woman” that showed “sorrow, resignation, and a sort of dumb despair in her attitude” (par. 91). Clearly, she is growing old, and Howard feels guilty for not attending her needs for such a long time period: “his throat [aches] with remorse and pity” (par. 439). He has been too occupied with his “excited and pleasurable life” that he has “neglected her” (par. 92). Another indication of Howard’s neglect is the fact that his family no longer owns the farm and house where he grew up. They now reside in a poorly conditioned home:
Regretfully, though readers can see how Mama has had a difficult time in being a single mother and raising two daughters, Dee, the oldest daughter, refuses to acknowledge this. For she instead hold the misconception that heritage is simply material or rather artificial and does not lie in ones heart. However, from Mama’s narrations, readers are aware that this cultural tradition does lie within ones heart, especially those of Mama’s and Maggie’s, and that it is the pure foundation over any external definition.
...establishing a “home” has essentially been transferred from the parent to the child, and the traditional home, and consequently family, has all but disappeared in our society. This shift undermines the roles of the parents, and forces the child to take on adult responsibilities at a premature age. We live in an on-the-go day and age where nothing seems to remain constant for any time at all, and with this lack of continuity we have lost a great deal of what was once an integral part of society. The thought of a child ascribing to a “home” devoid of anything infallible is not a pleasant one. If every parent would spare a moment in their busy, fast-paced lives to consider the impact of the dissolution of the traditional home upon our children, we might not need films such as “Milo and Otis” to instruct our children to dissociate home from the world around them.
In the book The House on Mango Street, written by Sandra Cisneros, the main character, Esperanza, was affected by many external forces, including family. Esperanza is a young teen who just moved to Mango Street, and she doesn’t like her house because it’s ugly, and she dreams of another house that her family has promised one day. “I have inherited her name, but I don’t want to inherit her place by the window (Cisneros 11). This was in reference to her great grandmother who didn’t want to marry, but Esperanza’s great grandfather kidnapped her and forced her to marry, where Esperanza’s great grandmother never forgave him and looked out a window for the rest of her life. Esperanza didn’t chose her name, her family did, and she didn’t chose who her family is either. The external force of family is an issue in real life just as it is in this novel, and the teens learn to either love it or hate it.
The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
The author uses imagery, contrasting diction, tones, and symbols in the poem to show two very different sides of the parent-child relationship. The poem’s theme is that even though parents and teenagers may have their disagreements, there is still an underlying love that binds the family together and helps them bridge their gap that is between them.
The persuasive attempts in both literary works produce different results. The effectiveness of the mother’s guidance to her daughter is questioned since the girl cannot recognize the essence of her mother’s lesson. Despite that, the mother’s beneficial instruction serves as a standard for the daughter to reflect her future behaviors in order to live up to the community’s expectations. On the other hand, Anne’s value of candid expression and lasting relationship dissuades her from obliging to her family’s meaningless duty to place her love and interest above to experience fulfillment in life.