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Serial killer fiction essay
Personal analytical reflection on southern gothic literature
Essays on serial killers
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Recommended: Serial killer fiction essay
"I mean, anybody can break through a screen door and glass and wood and iron or anything else if he needs to, anybody at all, and specially Arnold Friend.” (Where Are you Going, Where Have You Been, Joyce Carol Oates, pg. 8) Oates manages to make the story “Where Are You Going, Where Have You Been?” a true horror, because it is relatable. The story leads us through the life of Connie until she encounters Arnold Friend and Ellie Oscar, who pressures Connie into leave her home and leaving thus leading to her murder. Throughout the story we have three main characters: Connie, Arnold Friend, and Ellie Oscar. We relate to Connie, we know people like Arnold Friend exist, and we could be Ellie Oscar.
We know Arnold Friend, not personally, but we know his character. Arnold Friend stalked Connie throughout the story convinced that she was his lover; he used threats and smooth talk to coerce Connie to leaving her house and into Arnold friend, Ellie Oscar’s, car. Arnold Friend is like many serial killers our society has encountered the past century including Charles Schmid, Ted Bundy, and Charles Manson by how they target their victims, their charisma, and their influence over others. Charles Schmid is the serial killer that influenced Oates to write “Where Are You Going, Where Have You Been?” he had killed three teenaged girls while dressing up to resemble Elvis Presley (“Serial: It’s Not Just For Breakfast”, Schumaier, 2002.) Arnold Friend resembles Elvis to with his black wig and sunglasses. Ted Bundy was a serial killer, rapist, necrophile, and kidnapper whom targeted young women. Bundy found his victims at a public place, such as a park, he would then use his charm to convince them leave the safety of the public area to a more secluded...
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...me as Elizabeth Smart, Anne Sluti, and Jaycee Dugard show.
“Where Are You Going, Where Have You Been?” by Joyce Carol Oates is a great Southern gothic because of how we, the audience, can relate to the main characters. We know people like Arnold Friend from the newspaper clippings and books about notorious serial killers like Charles Schmid, Ted Bundy, and Charles Manson. We could be an accomplice like Ellie Oscar as Milgram’s experiment, the Stanford Prison Experiment, and Susan Atkins shows us. Finally, we are Connie. Connie is a normal person, living a normal life, until it is ended by a cruel kidnapper which we know could be reality from the kidnapping stories of Elizabeth Smart, Anne Sluti, and Jaycee Dugard. Oates story is scary because it has the ability to be true and we, the audience, can identify with each character Arnold Friend, Ellie Oscar, and Connie.
Where Are You Going, Where have You Been by Joyce Carol Oates is a tale of a naive young lass taking her first steps into the illusion of the teenage dream. For the regular viewer of the film Smooth Talk, one would not pick up on the elaborate history behind the movie. Dating back to the 1960’s, the written story sheds very little light on the true sadistic nature of the means and intentions of Arnold Friend. Going back even further, the written tale is based on Life Magazine's article “The Pied Piper of Tucson” the true story of a middle aged man who preys on adolescent girls, getting away with devious sexual acts and sometimes murdering said adolescents. Without this previous knowledge, both the story and the movie seem for the most part innocent, with only a tad of creepiness generated
Oates uses a great number of symbols in her short story "Where are you going? Where have you been? to create an aura of unease and Devilishness. Her principal symbols are Arnold Friend, his disguise, and the music Connie listens to. Oates' use of symbolism and Biblical allusions to Satan force the reader to raise an eyebrow to the character of Arnold Friend and the doomed future of Connie.
In the short story “Where Are You Going, Where Have You Been?” written by Joyce Carol Oats, the writer includes a very interesting character. One of the main characters, Arnold Friend, is a dynamic character due to the sudden changes of this physical appearance and personality. At first he seems charming and a little on the sweet side, but then his dark side starts to show as the story progresses. He first appears when Connie abandons her friend to go with a boy named Eddie. Arnold is seen in his gold convertible Jalopy, which is the first sign that he wants to be alluring. His first words in the story are "Gonna get you, baby" this foreshadows his intentions when it comes to Connie
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
Throughout “Where Are You Going, Where Have You Been?” Arnold Friend is a very intimidating and mysterious character that is hard to figure out. Arnold knows everything about Connie, a teenage girl that he has never met before. He is very persistent with getting Connie to run away from her awful teenage life at home with him. Arnold’s appearance adds even more mystery to who he actually is. Arnold has a roughed up look to him, a secret code painted on his car that can be interpreted as a Bible verse, and he can not stand steady on his feet, because of all of these attributes Arnold appears that he is possibly Satan.
As teenagers, we feel like we know all the complexities of life, and that the changes we experience during puberty are the ultimate variabilities of our lives, but the irony of this is that they still have so much more to learn. The story “Where Are You Going, Where Have You Been?” was written by Joyce Carol Oates, an influential, feminist author in the 1960s. The story was inspired by the real-life serial killer, Charles Schmid, also known as the “Pied Piper of Tucson”, who like the antagonist in the story, Arnold Friend, preyed on young girls as his victims (Sharma 5). An important element that influenced the story is that it was written in the 1960's, a period known as the Second-Wave of feminism, this was a time when women across America began to break free from the patriarchal system and assert their rights as citizens outside of the home (The 1960s-70s American Feminist Movement: Breaking Down Barriers
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
Coming-of-age stories commonly record the transitions—sometimes abrupt, or even violent—from youth to maturity, from innocence to experience of its protagonist, whether male or female. Greasy Lake by T.Coraghessan Boyle and Where Are You Going, Where Have You Been? by Joyce Carol Oates are great examples of traditional coming-of-age stories. The roots of the coming-of-age narrative theme are tracked in the male protagonist’s perspective for Boyle’s short story, while the Oates’ story captures the coming-of-age theme from Connie; a female protagonist’s perspective. In both short stories, the authors fulfill the expectations of a coming-of-age genre when they take us through the journey of rebellion and self realization, as the
The mysterious Arnold Friend goes to Connie’s house. He tries to convince Connie to take a ride in his car. Most people will deny the offer, but seeing as though Connie is unruly, she is easily persuaded by Arnold . Arnold deceives Connie with his charm and ride. He takes her to a place where she does not know. We find that Mr. Friend is not so friendly, but a sick soul with a loose tongue. In addition to this I agree with author Christina Marsden Gills of “Short Story Criticism, vol.6” when she explains that:
Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" written in the late sixties, reveals several explanations of its plot. The story revolves around a young girl being seduced, kidnapped, raped and then killed. The story is purposely vague and that may lead to different interpretations. Teenage sex is one way to look at it while drug use or the eerie thought that something supernatural may be happening may be another. The story combines elements of what everyone may have experienced as an adolescent mixed with the unexpected dangers of vanity, drugs, music and trust at an early age. Ultimately, it is up to the reader to choose what the real meaning of this story is. At one point or another one has encountered, either through personal experience or through observation, a teenager who believes that the world is plotting against them. The angst of older siblings, peer pressure set upon them by their friends, the need for individualism, and the false pretense that at fifteen years of age, they are grown are all factors which affect the main character in this story.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
Where Are You Going, Where have you been? is a short story written by Joyce Carol Oates. The 75 year old American author and professor at Princeton University, introduce the story of 15 year old Connie who is rebelling against her mother’s whishes. A very arrogant and selfish girl that in her world the only thing that matters is how many heads she can turn when walking into a room. Through the story life gives her a test, to confront Arnold Friend, the antagonist of the story; who possesses a nefarious power beyond her own experience.
In the short story “Where Are You Going? Where Have You Been?”, by Joyce Carol Oates, the use of the symbolism of Connie’s clothes, her fascination with her beauty, Arnold Friend’s car and Arnold Friend himself help to understand the story’s theme of evil and manipulation. The story, peppered with underlying tones of evil, finds Oates writing about 15-year-old Connie, the protagonist of the story, a pretty girl who is a little too into her own attractiveness, which eventually gets her into trouble with a man named Arnold Friend. The story is liberally doused with symbolism, from the way Connie dresses to the shoes on Arnold Friend’s feet. In “Where Are You Going? Where Have You Been?” the reader can pick up on some of the symbols very easily, while others need deeper thought. The subtle hints of symbolism throughout the story create a riveting tale that draws the reader in. Connie finally succumbs to Arnold Friend at the end of the story, it then becomes obvious that he represents the devil and the symbolism of her clothing and Arnold’s car all tie together to create a better understanding of the story.
One way that, "Where Are You Going, Where Have You Been?", is a perculiar story is how at Connies house, Connie tells him again to leave and then she fear strikes her as she grows a little dizzy when Arnold Friend begins to tell Connie where they are and what they are doing at that exact and precise moment. She gets very nervous when he tells her that he knows that they are at the barbeque at their neighbors house. Hearing this information and everything that this man knows, Connie grows extremely horrified, but also very fascinated by his precise description of what was happening. Connie wants to go into the house because Arnold Friend moves closer towards the porch ...