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Analysis of zombieland
Zombie movies analysis
Analysis of zombieland
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It’s the zombie apocalypse. All hell has broken loose, there are few in the group you can trust as you search for shelter and food. One man is usually in charge, and we would hope that it is someone who is capable of leading a group. The film I have chosen to discuss is Shaun of the Dead, a British zombie romantic comedy directed by Edgar Wright. Shaun of the Dead was heavily influenced by George Romero’s Dead trilogy, hence the parody title of the film. The main character in the film is of course, Shaun, played by actor and co-writer of the film, Simon Pegg. His character is the last man we would expect to want to save the world or be in charge of a group of people, and the movie showcases that by using a satiric form of humor called menippean satire. “Menippean satire is named after the Menippus in the third century BCE” (“Menippean Satire”, Wikipedia). According to the Collins American Dictionary,
“Menippean satire is defined as a form of satire that is indirect and nonrealistic in approach. It consists typically of a loosely organized narrative incorporating a series of dialogues between representatives of various points of view” (Collins).
Shaun of the Dead uses menippean satire as a means of demonstrating the metaphorical connection between zombies and human society by having the zombies represent consumerism. Similarities that zombies and humans share include being purposeless and adapting to the trend or the next best thing. We see this represented in social and news media daily. This movie uses zombies to represent society in the form of consumerism and how daily activities in human lives can quickly become routine, foreshadowing consumerism in the sense that everyone does the same thing (i.e. acting like zombies), including the idea that Shaun represents change and the everyday man in the film.
The idea of feeling purposeless and the feeling of being
Torie Boschs “First eat all the lawyers” appeared in Slate october 2011. Her piece was to reach out to horror fans and to explain to them why zombies are a great monsters in current media. Zombie fanatics who read this short essay will love her vast knowledge of zombies while others who still do not understand why zombies are horribly terrifying can get behind her argument. Bosch explains that the current zombie craze has to do with our current society and how white-collar workers would be left defenceless in a world over run with a rampant horde of zombies. While blue-collar workers can flourish in this current state as they have more skills suited for survival. Boschs essay uses rhetorical devices such as ethos, foil and satire to make her
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
Everybody is obsessed with the Zombie Apocalypse these days. Bumper stickers reading “My zombie ate your honor student” and television documentaries about “preppers” who are ready for the zombies to come; even Law agencies placing their officers in specially designed zombie apocalypse training courses. The result of all of this zombie hype is that everybody wants to test themselves—to be the one who survives and saves mankind. Joseph Campbell’s monomyth of the hero’s journey is widely accepted as the basis for most, if not all heroic tales. Campbell relates that the hero begins ordinarily and is then called to the adventure, usually with the help of somebody. The hero must cross a threshold into danger and during the quest he/she faces trials and tests. Finally the hero meets the ultimate challenge; afterward returning home with some elixir or knowledge that betters themselves or human kind (). The role of the hero is one that appeals to anyone from elite soldiers to ordinary civilians—and Shaun is an ordinary man. More ordinary, perhaps, than anybody has ever known, but like so many people today aspire to be, he survives a zombie outbreak and ultimately becomes the hero in the movie Shaun of The Dead, written and directed by Edgar Wright.
Romero’s cult classic work “Night of the Living Dead” displayed characters enacting their stereotypes, portraying men and women in their stereotypical sexist behaviors. Themes of such stereotypes are hinted within the movie, hidden underneath the idea of carnal, flesh eating ghouls. The character Barbra, is the embodiment of the helpless woman in horror films. Ben, the power controlling domineering male of the remaining survivors in the farmhouse. Harry, another male figure who try to apply his strength and ego amongst the group. Helen, is depicted as the unhappy housewife who is semi-defiant to her husband. These portrayals accurately depicted the stereotypes America held during the 1960s, effectively mirroring the time in which it was
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
Satirical writing allows the author to express his or her opinion about a problem in society. A writing must follow three rules in order for it to be classified as satirical. First, a continuous focus on one’s subject’s faults. Secondly, instead of telling the reader directly, information must be given indirectly. Thirdly, the writing must have a variety of satirical techniques in general (Festa). With these simple guidelines, an author can demonstrate his beliefs of what he thinks needs to be changed in society.
Thoughtful laughter is a technique used frequently in satirical pieces in literature. It allows for the audience to enjoy the wittiness of a work, later ponder on the meaning, and then apply the message to reality. Thoughtful laughter is often an inner experience that can only be achieved by authors who write meticulously. Two examples of satirical works in literature that display this concept explicitly are Voltaire’s Candide and C.S. Lewis’ The Screwtape Letters. Both authors explore the depths of satire and simultaneously deliver an important message to readers through skillful technique.
Satire is form of comedy in which flaws in people or society are chastised in order to prompt change in the objects of criticism. Regardless of how long ago comedy itself may have existed, the concept of satire was introduced by the Roman satirists, Juvenal and Horace. The tones conveyed in their writing characterize the main modes of satire, being Horatian and Juvenalian, and are still used in satire today. Presently, two popular forms of comedy that employ satirical elements include parody news sources and comedic performances. Although satirical writing has evolved throughout history, many aspects of satire are still apparent in both the articles of parody news sources, like The Onion, and the performances of professional comedians, like
Although the zombie metaphor focuses primarily on fear involving unconscious contributors and their mission of adding to their population, the fear of governmental control and how society responds to the epidemic is also an issue that needs to be considered. In this scenario, the viral outbreak is not only a threat to individual health but also to the stability of society as a whole.
George Romero's reinvention of the zombie in night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated; despite their every effort. These themes are colored over and painted to hide beneath subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
Night of the Living Dead represents more complex issues such as race, politics, and war and Ben was fighting the undead not just for himself, but also for the good of the collective. The 60s sparked a counter-culture that grew and spread throughout the Western world and according to the book by historian Terry Anderson titled “The Movements and the Sixties;” “ [t]he aggregate movement gained momentum as the Civil Rights Movement continued to grow, and would later become revolutionary with the expansion of the U.S. government's extensive military intervention in Vietnam” (Anderson, 254). The film emerged from the some of the most turbulent years in American history and Night of the Living Dead becomes the embodiment of the cultural revolution of the 1960s. Shaun of the Dead, on the other hand, embodies a more individualistic and narcissistic society. You can even say that characters portrayed in the film are socially unaware. Shaun and his friends do not seem to care about issues such as social injustices, politics or war. They take an active role of ignorance and entitlement and are apathetic towards causes outside the individual. Just as the Vietnam War was happening in 1968, the war in Iraq was happening in 2004, but the government no longer enforces the draft system (which is a positive change), and enlisting to fight for your country has become a voluntary decision of the individual. Our generation’s narcissistic and selfish behavior can perhaps be attributed to the idea that social issues are no longer dire than that of our personal responsibilities such as having a job, raising children, the day-to-day activity that consumes all our energy. Who wants to think about police brutality when a
There are two vastly differing works of literature that employ similar elements of satire, whether the story is long or short, an essay or novella. In these two works, the authors bring light to ongoing social, political, and philosophical issues of their time and age. The two works I am referring to are Jonathan Swift’s satirical essay, A Modest Proposal, and Voltaire’s novella, Candide, or Optimism. In both A Modest Proposal and Candide, there is a portrayal of irony, cold logic and reasoning rather than emotion, and misguided philosophy. Exploring the issues within these texts can implement a better understanding of not only the literature itself, but also the historical context and the issues of the time.
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is
Satire is a literary manner built on wit and humor with a critical attitude directed to human institutions and humanity. A successful satiric play will show certain truths about society and then try to improve upon them. Satire is meant to be constructive rather than destructive. Aristophanes uses satire in Lysistrata to convey many different themes such as war and peace, the struggles of power and class, and the life and death issues that are seen in war. Satire is successfully used and seen in Lysistrata by stereotyping women in general and then the different classes of women as well. Double entendres are seen throughout the play to help add humor to the play. Sex is used as humorous tool but only to covey a deeper theme that consists of war and peace and also of life and death.
Some of most lasting works of satire exemplify such a function, most specifically through the end-states of the protagonists. Orwell’s Nineteen Eighty-Four, Voltaire’s Candide, and Jonathan Swift’s Gulliver’s Travels all exemplify end-states of protagonists that emphasize conclusions to the moral and philosophical problems posed by the authors. Yet, each also exhibits a degree of ambiguity, which allows the audience to reflect on the criticism in conjunction with literary examination. All three of the aforementioned literary works are different in content and the degree of satire employed. However, by comparing the differences and similarities between protagonist end-states in each work, it becomes possible to better understand satire as a literary genre. Namely, the characteri...