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1 paragrapgh about art
Basic art theory
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Glenn Brown is a British artist, a painter and sculptor, who is known for reproducing iconic paintings of centuries past. Under normal circumstances he would be considered a fraud, a forger, but Glenn Brown is an unusual man. Brown believes that humans beings, animals, and objects, constantly undergoes a lifetime of metamorphosis. In an interview with Elena Cue from the Huffington Post, he says: “We all transform from one thing to another, we are all made of stars; the atoms that we’re made up of are billions of years old and once formed parts of stars. So it’s that idea that we are all eternal, to some extent. It doesn’t matter what form we take. We never truly die; we just transform continuously. I think that is also the essence of what it …show more content…
In order to answer that question, one must delve into the world of color. As shown throughout his art, Brown focuses on color and fluidity. Brown’s desire is for one’s eye to move about the page, for them to question the colors within the piece. In the interview with Elena Cue, Brown was asked, “What meaning do you give color?” In his answer he described how he “steals” color from other artists while explaining how opposite or different colors in a painting create a different but real reality. By painting opposite colors onto the canvas he heightens reality. This effect is achieved because the color reminds the viewer that what they are looking at is not reality, but a painting created by Glenn Brown. An example of one of these paintings would be, Die Mutter des Künstlers (2016). This panting is a reproduction of one of Delacroix’s paintings in which he painted a model known as Mademoiselle Rose. In the original she is performing a basic pose while seated on a block, whereas Glenn Brown transforms her into a ghostly figure. In this painting he crops her the block and her head, dulls the background, and casts the entire picture in a seemingly ethereal blue. The physical changes to the model and the color of the painting severs the connection that the painting once shared with reality, creating a space where the viewer is faced with fiction and
If one came close to the figure’s stomach where there’s the seafoam green, one can see the strong mark makings of the paint brushes and knife strokes, making the paint come out of the canvas. Similarly, Brown also uses big paint strokes of different colors to direct viewer’s eyes around the artwork. For instance, on the left side of the figure, there is a big vertical downward motion of a brush stroke in maroon, that connects to a green streak that goes up and encompasses the figure’s head and then downward to the body of the figure, which outlines and pushes the figure to stand out. And to make our eyes go back to the figure, Brown paints a blue triangle on the chest, making it a focal point due to it’s dark color that stands out of the light colors. And if someone stood facing the side of the painting, one can see the thick globs of paint that would make the viewer take a double glance to see if it was either a painting or a sculpture, which reinforces the idea that the painting is coming alive and making one feel
He is known how to combine three main colors and balance it to his artwork, green tone combined with red tone on her clothes represent that a woman is one of a lower class in society at this time, brown tone is a background color bring to viewer a heavy feeling, and this color was emphasized to face of the woman a little bit of sadness, a little bit of hopelessness in her life and her children. In this artwork, he used a rectangular shape of a wall and circle shapes for a child. They both give a viewer feeling about pressure and straitened for women. If we are noticing that in this artwork has leading lines. This line comes from three of her kids, it is creating a triangle.
A realist not only by artistic and significant persuasion, but by temperament, Sterling A. Brown has shown concern throughout his career with poetry as an art of communication. Brown's essential writings deal primarily with the literary portrayal of Afro-Americans. Brown renders in a trend that emerged from many types of folks discourse, a black dialect matrix that features the blues and ballads, the spirituals and work songs. Brown’s final referents are African-American music and mythology. Brown was born in May 1901 and graduated with honors from Dunbar High in 1918. when after he went to Williams college on a scholarship and was the only student awarded Final Honors. From 1922 to 1923 Brown took a masters degree in English at Harvard University.
Color is used to draw attention to important characters and objects in the painting. The red of Mary’s shirt emphasizes her place as the main figure. A bright, yellow cloud floating above the room symbolizes the joy of the angelic figures. De Zurbaran uses warm colors in the foreground. The room, used as the background for the scene, is painted in dark colors utilizing different hues of gray and brown.
John Brown was an American abolitionist, born in Connecticut and raised in Ohio. He felt passionately and violently that he must personally fight to end slavery. This greatly increased tension between North and South. Northern mourned him as a martyr and southern believed he got what he deserved and they were appalled by the north's support of Brown. In 1856, in retaliation for the sack of Lawrence, he led the murder of five proslavery men on the banks of the Pottawatomie River. He stated that he was an instrument in the hand of God. On October 16, 1859, he led 21 men on a raid of the federal arsenal at Harpers Ferry, Virginia. His plan to arm slaves with the weapons he and his men seized from the arsenal was thwarted, however, by local farmers, militiamen, and Marines led by Robert E. Lee. Within 36 hours of the attack, most of Brown's men had been killed or captured. Brown was hanged on Dec. 2, 1859. He became a martyr for many because of the dignity and sincerity that he displayed during his popular trial. Before he was hanged he gave a speech which was his final address to the court that convicted him. And he was thankful to Bob Butler for letting him send that text in electronic form. "This court acknowledges, too, as I suppose, the validity of the law of God. I see a book kissed, which I suppose to be the Bible, or at least the New Testament, which teaches me that all things whatsoever I would that men should do to me, I should do even so to them. It teaches me, further, to remember them that are in bonds as bound with them. I endeavored to act up to the instruction. I say I am yet too young to understand that God is any respecter of persons. I believe that to have interfered as I have done, as I have always freely admitted I have done, in behalf of his despised poor, I did not wrong but right. Now, if it is deemed necessary that I should forfeit my life for the furtherance of the ends of justice, and mingles my blood further with the blood of my children and with the blood of millions in this slave country whose rights are disregarded by wicked, cruel, and unjust enactments, I say let it be done." (http://members.
Both of these pictures are the same painting, yet different feelings are provoked by each. To me the one on the left, the colorful one, is more intriguing. It jumps at you grabbing your attention and drawing your eye in, giving you a warm and lively feeling. The picture to the right seems a bit dull and emotionless, portraying a melancholy feeling. In the art world color is a good thing. It brings other elements to a picture that you can't receive by using only two colors. Color can represent many things, emotions, mood, importance, a specific object, or as we have come to know the word, people. People seem to be assigned a color that people think represents the type of person they are. Yet, unlike the art world where a color is usually linked to only one trait or emotion, like, black-sadness, white-purity, red-evil, purple-royalty, the colors that we assign each other do not have set traits that are encompassed with in each color. The only thing that is set with the categories of colors we describe each other with is the tone of our skin! The color of ones skin played a big role in the years between the late 1950's and early 1960's and defined the lines of desegregation, in the midst of this racial cacaos lied innocent children and how the case of Central High changed their rights to an education.
Nathaniel Hawthorne’s allegorical story “Young Goodman Brown” is set in Salem, Massachusetts during the late sixteen hundreds in a time of religious hysteria and only a few generations after the infamous witch trials. Although "Young Goodman Brown" is a fictional tale, it is based on the cynical environment of Salem during this time period. The short story is filled with many literary elements, leading you to question what did exactly happen to the main character at the conclusion. When analyzing a story like "Young Goodman Brown", one must recognize that the story is at whole symbolic. In the text, symbols are used to uncover the truth of the characters. The role of Faith as both a character and a spiritual element are crucial to both the story and the character of Young Goodman Brown.
In Nathaniel Hawthorne's "Young Goodman Brown," Hawthorne introduces Goodman Brown, who doubts himself and reiterates his false confidence to himself repeatedly. His struggle between the evil temptations, the devil, and the proper church abiding life, is a struggle he does not think he can handle. This story is about a man who challenges his faith in himself and in the community in which he resides. Goodman Brown must venture on a journey into the local forest, refuse the temptations of the devil, and return to the village before the sunrise.
Does Young Goodman Brown Achieve Goodness? Nathaniel Hawthorne often emphasizes the ambiguous nature of sin, that good and evil do not exist in parallel with each other but at many times intersect with each other in his fiction. In "Young Goodman Brown," Hawthorne applies what he believes is the virtue of recognizing cosmic irony of taking into account the contradictions inherent in the human condition, to his portrayal of Young Goodman Brown. According to Hawthorne's view, Browns failure to recognize the inherent sinfulness in himself as well as the rest of humanity, results, not in a rewarding life of reveling in righteousness, but in isolation and obscurity. Hawthorne juxtaposes the village of Salem, Massachusetts in
...s face. Masaccio's extrodinary focus on colors adds a new fundamental component to the painting.
In Nathaniel Hawthorne's short story "Young Goodman Brown,” the author uses danger and mystery to represent the struggle of good versus evil. Young Goodman Brown journeys into the night and comes to realize an unforgiving truth. Everyone is in danger of abandoning their faith or is inherently evil. Nathaniel Hawthorne has filled this story symbolism, after reading this story the reader may have questions about Young Goodman Browns’ determination to journey towards his evil purpose. Nathaniel Hawthorne implies strong faith can endure but when that faith is destroyed, what view does a person have towards mankind? Let us take a look at Nathaniel Hawthorne’s use of significant symbols throughout “Young Goodman Brown.”
When I imagine an artist, I picture a Parisian dabbing at a sprawling masterpiece between drags on a cigarette seated in an extravagantly long holder. He stands amid a motley sea of color, great splashes of vermillion and ultramarine and yellow ochre hiding the tarp on the studio floor. Somehow, not one lonely drop of paint adorns his Italian leather shoes with their pointed toes like baguettes.
The composition of the painting takes place with the square of the canvas. The square is approximately 5' x 5'. A black frame surrounding the painting protrudes approximately 4" off the canvas. There is a 1" inlay between the canvas and frame. From this square, Reinhardt breaks the composition into six equal squares in three even rows. Texture is no where to be found in the painting. No visual indication of the artist's brush stroke is present. No varnished glare is given off by the piece. The entire work, including the frame, is completely matte. The squares take up the entire canvas in a checkerboard type arrangement. Each square is a slightly different shade of blue-black. It almost becomes impossible to see the difference between each square. The middle squares in the top and bottom rows shift more towards blue than the rest of the squares. The division of these middle squares become more obvious than the others. When the painting is looked at from a distance, it is almost impossible to see any of the squares at all. When looking from a far, all a viewer can see is a blackish blue canvas. As you stare longer into the painting, a halo begins to form around the corners of the canvas, creating a circle inside the square. Once you look away from the canvas, the circle is gone. With this observation in mind, we could say that the painting most definitely relies on the viewer. A viewer is required to look at the piece for its full affect. We could say that the squares in the painting are self-contained.
Everyone can be an artist in many different ways because all it takes is thinking outside the box and just letting everything come to you when you are painting. Anyone could be an artist by putting color on paper or drawing something, and people can really tell who a person is by looking at their artwork. I think his work is naturalistic because its nature and real life people do things like this outside. Overall he is a great artist he expressed his emotions and feelings by painting this artwork. When you look at it you should feel happy and joyful instead of sad and horrible. Artists create places for human purpose, and to create extraordinary versions of ordinary objects. Artist want people to look at the work and be able to get something out of it than just a
In art, color is a very vivid element that attracts the audience’s attention, and allow us to think deeply about our innermost feelings. Van Gogh’s use of light and dark colors used in the night sky provide great contrast in order to capture our attention. The darker blue gives the art a gloomy feeling and could perhaps represent isolation. The lighter blue helps to draw attention to the swirls that Van Gogh made in the sky. The yellow accentuates the swirls even more because it is the brightest color found in the art piece. Blue and