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Essays about racism and children's literature
Children's literature racism
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In November of 1893, India welcomed the children’s book Rikki-Tikki-Tavi by Rudyard Kipling, a native-born Indian who lived his life as an English journalist and short story writer. Rikki Tikki Tavi is a brave mongoose who finds a new home with a family of colonists and must fight against the snakes in the garden who threaten his new way of life. Though the subtle references to imperial India and the ideologies of the time are often overlooked because of the genre as a children’s story, Rikki-Tikki-Tavi is ripe with analytical potential beyond the triumph of good versus evil.
Within the first few pages, the English family in the bungalow takes a nearly drowned mongoose into their care. When it comes time for their son Teddy to be put to bed, his mother objects to the mongoose sleeping with him. His father assures her stating the mongoose serves as the first line of defense against a deadly cobra. This is where
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He is the barrier between the white family and the wild unknowns of the Indian garden.
Further separation between the white colonists and the native Indian people, specifically their culture and religion, comes in when Kipling introduces the cobras Nag and Nagaina in a confrontation with Rikki Tikki. Nag describes himself as something to be feared because all cobras bear the mark of the Hindu God Brahm. Nag tells Rikki Tikki, “Look, and be afraid!” (Kipling), thus associating a main aspect of Hindu religion with fear. Even before Nag is introduced, Teddy’s mother is fearful of having a snake in their home and while this is initially common sense for a mother to not want a
In the book Rikki crushes all but one egg of Nagaina’s to bribe Nagaina into staying away from the kid. Rikki said, “What’sthe price for a snake’s egg? For a young cobra? For a king cobra? For the last-the very last of the brood? The ants are eating all the others by the melon bed.” Also in the book the snake flees with the egg trying to outrun Rikki. In the book it states, “He had forgotten about the egg. It lay on the veranda and Nagaina came nearer and nearer to it, til at last, while Rikki-Tikki was drawing breath, She caught it in her mouth, turned to the veranda steps, and flew like an arrow down the path.” Also in the movie the mongoose booked it right into the snake hole where many mongooses never come out. (movie) The movie shows “Rikki chasing Nagaia down a hole where the snake lived.” Also in the movie Rikki killed Nagaina, and whatever cobra ever dared to try to threaten him or the family. In conclusion that is how the Resolution is related to the book and the
Rikki-tikki is proud of himself because he helps the animals and the humans by killing the snakes or dangerous animals. The humans first find him after the flood washes him out of his berrow. Teddy wants to give him a funeral but his mom seas that maybe he isn't dead. He helps a bird and he helps the humans. On Page 16 “Teddy shouted to the house: “Oh look here! Our mongoose is killing a snake.“ On Page 18 and 19 Rikki-tikki killed Nag, “The big man picked up Rikki-tikki and he had said it's the mongoose again, Alice: the little chap has saved our lives now.” Teddy's father, the big man beats the snakes after Rikki bites the snakes to make sure the snakes are dead. Rikki kills the eggs in the melon bead so that there aren't little Cobras around
The sight of the snake is so heartbreaking that even the man is left to rethink
The. “Sirens and snakes.” African Arts 29.2 (1996): 30+. Leyburn, James. A. Graham. The Haitian People.
Mongooses can usually fight off snakes and so his family puts him in charge of protecting Teddy. Later on in the day, Rikki-Tikki-Tavi hears Kariat and approaches him, making sure Teddy is safe. Rikki-Tikki-Tavi swings his body in side-to-side motions, so he can make a move in any which way. Kariat makes a move and Rikki-Tikki-Tavi jumps and land on his back. Rikki-Tikki-Tavi bites his neck and paralyzed Karait. If Rikki-Tikki-Tavi never killed Karait, he could’ve easily killed Teddy. But Rikki-Tikki-Tavi saves his family by risking his life again, to ensure the safety of them
Kherdian, David, and Cheng'en Wu. Monkey: A Journey to the West : a Retelling of the Chinese Folk Novel. Boston: Shambhala, 2005. Print.
Mussy!” (6). Before Sykes died due to Delia letting the same rattle snake revenge him, Sykes brought it into the house as a surprise for Delia. He recognizes that snakes scare Delia an awful lot, so he intentionally brings one home to frighten her. It’s ironic that the
Though he tries to remain analytical, questioning if indeed “... [in] The 21st century, there were still nomadic hunter-gatherers out there using stone tools and rubbing sticks together to start a fire,” Behar soon begins to exhibit visceral reactions to the environment (Behar, 1). Though he claims to be in Papua for journalistic purposes, Behar cannot maintain an impartial disposition. After contact with tribesmen one of Woolford’s native outfitters believed to be native peoples, Behar undergoes a transformation. That evening, he begins to fear his surroundings, telling readers “The jungle is claustrophobic and, at times, maddening—the incessant rain, heat, and mud, the screeching of cicadas, the eerie sensation we're being watched” (Behar, 9). Abandoning his logical, systematic disguise, Behar becomes paranoid, becoming one with the primeval essence of the jungle.
... Through poetics and storytelling, authors give a more emotional feeling to important events that must be witnessed and remembered. Although resurrecting the past can be a struggle and cause emotional pain, it can also help to soothe people’s spirits. In The House on Mango Street, Ceremony, “Song for a Barbarian Reed Pipe,” and Zoot Suit each tell a unique story that offers a new perspective and understanding of a culture. Texts that offer a look into the multicultural world we all live in, enable us to reconfigure our understanding of diversity and allow us to revaluate the importance and the presence of race and culture in daily life.
In “The Truth about Stories”, Thomas King, demonstrate connection between the Native storytelling and the authentic world. He examines various themes in the stories such as; oppression, racism, identity and discrimination. He uses the creational stories and implies in to the world today and points out the racism and identity issues the Native people went through and are going through. The surroundings shape individuals’ life and a story plays vital roles. How one tells a story has huge impact on the listeners and readers. King uses sarcastic tone as he tells the current stories of Native people and his experiences. He points out to the events and incidents such as the government apologizing for the colonialism, however, words remains as they are and are not exchanged for actions. King continuously alerts the reader about taking actions towards change as people tend to be ignorant of what is going around them. At the end people give a simple reason that they were not aware of it. Thus, the author constantly reminds the readers that now they are aware of the issue so they do not have any reason to be ignorant.
Stallman, R. W. “A New Reading of ‘The Snows of Kilimanjaro.’” The Houses That James Built: And Other Literary Studies. New York: Ohio University, 1961. 173-99. Rpt. in Short Story Criticism. Ed. Carol T. Gaffke and Anna J. Sheets. Vol. 25. Detroit: Gale, 142 vols. 89-92. Print.
Earnest Hemingway is one of Americas foremost authors. His many works, their style, themes and parallels to his actual life have been the focus of millions of people as his writing style set him apart from all other authors. Many conclusions and parallels can be derived from Earnest Hemingway's works. In the three stories I review, ?Hills Like White Elephants?, ?Indian Camp? and ?A Clean, Well-lighted Place? we will be covering how Hemingway uses foreigners, the service industry and females as the backbones of these stories. These techniques play such a critical role in the following stories that Hemingway would be unable to move the plot or character development forward without them.
Hemingway constantly draws parallels to his life with his characters and stories. One blatant connection is with the short story, “Indian Camp,” in which an Indian baby is born and its father dies. As Nick is Hemingway’s central persona, the story revolves around his journey across a lake to an Indian village. In this story, Nick is a teenager watching his father practice as a doctor in an Indian village near their summer home. In one particularly important moment, Hemingway portrays the father as cool and collected, which is a strong contrast to the Native American “squaw’s” husband, who commits suicide during his wife’s difficult caesarian pregnancy. In the story, which reveals Hemingway’s fascination with suicide, Nick asks his father, “Why did he kill himself, daddy?” Nick’s father responds “I don’t kno...
Moreover, Tayo's struggle to return to indigenous cultural traditions parallels Silko's own struggle as a writer who wants to integrate Native American traditions into the structure of her novel. Instead of simply following the literary conventions used by other American and European writers, Silko develops new li...
Rudyard Kipling’s original story of The Jungle Book presented a very distinct group of characters in contrast to virtually all other jungle people in the book. The Bandar-Log were seen as lawless, careless, and mostly mindless individuals who were social outcasts and pariahs. Disney’s film adaptation of Kipling’s tale held this concept, while also giving the monkey people strong characteristic typically connected to African-Americans. This creates a racist undertone in the movie that is absent from the original story’s source.