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Annotated bibliography on mental illness in literature
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Throughout Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”, there is a reoccurring theme of confinement and being over powered. The short story not only reflects Gilman’s life and struggles with mental illness, but also of having poor treatment and support from her spouse. The narrator and main character suffers through a mental illness that is only made worse from the isolation and lack of support. Gilman was using this story to voice her ideas of the importance of better treatment for the ill. In “The Yellow Wallpaper”, the nameless narrator talks of her journey through her depression treatment. She has been moved to a house where she can get fresh air and be isolated to “relax her mind”. Her husband, John, a doctor has decided
So the time that the narrator was without any interaction could have led to the delusions – it also could have made the depression worse. “‘If you 're mentally ill when you go into segregation, you 're going to become worse invariably,’ says Fred Cohen. ‘If you 're not mentally ill, the risk of becoming mentally ill is very high from isolation. Some people dispute that, but in my experience, the people who are just so unsocialized and so psychologically fragile to begin with are deprived of any kind of social support, any kind of psychological stimulus. And they just fall apart.’” (The New Asylum)
This not only reflects how this treatment poorly effected the narrator of this story, but it also show that the lack of support from her husband could also have harmed her mental health – sending her mental illness raging over the edge to go from a simple depression to full blown
But nobody could climb through that pattern – it strangles so” (Gilman 1479). The narrator writes of sometimes seeing this woman out during the day, creeping around. This is most definitely a projection of how the narrator feels when she is around her husband. When he is home, she tip toes around him to appear better and normal; she tries not to upset him. She also views the paper as bars jailing in this mysterious woman; “At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be” (Gilman 1477). This is another obvious projection as to how she is feeling. She is quite literally jailed in a room where the windows are barred and the bed is nailed to the floor, she is not permitted to write or work or express herself in anyway, she is also told she must remain upstairs. She is living in her own personal jail with no escape. This is why her obsession with the wallpaper is so strong; this is why she is prepared to do whatever she can to free the woman who is jailed behind the pattern of the wallpaper. She knows that she cannot be caught, so she goes to drastic measures to get her free “I have locked the door and thrown the key down
According to the narrator, she needs nothing more than a change of pace and scenery. Sadly, since her husband is a physician of high standing, her opinion and feelings are not even considered. He always seems to talk down to her, treating her like a child in this particular instance, calling her “little girl”. In spite of this, she sees this as an opportunity to talk to let him know her concerns, informing him that she is not getting better as he so adamantly believes.
The husband and brother of the narrator are physicians, and neither believe that she is sick, they say “there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency.” (The Yellow Wallpaper, Charlotte Perkins Gilman) and so she is confined mentally, with what they tell her to do, although she thinks there are other things that would fare her better. As the story continues she begins to have more delusions and the wallpaper in her room begins to come alive. But the most alarming effects were the hallucinations.”
Being left alone for long periods of time can certainly mess with a person’s way of thinking. Isolation can often lead to insanity as you are alone with your thoughts and are able to go deep into exploring your mind. Someone with an unstable state of mind needs to express themself rather than being secluded, because this leads to them being in a state of forced inactivity which is destined for self-destruction. In “The Yellow Wallpaper” Charlotte Perkins Gilman uses irony, symbolism, and epiphany to show how the narrator’s fragile state of mind can easily be altered by isolating her.
“The Yellow Wallpaper” is a story about an anonymous female narrator and her husband John who is a physician who has rented a colonial manner in the summer. Living in that house, the narrator felt odd living there. Her husband, john who is a physician and also a doctor to his wife felt that the narrator is under nervous depression. He further mentions that when a person is under depression, every feeling is an odd feeling. Therefore, the narrator was not given permission by John to work but just to take medication and get well fast. This made the narrator to become so fixated with the yellow wallpaper in the former nursery in which she located. She was depressed for a long time and became even more depressed. This ha...
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions society places on her as a woman have a worsening effect on her until illness progresses into hysteria.
In The Yellow Wallpaper, the narrator weaves a tale of a woman with deep seeded feelings of depression. Her husband, a physician, takes her to a house for a span of three months where he puts her in a room to recuperate. That “recuperation” becomes her nemesis. She is so fixated on the “yellow wallpaper” that it seems to serve as the definition of her bondage. She gradually over time begins to realize what the wallpaper seems to represents and goes about plotting ways to overcome it. In a discussion concerning the wallpaper she states, “If only that top pattern could be gotten off from the under one! I mean to try it, little by little.” “There are only two more days to get this paper off, and I believe John is beginning to notice. I don’t like the look in his eyes.”
Her mental state is again revealed a few pages later when she states, "It is getting to be a great effort for me to think straight" (Gilman 430). Related to thought disorder is obsession, which the protagonist displays in her relentless thoughts about the yellow wallpaper which covers her bedroom walls. The narrator begins her obsession with the yellow wallpaper at the very beginning of the story. "I never saw a worse paper in my life," she says. "It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study" (Gilman 427)....
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
The “Yellow Wall Paper “ by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression.
The narrator is forbidden from work and confined to rest and leisure in the text because she is supposedly stricken with, "…temporary nervous depression - a slight hysterical tendency," that is diagnosed by both her husband and her brother, who is also a doctor (1).
The narrator tears and rips at the wallpaper by day to release the image from behind the pattern that haunts her at night. During the day she refrains from looking out the windows because "there are so many of those creeping women" and she begins to "wonder if they all came out of the wallpaper" as she did (668). She represents the struggle of being so close to freedom from the dominating male society but not able to free her spirit from confines of her own world just yet.
“The Yellow Wallpaper:” a Symbol for Women As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity. As the story opens, the suspiciously unnamed narrator and her husband, John, temporarily move into a new home (226).
All through the story, the yellow wallpaper acts as an antagonist, causing her to become very annoyed and disturbed. There is nothing to do in the secluded room but stare at the wallpaper. The narrator tells of the haphazard pattern having no organization or symmetrical plot. Her constant examination of and reflection on the wallpaper caused her much distress.... ...
...lor that made the woman despise it so very much. By being able to understand the various meanings behind the wallpaper the reader is able to fully comprehend the narrative behind the entire story and why her mental health keeps diminishing. The ending of the story reveals that the woman no longer only saw the woman in the walls at night; she began to believe that she actually was said woman.
Gilman has stated in multiple papers that the main reason for her writing “The Yellow Wallpaper” was to shed light on her awful experience with this ‘rest cure’. However, she also managed to inject her own feminist agenda into the piece. Charlotte Perkins Gilman chose to include certain subtle, but alarming details regarding the narrator’s life as a representation of how women were treated at the time. She wants us to understand why the narrator ends up being driven to madness, or in her case, freedom. There are untold layers to this truly simple, short story just like there were many layers to Gilman