The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped. There is far more meanings behind the yellow wallpaper than just its own color. The pattern plays an immense role in causing the woman to become so entranced and obsessed with the wallpaper, as well as the source of her ever diminishing mental health. Gilman narrates, “I never saw a worse [wall] paper in my life. One of those sprawling flamboyant patterns committing every artisan sin. It is dull enough to confuse the eye…, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves… they suddenly commit suicide…” (Gilman 546). The wallpaper has a mind and perso... ... middle of paper ... ...lor that made the woman despise it so very much. By being able to understand the various meanings behind the wallpaper the reader is able to fully comprehend the narrative behind the entire story and why her mental health keeps diminishing. The ending of the story reveals that the woman no longer only saw the woman in the walls at night; she began to believe that she actually was said woman. Works Cited “The Yellow Wallpaper.” Short Stories for Students. Ed. Kathleen Wilson. Vol. 1. Detroit: Gale, 1997. 277-293. Gale Virtual Reference Library. Web. 26 Nov. 2015. Gilman, Charlotte P. “The Yellow Wallpaper.” Portable Legacies. 2nd ed. Boston: Michael Rosenberg, 2013, 2009. 544-555. Print. Suess, Barbara A. "The Writing's On The Wall" Symbolic Orders In 'The Yellow Wallpaper'." Women's Studies 32.1 (2003): 79. Academic Search Complete. Web. 10 Dec. 2015.
All through the story, the yellow wallpaper acts as an antagonist, causing her to become very annoyed and disturbed. There is nothing to do in the secluded room but stare at the wallpaper. The narrator tells of the haphazard pattern having no organization or symmetrical plot. Her constant examination of and reflection on the wallpaper caused her much distress.... ...
The narrator tears and rips at the wallpaper by day to release the image from behind the pattern that haunts her at night. During the day she refrains from looking out the windows because "there are so many of those creeping women" and she begins to "wonder if they all came out of the wallpaper" as she did (668). She represents the struggle of being so close to freedom from the dominating male society but not able to free her spirit from confines of her own world just yet.
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
Ford, Karen. “The Yellow Wallpaper and Women’s Discourse.” Tulsa Studies in Women’s Literature 4.2 (1985): 309-14. JSTOR. Web. 6 April 2011.
The woman in "The Yellow Wallpaper" is slowly deteriorating in mental state. When she first moves into the room in the old house, the wallpaper intrigues her. Its pattern entrances her and makes her wonder about its makeup. But slowly her obsession with the wallpaper grows, taking over all of her time. She starts to see the pattern moving, and imagines it to be a woman trapped behind the wallpaper. The total deterioration of her sanity is reached when she becomes the woman she imagined in the wallpaper and begins creeping around the room.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. 1629-1631. Print.
The yellow wallpaper itself is one of the largest symbols in the story. It can be interpreted to symbolize many things about the narrator. The wallpaper symbolizes the mental block mean attempted to place on women during the 1800s. The color yellow is often associated with sickness or weakness, and the narrator’s mysterious illness is an example of the male oppression on the narrator. The wallpaper in fact makes the narrator more “sick” as the story progresses. The yellow wallpaper, of which the writer declares, “I never saw a worse paper in my life,” is a symbol of the mental screen that men attempted to enforce upon women. Gilman writes, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing” this is a symbolic metaphor for restrictions placed on women. The author is saying subliminally that the denial of equality for women by men is a “hideous” act, and that when men do seem to grant women some measure of that equality, it is often “unreliable.” The use of the words “infuriating” and “torturing” are also descriptions of the feelings of women in 19th century society.
In "The Yellow Wallpaper" the setting helps define the action as well as to explain characters behaviors. The setting is which the story takes place is in the narrators room, where she is severally ill, and she is "locked up" in the room which served as her cage. The room in which the narrator is caged in is a nursery, "it is a big, airy room, the whole floor nearly, with windows that look all ways. The paint and paper look as if a boys' school had used it." The narrator describes the color of the walls as repellent, almost revolting, it is an unclear yellow with a dull orange. The condition that the narrator is in, the repulsiveness of the room, and the room haunting her, drives her into insanity.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
The narrator's detailed description of the wallpaper makes the reader understand the woman is well educated and has a keen eye for detail. The wallpaper evokes an emotional response from her, such as her statement, "It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study . . . " (793).
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
Kennedy, X. J., and Dana Gioia. "The Yellow Wallpaper." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 2011. Print.
Gender roles seem to be as old as time and have undergone constant, but sometime subtle, revisions throughout generations. Gender roles can be defined as the expectations for the behaviors, duties and attitudes of male and female members of a society, by that society. The story, “The Yellow Wallpaper,” is a great example of this. There are clear divisions between genders. The story takes place in the late nineteenth century where a rigid distinction between the domestic role of women and the active working role of men exists (“Sparknotes”). The protagonist and female antagonists of the story exemplify the women of their time; trapped in a submissive, controlled, and isolated domestic sphere, where they are treated as fragile and unstable children while the men dominate the public working sphere.
Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” is a literary exaggeration of Gilman’s personal battle with depression that exploits not only the flaws in the perception of depression in the late 1800s but the flaws in that society’s views on women as well. Set up in a diary format, the entry document a three month stay at a secluded mansion where the narrator’s physician husband John, who has told friends and relatives that there is “really nothing the matter with [his wife],” has brought her in on the sabbatical, of sorts, in hopes of treating her “nervous depression” (394, par.10). The diary format comes from the fact that the narrator is not openly allowed to write or “work” as part of her treatment. The ledger becomes her secret confidante and as well as a map of how her depression becomes a full blown psychosis. Having been instructed by her husband not to focus on her illness she sets her sights on the yellow “flamboyant patterns committing every artistic sin” on the wallpaper of the converted attic/nursery that John has commandeered as their bedroom for the summer (395, par. 34). As the narrator forces herself into submission in the presents of her husband and his sister Jennie, her depression seem so transform into a state of paranoid hallucinations fueled by her obsession with the yellow wallpaper. Finally the inward turmoil manifest it’s self in a very outward way and erupts into full on madness with the narrator believing she is the woman that she has seen in the wallpaper trying to escape. Having noted the slow decline of the narrator from imaginative and independent to submissive and secretive strikes a personal cord with me, as I to have suffered with depression in my personal life. I plan to identify...
"The Yellow Wallpaper" motivated the female mind of creativity and mental strength through a patriarchal order of created gender roles and male power during the nineteenth century and into the twentieth century. While John represented characteristics of a typical male of his time, the yellow wallpaper represented a controlling patriarchal society; a sin of inequality that a righteous traitor needed to challenge and win. As the wallpaper deteriorates, so does the suppressing effect that male hierarchy imposed on women. Male belief in their own hierarchy was not deteriorating. Females began to think out of line, be aware of their suppression, and fight patriarchal rule. The progression of the yellow wallpaper and the narrator, through out the story, leads to a small win over John. This clearly represents and motivates the first steps of a feminist movement into the twentieth century.