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In the story "A& P" by John Updike readers are met with the dialogue of the main character, the protagonist, Sammy. This story screams "coming of age"; we have Sammy, our nineteen-year-old protagonist, who works in a grocery store as a clerk, in what we learn to be a small town. John Updike makes way for the readers to connect with Sammy through this transition as he breaks away from routine and expectations and makes his first true step into discovering who he is and what he wants from life. Sammy doesn't identify with the other characters in the story or the people he says within the town through the store window; this is a crucial part in Sammy coming of age and discovering himself, it's also clear that Sammy doesn't see anyone as happy …show more content…
there is always some sort of negative cogitation in how he describes the people and what is occurring. When we as readers are first introduced to the three girls who enter the store, Queenie, Plaid and Big Tall Goony Goony; who ignite the change in Sammy, it's how they break away from the norm that that Sammy has become so accustom to, reminding him that there is more to life than just the A&P. Queenie's independence and how she carries herself as a leader draws Sammy's attention, though he admits she is attractive, he's more focused on how she presents herself and how she's proof of more to life, "She was the queen. She kind of led them…this queen, just walked straight on slowly" (19). All aspect of these girls is a shift in the world of the A&P, alike dropping a pebble in a still pond. Their mere existence impacts the store, giving us the readers the ability to see just how conformed the store is; they become a 'distraction' to Sammy and Stokesie as they walk about in their swimsuits, Sammy states they walk the aisles the wrong way. Leading to the dispute with Lengel in not being dressed appropriately for the store, how Queenie argues that their attire is perfectly acceptable for a quick trip into the store. It is in Queenie and Lengel's dispute that Sammy realizes that alike those around him who he feels have been settled and stuck in a repetitive cycle he too has. Sammy quits, not as hastily as it seemed, not necessarily for approval from the three girls, Sammy quits because he needs more from life then routine. The setting of "A&P" has a dual complex, the most obvious is in a time before 1990 in a grocery store, more specifically Sammy's register. We began to see the world as Sammy views it from the position in his life: the 'cash-register-watchers', 'freeloaders'; yet as readers we are also set internally in Sammy, with his frustrations in the mundane rituals that his life has become. Its expressed that Sammy should want nothing more than his job at the A& P, that he's obligated to his job: Lengel, the manager, states after Sammy resigns "Sammy, you don't want to do this to your Mom and Dad" (23)., as if respecting his parents should trump what it is that Sammy wants or needs to do for himself . We can begin to feel as if we are Sammy, his guilt for quitting becomes our guilt, his fear for what's to come is that of our own. John Updike sets the readers into Sammy, allowing us to see his perception of the world, to feel his frustration build, and to feel his fear for the unknown that's coming: "I felt how hard the world was going to be to me here after" (23)., something we all as readers can resonate with. John Updike allows the readers to connect with Sammy, and his story through his first-person narrative, as he descriptively describes the characters we are introduced to (Queenie, 'Big Tall Goony Goony', 'Plaid', Stokesie, Lengel) and how he lays out the events leading to his resignation.
John Updike uses a balance between round characters, Sammy and Queenie, with flat characters, Lengel and Stokesie, it's the pull between what we can connect to: Sammy and his need to grow and expand, Queenie with her independence, leadership and confidence and Lengel and Stokesie's routine and adaptation to what is, creating a realistic balance to the world Updike has created. It's through character description that we are also given a better sense of what Sammy is feeling, as he refers to the people in his town and the store as 'sheep'. Everything is portrayed as routine, the people are categorized as together, like herds of sheep. John Updike makes it clear that Sammy's character isn't associating himself for those within the store or the town but also that he is unaware of how to be anything more. It's the three girl's characters, especially that of Queenie, that fully develop Sammy's wants and needs, showing him that more exist that what he has ever known. Quitting his job at the A&P, doubting it, wanting to take it back: "But it seems to me that once you begin a gesture it's fatal not to go through with it" (23)., begin afraid of what is to come, is the break in the cycle and the true development that he can be more than what is. As readers, we hold us breathe in the concluding moments, unease and yet relieved that Sammy is more than just a
sheep.
In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions have consequences and we are responsible for our own actions.
Sammy, the protagonist in John Updike’s “A&P,” is a dynamic character because he reveals himself as an immature, teenage boy at the beginning of the story and changes into a mature man at the end. The way Sammy describes his place of work, the customers in the store, and his ultimate choice in the end, prove his change from an immature boy to a chivalrous man. In the beginning, he is unhappy in his place of work, rude in his description of the customers and objectification of the three girls, all of which prove his immaturity. His heroic lifestyle change in the end shows how his change of heart and attitude transform him into mature young man.
During the progression of A&P, Sammy's words and action reflect his growth from an immature teenager to a person who takes a stand for what he believes is wrong.
The transition from childhood to adulthood is not only a physical challenge but, psychological and socially exhausting. John Updike who wrote “A & P” recognized this and used it characterize the main character. The protagonist Sammy was developed around the concept of the journey into adulthood. Sammy is a nineteen years old boy who works at the A&P grocery store in a small New England town. It is not until three young girls walk into the store in just their bathing suits that Sammy is faced with the realization that he undoubtedly has to face the harsh truth of growing up.
William Peden once called John Updike’s “A&P” “deftly narrated nonsense...which contains nothing more significant than a checking clerk's interest in three girls in bathing suits” (Peden). While Peden’s criticism may be harsher than necessary, it is hard to find fault with his analysis. Sammy’s tale offers little more than insight into an egocentric and self-motivated mind, and while Updike may disagree with that conclusion, a close reading of the text offers significant evidence to support this theory. In “An Interview with John Updike”, Updike describes how Sammy quit as a “feminist protest” (153). However, I would argue that Sammy’s act of defiance was selfishly motivated and represents his inner struggle with his social class as demonstrated through his contempt for those around him and his self-motivated actions.
In the story "A&P," by John Updike, the main character Sammy makes the leap from an adolescent, knowing little more about life than what he has learned working at the local grocery store, into a man prepared for the rough road that lies ahead. As the story begins, Sammy is nineteen and has no real grasp for the fact that he is about to be living on his own working to support himself. Throughout the course of the story, he changes with a definite step into, first, a young man realizing that he must get out of the hole he is in and further into a man, who has a grasp on reality looking forward to starting his own family. In the beginning, Sammy is but a youth growing up learning what he knows about life in small town grocery store. His role models include, Stokesie, the twenty-two year-old, supporting a family doing the same job Sammy does yet aspiring to one day have the manager's position, and Lengel, the store manager who most certainly started out in the same place that Stokesie and he were already in. Stoksie, the great role model, continues to be as adolescent as Sammy, with his "Oh, Daddy, I feel so faint," and even Sammy sees this noting that "as far as I can tell that's the only difference (between he and I)." Sammy whittles away his days looking at pretty girls and thinking about the ways of people. He hardly realizes that this is how he will spend his entire existence if he doesn't soon get out of this job. During this day that will prove to change his life, he makes the step towards his realization. He decides that he doesn't want to spend the rest of his life working at an A&P competing for the store manager's position. Sammy thinks to himself about his parent's current social class and what they serve at cocktail parties. And, in turn, he thinks about what he will be serving, if he stays at the A&P, "When my parents have somebody over they get lemonade and if it's a real racy affair Schlitz in tall glasses with 'They'll Do It Every Time' cartoons stenciled on." He must get out and the sooner the better. He is still just an adolescent who hasn't completely thought through his decision and yet his mind is made up.
This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they are wearing, seem to be his only observations. As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the other patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
Sammy in “A & P” by John Updike is a developed typical teenage boy, who goes through many changes throughout the duration of the story. It all started when he saw three girls walk in the store about his own age wearing only their bathing suites, it flattered him. It caused Sammy do a lot of thinking throughout the event. He did not like his job and he expressed his opinions throughout the story. As Sammy was seeing the three girls, he analyzed everything around him, from the girls, his town, and to the customer and employees in the store. When he watched the girls walk around the store with their heads held high. Sammy the round and dynamic character he is, started to face many challenges in which he had to decide how he wanted his life turn out, rather by staying or moving on to bigger and better things.
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
Two Works Cited John Updike’s story, "A&P," starts off: "In walks three girls in nothing but bathing suits," and that pretty much sums it all up (Updike 1026). In the story, not only are the girls in bathing suits looked upon as sex objects, but other women are negatively viewed as witches, farm animals, or slaves. This story is about how a young man in the early 1960’s viewed women as a whole, including his own mother.
John Updike's short story, "A&P" is fictional in a sense that it has a common pattern that leads the reader through a series of events. These events began when three young ladies in bathing suits walk in A&P, and catch the eye of a young man named, Sammy. He seems to favor the chunkier girl of the three that walk in to the store.
The lives we live today encompass many moral aspects that would not have been socially acceptable fifty or more years ago. John Updike’s short story, A&P, addresses these issues of societal changes through a 1960’s teenager point of view. This teenager, Sammy, spends a great deal of his time working at a local supermarket, observing customers, and imagining where his life adventures will take him. Through symbolism and setting, Updike establishes the characters and conflicts; these, in turn, evolve Sammy from an observational, ignorant teenager, promoting opposition to changing social rules, into an adult who must face reality.
A reader can tell that Sammy likes the main girl that he gives the nickname “Queenie” to. He thinks that she is the leader of the girls and also that she is the prettiest. The way that Sammy thinks about these girls really puts the story into perspective. A person would think that a few girls going into a grocery store to grab some snacks is just a part of life, but to hear it in the words of Sammy, it seems quite fascinating. At one point a reader might think of Sammy as sexist, because in his own words, “You never know for sure how girls’ minds work (do you really think it’s a mind in there or just a little buzz like a bee in a glass jar?)[…] (370). All in all, this is just the way that Sammy’s’ mind works; it is how he thinks about people. This is what makes it be known that he a younger man not from the current
In 'A&P'; by John Updike a young cashier named Sammy is very confused about the concept of life. In the beginning of the story Sammy is very passive and ignorant about life. His passiveness and ignorance are brought upon by his mother sheltering him during most of his life. Sammy compares himself to another cashier who works at the A&P, Stokesie. Stokesie is twenty-two and Sammy is nineteen. Sammy sees a reflection of himself when he looks at Stokesie because of his lack of ambition and wanting to become nothing more than a manager of the store. When Queeny comes into the store, showing all of her leadership abilities, he sees the total opposite of himself. Queeny is like a shepherd leading a flock of sheep; she is in control. Sammy recognizes Queeny's headstrong attitude and he admires it very much. Queeny is just how Sammy would like to be, a headstrong person, a leader, and a person with ambition. After the conflict at the register with Queeny and the manager, Sammy decides to take charge of his life and do something for himself. Because of Sammy's huge change, he is no longer passive and ignorant. He is now active and realistic toward the world and its changes.
John Updike's A&P provides numerous perspectives for critical interpretation. His descriptive metaphors and underlying sexual tones are just the tip of the iceberg. A gender analysis could be drawn from the initial outline of the story and Sammy's chauvinism towards the female. Further reading opens up a formalist and biographical perspective to the critic. After several readings I began seeing the Marxist perspective on the surreal environment of A&P. The economic and social differences are evident through Sammy's storytelling techniques and even further open up a biographical look at Updike's own view's and opinions. According to an essay posted on the internet Updike was a womanizer in his own era and displayed boyish immaturity into his adulthood. A second analysis of this story roots more from a reader-response/formalist view. Although Sammy centered his dramatization around three young females, more specifically the Queen of the trio, it was a poignant detailed head to toe description of scene. I'll touch on that later.