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Social class in john updike a&p
Social class in john updike a&p
Essay about a&p by john updike feminism
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A Feminist Perspective of Updike’s A&P
Two Works Cited John Updike’s story, "A&P," starts off: "In walks three girls in nothing but bathing suits," and that pretty much sums it all up (Updike 1026). In the story, not only are the girls in bathing suits looked upon as sex objects, but other women are negatively viewed as witches, farm animals, or slaves. This story is about how a young man in the early 1960’s viewed women as a whole, including his own mother.
At the beginning of the story Sammy complains about an older woman, a fifty-year-old "witch" with rouge on her cheekbones and no eyebrows, who is waiting to check out her groceries. She gets annoyed with Sammy because he is too busy drooling over the young flesh which has just walked in the door (Updike 1026). The first half-naked girl who walks into the A&P and catches Sammy’s eye is a chunky girl with a two-piece plaid bathing suit on that showed off her "sweet broad soft-looking can" (Updike l026). As if staring at this girl’s backside wasn’t enough, Sammy also noticed "those two crescents of white just under it, where the sun never seems to hit" (Updike 1026).
How would this girl feel if she knew just how intensely this guy was scoping her out? Or better yet, how would you feel if someone’s eyes were glued to your backside when you were grocery shopping? That behavior, no matter what she was wearing, is totally unacceptable especially in a grocery store. Is Sammy at fault for not having any self control? It might be acceptable for this nineteen-year-old guy to check out a girl in her bathing suit; however, that would not have excused old McMahon, the deli guy, who patted his mouth and "sized up their joints" as the girls walked away from the counter (Updike 1027).
"Goony-Goony," the next victim of Sammy’s intentional harassment, was presented in the story as a rather tall girl with "black hair that hadn’t quite frizzed right" for Sammy’s taste (Updike 1026). He found some reason not to be interested in this girl, probably because he was intimidated by her height.
Obviously, perfection was not something he saw in anyone, except maybe the girl he referred to as "Queenie," who Sammy says, "has the nicest two scoops of vanilla breasts" he has ever seen (Updike 1028).
Sammy is a 19-year-old boy conveying a cocky but cute male attitude. He describes three girls entering the A & P, setting the tone of the story. "In walk these three girls in nothing but bathing suits. There was this chunky one, with the two piece-it was bright green and the seams on the bra were still sharp and her belly was still pretty pale...there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed righ...
At the beginning of A&P, Sammy notices that three girls have walked into the store with only there bathing suits on. At first, poor Sammy cannot see the girls because he was at register 3 with his back toward the door. When they finally get into his sight, he immediately size the girls up. "The one that caught my eye first was the one in the placid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs." He also gives a description of the other two girls. He says one has "a chubby berry-faces, her lips all bunched together under her nose and the tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes and a chin that was too long--you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much." This comments illustrate his immaturity. Sammy refers to one of the girls as queen. He calls her queen because she seems to be the leader. ...
In John Updike's short story, "A & P," the main character, Sammy, is a cashier at a small grocery store. He is seen by many to be a sexist pig, describing in detail how he sees the three girls that walk in to the store. Sammy is in fact a sexist pig by what he says about them. With evidence and quotes from the story, Sammy can be determined to be a sexist pig. He describes the first girl he sees walking in the store as "a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it..." (421). Although the comment was kept to himself, in mind it is a sexist comment. Though the girl was in a bathing suit and there was no beach around, she probably wasn't trying to get the attention of young guys. She was just there to "pick up a jar of herring snacks" (423). Describing the girl's "can" (421), meaning her backside, gives Sammy some credit of being a sexist pig. Sammy slowly begins to see the other two girls follow the first. He notices not only what they're wearing, but what the little clothing that they have on covers up. "This clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light" (421). With this quote, he is describing how the bathing suit was slipping off the girl, but in a more demeaning manner. "With the straps pushed off, there was nothing between the top of the suit and top of her head except just her..." (421). Sammy describes that he just sees the girl, a one-nighter type. He doesn't see that she's a human, but just a plaything. One other quote/thought that Sammy has while these girls (whom remain nameless throughout the story), is when the one he calls Queeny takes her money from "the hollow at the center of her nubbled pink top" (423). He begins to get excited as he uncreases the bill as "it just having come from between the two smoothest scoops of vanilla [he] had ever known there were" (424). Sammy seems to be more of a sexist pig, as the reader proceeds through the story.
While it's true that Sammy finds the three scantily-clad girls who enter the supermarket attractive, as would any normal nineteen-year-old male, what is most notable about his descriptions of the girls, and particularly of the "leader" of the group, is that Sammy holds them in contempt. Once we get beyond the descriptions of their bodies, we see nothing but derogatory comments directed at them, including the derisive nicknames that Sammy assigns to them. Nowhere is this more evident than in Sammy's description of the leader, "Queenie." The nickname assigned to her by Sammy points out the stereotypical snap judgment that Sammy makes about her personality and social status initially, and to which Sammy rigidly adheres despite no real evidence of its accuracy. From the description of her "prima donna" legs, to his imagining of ...
Sammy watches every step the girls take while criticizing and admiring them at the same time. His observations of the leader who he refers to as Queenie and her followers give him an insight of who they are personally. Sammy likes Queenie as she possesses confidence which sets her apart from the group. Sammy, still being a young boy likes that her bathing suit has “slipped on her a little bit” (Updike 158). Updike conveys the obvious that Sammy cannot look away from Queenie when “there was nothing between the top of the suit and the top of her head except just her”. Updike includes these small details and imagery to indulge the reader in the perception that Sammy at this point in his life is a clueless teenage
Two Works Cited In John Updike’s "A & P," Sammy is accused of quitting his job for childlike, immature reasons. Nathan Hatcher states, "In reality, Sammy quit his job not on a matter of ideals, but rather as a means of showing off and trying to impress the girls, specially Queenie" (37), but Sammy’s motive runs much deeper than that. He was searching for a sense of personal gain and satisfaction. By taking sides with the girls, he momentarily rises in class to meet their standards and the standards of the upper-class.
Sammy's thoughts, as told to the reader in his narration, betray a deep understanding of the people he comes in contact with. When the girls walked into the store, he began to describe not only their looks, but also their attitudes and personalities without ever speaking to them. The one who held his attention was also the one he named "Queenie". On page one he says, She was the queen. She kind of led them, the other two peeking around and making their shoulders round. Sammy understood that she was the one in charge, and by saying that the other two made their shoulders round he showed that he realized their passivity was by choice; they followed her by their own wills.
This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they are wearing, seem to be his only observations. As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the other patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
The story is a simple conflict followed by definitive action short story. It’s a wonderful portrayal of what a young man thinks and what he will stand for and what he will not. The fascinating part is how Sammy describes the young ladies as they enter the convenience store. Updike states “She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs”. Sammy is only talking about one of the three young ladies in this description. The descriptive words in the story are very thought provoking; Updike refers to the girls derrieres as “cans”. Imagery and symbolism are used frequently through out the story; Sammy describes the shoppers inside the A&P Updike uses this description “sheep pushing their carts down the aisles”.
Sammy is astounded by three young girls that walk into his store in their bathing suits. He follows their every move as they peruse over the cookies and other goods. The first thing this typical nineteen boy recognizes is the one girl’s “can”. But then he goes on to say that this girl is one that other girls seems to think has potential but never really makes it with the guys. One girl though especially catches his eye. He starts to call her “Queenie” because of the way she carries herself and that she seems to be the leader of the pack. Sammy does nothing but watch her every move as they parade about the store. He even daydreams about going into her house with her rich family at a cocktail party. He notices everything about her and thinks there was nothing cuter than the way she pulls the money out of her top. His immature infatuation with this girl is one of the reasons Sammy makes the hasty decision to quit in the end.
Going against the norm almost always brings trouble. Much more so when the norms relate to gender in our society. From our formative years straight up to adulthood, society upholds certain distinct expectations of behaviors both male and females. Young men and woman are thus expected to follow and fit into these gender roles that are meant to guide and govern their behavior. The theme of gender and gender roles can be examined in the short story, “A & P”, written by John Updike. Through examination it can be seen that various characters go against the expected gender roles of that time period. Specifically the main character and narrator of Sammy. It is through the analysis of Sammy’s behavior that we discover what happens when you go against
Lone wolf terrorism involves self-radicalized individuals who commit violent acts to promote a cause or support a belief system. These acts, or propaganda by deeds, are extremely difficult to counter because they appear to be isolated and avoid many of the traditional organizational characteristics used to identify and track traditional terrorist groups. Though usually not capable of large-scale attacks, the modern lone wolf terrorist has access to a range of weapons with greater capacities for terror-inspiring events
...u decently dressed when you come in here.” this man was entirely strict and conservative, as much was to be expected of a man around these part, he was most likely an avid church goer, Sunday school teacher, Boy Scout troop leader name your cliché. I started again “We are decent,” and before I could continue Lengel interrupted me, “Girls, I don’t want to argue with you. After this come in here with your shoulders covered. It’s our policy.” and then he walked toward the clerk with a disappointed look and asks “Sammy, have you rung up this purchase?” with an astonished expression caused by the event that just occurred before his eyes, Sammy simply replies “No” and rings me up with a great deal of haste, as to get my friends and I out of this self-righteous store before we disgrace it any further. He hands me the change then we hurry out of the store rushing to the car.
John Updike's A&P provides numerous perspectives for critical interpretation. His descriptive metaphors and underlying sexual tones are just the tip of the iceberg. A gender analysis could be drawn from the initial outline of the story and Sammy's chauvinism towards the female. Further reading opens up a formalist and biographical perspective to the critic. After several readings I began seeing the Marxist perspective on the surreal environment of A&P. The economic and social differences are evident through Sammy's storytelling techniques and even further open up a biographical look at Updike's own view's and opinions. According to an essay posted on the internet Updike was a womanizer in his own era and displayed boyish immaturity into his adulthood. A second analysis of this story roots more from a reader-response/formalist view. Although Sammy centered his dramatization around three young females, more specifically the Queen of the trio, it was a poignant detailed head to toe description of scene. I'll touch on that later.
Behavior Modification and it Application to a Variety of Behaviors Within in an Educational Setting