What Is The Relationship Between Krogstad And Nora

A Doll House: Act I Test 2016

1. Torvald Helmer, patriarch and bread winner, want his wife, Nora, to be his pretty little lark, not disturbing the culture of the household. The names that Helmer calls his dear wife are demeaning and aim to make her feel like a child. However, a wife is not a small child but rather a homemaker in this time period. He wants exactly this, a wife to be waiting with the house cozy for him to come home to after a long day’s work. Furthermore, the use of names asserts his superiority. Terms like “squirrel”, “lark” and “spendthrift” are all playful aside from being degrading. Such actions serve to make Nora below him as she isn’t allowed this “privilege”. Also, the closely guarded study of Torvald Helmer serves as

Both Krogstad and Nora have proven themselves double-dealing, disregarding morality in some cases and the culture of their households. Krogstad reveals that he has malicious intentions threatening the image of the Helmer family. No one is so far gone as to being unable to find their morality. The only time that one is incapable of being able to be morally upright is when they simply disregard the wrong of their actions. Krogstad shows that he is “dangerous” when he threatens to blackmail Nora. He displays his character and its flaws with his bad intent. He shows himself to be a self-serving individual be simply caring for himself and not the lively hood of Nora and her husband. Nora in her own right has shown us, the reader, her double dealing and secretive nature. Her reputation and appearance in her home to her husband are endangered by the constant fact that she disregarded Torvald’s disdain for debt. She therefore, must struggle to keep her head above water in upholding her unique relationships to the other

Nora keeps close relations with her children that are playful but not as nurturing. The nursemaid is present in interactions with the children. In a scene with the children, Nora removes the children’s things throws them around the room, much like a child. Her immature nature is evident, especially since its inferred that she might be leaving it for someone else. Her interactions with her children her children are brief but gleeful. She interacts enough to be healthy and plays games acting childlike. She shuts them out visibly with doors, removing them from one world as she opens another. Nora gives them things very gender based but nonetheless of the intention to make them happy. She appears to be grooming them for their societal role dictated by 19th century patriarchy. This hints that’s maybe she was also raised this way, priming her for the role as housewife. Nora loves her children no doubt but is unable to have a more mature relationship separating their role as parent and child and moves no further than