Seeking Truth in A Doll's House.
The characters, in Henrik Ibsen's A Doll's House, are hiding from each other and seeking the truth about each other and about life. The game of hide and seek that Nora plays with her children, she also plays with her husband. She hides her actions and her true personality from him. He also hides his life from her. Thinking that she would never even understand, he keeps all the business of their relationship secret from her. Although Nora hides from her husband, she also plays the role of seeker. Nora wants to seek out the truth of her life. Much of the play is a game of hide and seek. Excellent.
Nora plays a game of "hide and seek"(Ibsen 506)* with her children. The simple game can be seen also as a symbol of real life in the play. Nora is playing hide and seek with the adults in her life. Nora is trying to keep something away from public knowledge and especially away from her husband. She hides the fact that she borrowed money to save his health. She was afraid that if Torvald knew that she had taken initiative to borrow money to help him that it would be "painful and humiliating"(Ibsen 501) for him. She knows that Torvald needs to feel in control of everything. So she hides her actions from him.
Nora hides the fact that she has done something illegal from Torvald. She is given the opportunity to tell Torvald and maybe get his support or advise on the situation, and she lies to him to hide the truth. She claims that the reason that she does not want Torvald to fire Krogstad is that "this fellow writes in the most scurrilous newspapers...he can do [Torvald] an unspeakable amount of harm"(Ibsen 519). Nora hides the truth and replaces it with lies. Torvald does not know that if he fires Krogstad that the consequences will affect his whole family. Nora could have told him, but instead she decided to hide the truth from her husband.
She also hides her own strength. She plays the part that she has come accustomed to, being the doll. The first time in the play that Torvald refers to Nora, he calls her a "little lark"(Ibsen 493). Throughout the play, he refers to her as a cute little animal, never with any word that might imply a situation of his peer.
In the play, the audience sees it from Nora’s perspective. Nora is Torvald’s little squirrel, his little, insignificant squirrel. Nora is worthless to Torvald and she only realizes in the end how foolish she is to think that he will
Juliet's Nurse is first introduced to the play in Act I Scene 3. It is
In the Doll’s House, Nora dutifully lies to save Torvald from dying of illness. The readers are told that Nora’s husband, Torvald, fell sick. Nora lied to him about why she needed to borrow money. Though she told him she want to travel to shop (Ibsen 11), the doctors told her in order to save the ill-fallen Torvald, he needed to go to the South (Ibsen 10). Since she cannot borrow the money, Nora forges her father’s signature to save her husband’s life. It might seem as if Nora’s lying is wrong, but in reality, it was justified because Torvald would not have gone to Italy if he had known he was sick. He thought of her as a child, not capable of making adult decisions (Ibsen 69). Would not it make sense for Nora borrow money to help Torvald, even if it meant forging a signature and keeping it a secret? Krogstad also would not have lent Nora the money if he had known she was the actual borrower, not her father. Nora lies for reasons pertaining to life and death. She is not being deceptive to keep herself out of trouble. For these reasons, her deceit is defendable.
In spite of this, is certain that the Nurse played a serious role in encouraging the lovers? relationship to blossom. Instead of advising Juliet on the dangers of a love that is ?too rash, too unadvis?d, to sudden?, she continues to place Romeo upon a pedestal, proclaiming his ?face be better than any man?s, his leg excels all men?s, his [body parts] are past compare?. Her haste for Juliet to ?hie hence to Friar Lawrence? cell?, and preparations for ?cords? to be brought for Romeo to ?convoy [to Juliet] in the secret night?, are gestures that illustrate her desire for their relationship to progress quickly. Therefore by offering her approval of Romeo, the Nurse inadvertedly strengthens Juliet?s devo...
The Nurse possesses many qualities. For example, she is very hearty towards Juliet, kind, protective, compassionate and a loving lady. In some parts of the play The Nurse can be long-winded, insensitive, arrogant, insecure and stupid at times but she loves Juliet very much, partially as she imagines that Juliet is a substitute for her own daughter Susan. She has a bawdy sense of humor, which brings out the naturalness of sex and childbearing. This is seen when she tells Juliet to look for love, - “Go girl, seek happy nights to happy days';. This displays a realistic attitude to love. Such bawdy realism is, like the ribaldry of Mercutio and company, a contrast with the tender, romantic and passionate feelings of Romeo and Juliet. The Nurse is a practical but rather stupid woman at times. She loves Juliet like her own child. Throughout the play The Nurse is very talkative. She will usually do what she believes is right or what Juliet wants, like secretly meeting with Romeo and arranging the wedding of Romeo and Juliet.
The nurse has raised Juliet since she was a baby. She plays more of a
In a juvenile game of hide and seek that Nora plays with her children she displays her childlike behavior but this also seems to articulate that what is happening between her and Torvald is a game. She hides the truth from Torvald in order to safeguard his excellent name, as it would apparently be her duty to honor him in that manner. Nora seems to enjoy this game with her children because she considers them to be great fun and sh...
The play Romeo and Juliet by William Shakespeare, the nurse is Juliet’s lower-class nurse. She is a loquacious, insolent trusting but yet dishonest character in the play. The only character that Juliet trusts and usually is seen cracking dirty jokes
Nora is perceived as a helpless women, who goes out and wastes money that was earned by her husband. To Torvald, Nora is merely a plaything, which could be what the title of the play, "A Doll House", was hinting at. He found her helplessness to be attractive, because he was the one that was in control. For instance, when they received the Bond from Krogstad, Torvolld said, "I wouldn't be a man if this feminine helplessness didn't make you twice as attractive to me" followed by "It's as if she belongs to him in two ways now: in a sense he's given her fresh ...
Three Sources In A Doll's House, the author explores the topic of the "social lie". The setting is the sacred institution of the home. Nora is the beloved, adored wife of Torvald Helmer. He is an admirable man, rigidly honest, of high moral ideals, and passionately devoted to his wife and children. In short, a good man and an enviable husband. The main character, Nora, considers herself fortunate to be married to such a man. Indeed, she worships her husband, believes in him implicitly, and is sure that if ever her safety should be menaced, Torvald, her idol, her god, would perform the miracle.
Although Krostad’s blackmail does not change Nora’s whimsical nature, it opens her eyes to her underappreciated potential. “I have been performing tricks for you, Torvald,” (Find a different quote perhaps?) she exclaims in her confrontation with Torvald. She realizes that she has been putting on a facade for him throughout their marriage. Acting like someone she is not in order to fill the role that her father, Torvald, and society expected her to have.
Nora and Torvald's relationship, on the outside appears to be a happy. Nora is treated like a child in this relationship, but as the play progresses she begins to realize how phony her marriage is. Torvald sees Nora's only role as being the subservient and loving wife. He refers to Nora as "my little squirrel" (p.1565), "my little lark" (p.1565), or "spendthrift"(1565). To him, she is only a possession. Torvald calls Nora by pet-names and speaks down to her because he thinks that she is not intelligent and that she can not think on her own.
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
ghost of his father wants him to kill his uncle and send him to hell,
As the play goes on, Nora seems to transform from her delicate little character into something much more. At the end of act one, Krogstad goes to Nora for the recollection of the money she had borrowed from him. "You don?t mean that you will tell my husband that I owe you money?" (21). Since Nora was wrong in doing so socially, she could not tell Torvald or anyone else about her problem. Not only would that affect their social standard but also Torvald's ego, which inevitably would happen anyway. After Krogstad threatens to expose Nora for forging her father's signature, she realizes that no matter what she does Torvald was going to know the truth. The flaw with...