The human struggle, because of its adept nature, too often involves a thirst for a sense of belonging and a comprehensive understanding of the genuine purpose of life. In his novel Grendel, John Gardner ponders on and expresses various perspectives on this issue. Gardner implements this through the character of Grendel, who is withdrawn from any semblance of an interpersonal relationship, lacks a coherent ideology, and attempts to find fulfillment and purpose. On Grendel's journey various characters try to sway his perspective and feed him their various ideologies. Of which (one of) the most pivotal and alarming was the dragon. In Grendel, the dragon served as an extremist who tried to sway towards his ideology, and in quest for meaning the …show more content…
dragon is ultimately a charlatan, who misrepresented humanity and human values, declared and implemented a false sense of authority, and meticusly set his aims on a weak target so that he could spread his ideology. In itself, Grendel's isolation facilitates an air of objectivity. Gardner’s ideology, however, is biased and has claimed that human purpose is established based on the things that humanity is surrounded by and values. Gardners ideology is dissected in a letter written to PBS, where he writes: Meaning is not something you stumble across, like the answer to a riddle or the prize in a treasure hunt. Meaning is something you build into your life. You build it out of your own past, out of your affections and loyalties, out of the experience of humankind as it is passed on to you, out of your own talent and understanding, out of the things you believe in, out of the things and people you love, out of the values for which you are willing to sacrifice something. The ingredients are there. You are the only one who can put them together into that unique pattern that will be your life. Let it be a life that has dignity and meaning for you. If it does, then the particular balance of success or failure is of less account. (Gardner) This, same perspective is shared in his novel, where Grendel comes to term with this very philosophy through his interactions with Wealtheow and Beowulf.
Grendel's acceptance of this ideology then serves as the denouement, as Grendel is able to navigate past the false paths and come to peace with his existential crisis. One of the aforementioned paths is that of the Dragon. Which in many regards is the furthest away and even considered the antithesis of the philosophy of Gardner and later Grendel. The Dragon promoted a world view opposite to Gardner, he promoted a mysenthropic philosophical outlook, and tried to drive Grendel away from humanity and his human nature. Gardner implements this idea in a method where there is nearly a uniformity in ideologies is reached, when the dragon says:
“Ah, Grendel!” he said. He seemed that instant almost to rise to pity. “You improve them, my boy! Can’t you see that yourself? You stimulate them! You make them think and scheme. You drive them to poetry, science, religion, all that makes them what they are for as long as they last. You are, so to speak, the brute existent by which they learn to define themselves” (Gardner
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72) Despite this similarity in ideology , the result of his speech produces an entirely different result. The dragons speech does not align him with humans and gave value from their interactions, rather it tell him to detest them, and Grendel's concludly takes to a nihilism, Gardener does this to stress the power that humanity and human interaction possess. The dragon like any other character holds his world view and the maxims that drive it as facts, and the first interaction between the dragon and Grendel displays the dragons attempt to make these ideas law. The dragons, first line of dialog was, “We’ve been expecting you” (Gardner, 58). The motive for doing this is clear as the dragon attempts to establish his ideology as gospel, despite this grendel too has some doubts and the dragon then quells them by deconstructing the ideologies of the humans where he considers humans to be, “Theory-makers . . . They'd map out roads through Hell with their crackpot theories, their here-to-the-moon-and-back lists of paltry facts” (Gardner, 74). Huffington Post journalist Christian Platt recorded a very similar phenomena, in his article on false prophets and charltons, he dissected the idea of false gospels, and claimed , “ Ultimately all of these schemes are about chasing a fleeting feeling or some nonexistent sense of total fulfillment which simply isn’t real. And to suggest that the primary message was that it’s all about you, and that your happiness is what matters most, is a gross distortion of the Gospel” (Platt). Platts explanation of the creations of false gospels, demonstrate how the dragon is able to concoct one so that he could assign meaning to Grendel’s life a sense of meaning. Platt’s idea gains further validity when taking into account and understanding that the second portion of his qoute shares relation to the initial quote from the dragon where he paints Grendel's relationship with humanity to be parasitic in nature. Conclusively, the dragon is shown to be a charlatan, who, in his own right, attempts to indoctrinate Grendel by appeasing his ego and ultimately ravelling his mind into “crackpot theories” which are not grounded in reality. The implementation of these theories however, cannot be done in any conceivable way possible.
Meaning, that to convince a subject to adopt a certain ideology, the speaker who is presenting and attempting to would undoubtedly have to use persuasion, but, more importantly; they would have to have a certain level of credibility. In the case of the dragon credibility is built through what Platt identifies as false authority which in tern presents the speaker as reputable and by extension believable. However, the criteria to determine this is circumstantial, in the sense that credibility and perceived credibility vary based on subject matter. In regards to philosophy and outlook the outlook on life, credibility is established through authority or rather false authority. Platt writes in his article that it is too common for a charlatan to establish credibility through a false sense of authority. Strikingly, platt writes that, “ False prophets always claim to have access to information you can’t otherwise access without them” (Platt). The dragon, too, displays authority and credibility over Grendel. This concept is initially seen by the dragon establishing himself as a an “all-knowing being” to have dominion over Grendel. Grendel, too, entertains this idea in hopes that his questions about the meaning of life and his questions about the shaper, and in response to his questions the dragon crushes the shapers ideology, to assert a greater sense of dominance over Grendel and creates
the dependency as the dragon is all knowing and hold a monopoly over knowledge himself, which is the very phenomenon Platt describes. Another author Sam Harris noticed another phenomenon which is common amongst spiritual leaders. Harris writes, “Spiritual life can certainly follow the pattern one sees in the fake martial arts, with most teachers making nebulous and magical claims that never get tested, while their students derange themselves with weird ideas, empty rituals, and other affectations” (Harris, 32). The dragon establishes a similar relationship with Grendel. For instance the dragon, despite claiming omicents throughout chapter five, where he says, “ I know everything, you see ... the beginning, the present, the end. Everything. In a billion, billion, billion years everything will have come and gone ... A certain man will absurdly kill me” (Gardner 60). However, despite this claim when questioned on it, he says that even if he tries to prevent this outcome another man will wind up killing him making the action the same. He then doubles down on his argument and says, “ Of course it's correct, but knowledge is not cause. Anyone who argues otherwise is stupid ignoramus" (Gardner 63). The nebulus nature of his response is put in further context and is solidified when he then uses a nonsensical argument while also building authority and shutting down debate with the use of an ad hominem which makes any oppositional force cower by way of ignorance and establishes a greater sense of credibility for the dragon, and ultimately it is that very credibility that enables him to spread his ideology. The Dragons methods, however, didn't stop there. In fact, his appearance, in itself, was similar to that of a cultist. The New York Times too often reports on sorties of cutlists, and the script nearly reads the same every time: A typical manipulated conversion, involves a vulnerable person - a student leaving home, or at exam time, or someone who has lost a friend or lover - who is enticed by some reward: companionship, peace of mind, a place to stay or an implied sexual offering. (Collins) Similarly to the average cult leader targeting those who are sunken, lost, and emotionally torn. The dragon sets is mark on Grendel during a pivotal point, where he was doubting his nature, the meaning of existence, and began doubting the only person who stimulated him in any fashion whatsoever. Despite there being the overwhelming consensus of people claiming that the dragon is a voice of reason and the shaper in their eyes is the one closest to a charlatan, this analysis is surface level. Unlike the shaper who promotes an ideology similar to Gardner’ own which favors human stories, experiences, and interaction the dragon provides a corrupt insight and is ultimately a false prophet, who shared an ideology which was ultimately toxic. He resorts to targeting the emotionally weakened, and gained credibility through sly and nebulous incoherent drivel, to share an ideology whose misanthropy that ultimately caused a bigger void in Grendel's life.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
"'Pointless accident,' not pattern, governs the world, says Grendel, who, as a consequence, adopts an existentialistic stance," explains Frank Magill in Critical Review of Short Fiction. This point has been expressed in numerous critical papers by various essayists. One may wonder, however, whether this is the only way to interpret an incredibly ambiguous story in which no question is ever clearly answered nor clearly formulated. One may wonder, actually, whether the author meant for his work to be analyzed in this way at all. The author, John Gardner, spins a tale of a monster held viscously to his destiny of an unnatural death. No matter what Grendel does, his death is predetermined. Though he tries to disprove fate to himself by believing in existentialism, the belief that actions create the future, he never validates that point of view. John Gardner's purpose in writing Grendel was to express that the future is completely unavoidable.
Someone once said, “stories can conquer fear. They can make the heart bigger.” In Grendel by John Gardner, the dragon represents immortal monsterhood and its lawlessness. The Shaper represents the mortality and noble pursuits of human culture. The Shaper and the dragon act as philosophically opposing forces in Grendel’s mind as he discovers how to define himself in relation to the rest of the world and explores the monumental power of stories.
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
Authors often have to choose between concentrating on either plot or social commentary when writing their novels; in John Gardener's Grendel, the plot becomes is a secondary consideration. Grendel's exploits provide the reader with a clear understanding of the strong opinions the author carries and can be seen clearly as a narrative supporting nihilism in its many forms. The reader easily perceives the blatant religious subtext in the guise of corrupt priests and the foolish faithful. The notion of the old being wise is unacceptable to Gardener along with any notion of hero idolization. Within his novel, Gardner expresses his views concerning religion, wisdom and nature.
Throughout the novel, this monster, Grendel, seems confused as to whether he wants to view life like his existentialistic dragon mentor, or like the ignorantly optimistic humans on which he feeds. At times he is captivated by the romantic songs of the Shaper, and feels no desire to kill, while at others he thrives on the "knowledge" of the dragon, and goes on bloody rampages. At one point during Grendel's insecure state, the dragon tells him something that changes his outlook, and gives him a new feeling of self-worth.
Klinkowitz, Jerome. "John Gardner's Grendel." John Gardner: Critical Perspectives. Ed. Robert A. Morace and Kathryn Van Spackeren. Carbondale: Southern Illinois UP, 1982. 62-67.
In the beginning Grendel’s perspective of himself leads to various encounters that help him discover the meaninglessness to his very own existence. From the beginning through many centuries of pondering Grendel has come to the idea that the world consists entirely of Grendel and not-Grendel. Thus Grendel begins his search for meaning of his very own life with an existential philosophy, the belief that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. While Grendel’s overall perspective of nature is that of mindless and mechanical machine, he believes that he is a separate entity from this machine. Furthermore he holds the philosophy that he himself is a god like creature that “blink by blink” creates the world. This philosophy undermined when Grendel notices that events occur before he can think them into existence. Grendel witnesses the death of a deer by the hands of humans: “Suddenly time is a rush for the hart: head flicks, he jerks, his front legs buckling, and he’s dead. He lies as still as the snow hurtling outward around him to the hushed world’s rim. The image clings to my mind like a
In Chapter 8, Grendel exclaims, “I’m a machine. Like all of you. Blood-lust and rage are my character,” (Gardner 123). This profound statement establishes a connection between Grendel and the ambiguous “you,” the reader. The monster, though he confesses to his wrongdoing, asserts that readers are no better than he. Countless bible verses reiterate this concept: “For all have sinned,” (Romans 3:23) “[Humans] are all. .impure with sin,” (Isaiah 64:6). Gardner’s reminder to readers of mankind’s predisposition to sin earns pity for the monster. He expands on these sympathies by describing the nature of Grendel’s lonely existence. “But there was one thing worse,” Grendel states after discovering the dragon’s charm, “no weapon could cut me,” (Gardner 75). In this moment, nihilism overcomes Grendel; if fighting poses no danger, it has no purpose, and neither does he. Any reader who has had an experience which challenged his or her values cannot help but feel empathetic towards the purposeless creature. Perhaps more piteous, however, is the suggestion that Grendel has no choice in being “the dark side. . the terrible race God cursed,” (Gardner 51). The dragon condemns Grendel as “the brute existent by which [humans] learn to define themselves,” telling him that it is worthless to better his character (Gardner 72). It is not until after
While the monsters of the poem are the antagonists of the poem, the author still manages to make the reader feel traces of sympathy for them. Grendel’s human depiction, exile and misery tugs at the heart of readers and indeed shows a genuine side to the figure, while Grendel’s mother and the dragon are sympathetic mainly because they were provoked into being attacked over things they both had a deep affection for. Their actions make us question whether they are as evil as they seem.
The monster Grendel is the ironic eye through which the action is viewed and from this perspective he provides the reader with never-ending examples of buffoonery and self-parody. Often his claims reveal the Sartrean component in his makeup: "I create the whole universe, blink by blink"(Gardner 22). Gardner,of course,wants to make a point here about solipsism. There is more to the objective world than Grendel's ego. Naturally the universe still exists when Grendel closes his eyes. Likewise, when Grendel says "I observe myself observing what I observe", (Gardner 29) ,he reminds us of Sartre's view of the self-reflective nature of consciousness. As he said in his interview, Gardner planned to parody Sartre's ideas in Being and Nothingess in these sections of the novel.
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
The relationship between Grendel and the dragon is comparable to the relationship between Hrothulf and Red Horse. Red horse acts as a mentor towards Hrothulf, while the dragon acts as a mentor towards Grendel. Both mentors notice corruption, however both are truthful. Both Grendel and Hrothulf are in search of an answer when they talk to their mentors, and the dragon and Red Horse both have dark views.The dragon talks to Grendel about time and space. He says that men have such a little impact on time that everything they do is meaningless. On the other hand, Red Horse talks to Hrothulf about government. He says that the government's purpose is to protect only the people in power, and that all other people are meant to serve them. Both of these