Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Use 4 of appropriation in art
Appropriation art essay
Appropriation art essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Documentary: “Blacking UP: Hip-Hop’s Remix of Race and Identity” (2010)
1) What does the comedian Paul Mooney mean by the phrase “stolen culture”? What are the issues is he responding to when he uses that phrase?
When Paul Mooney says “stolen culture” he is referring to African American culture being stolen just like how they were stolen from Africa and how this is not a new thing. The issues he is touching base on is racism, Mooney says that white people did not pay their dues and therefore don’t deserve to even attempt to be a part of a culture they have no right in.
2) Why does he think that white rappers are extensions of black face? Why does he prefer them to wear blackface?
In the mindset of Paul Mooney white rappers are the black face
…show more content…
of the new millennium and for them to act black is just a new way for white people to minstrel. 3) What is a “wigger”?
How have you heard the term used? Do you think it is a problematic term?
A Wigger is a Caucasian that is usually born and raised in the suburbs with a comfortable lifestyle but has a burning desire to emulate African American Hip-Hop culture. They are basically donning a persona as one would do to a Halloween costume. In my opinion the word “Wigger” is not as offensive as the word it is derived from. The term doesn’t have a history of racism and oppression tied to it. Wigger is insult to disassociate white people from black
…show more content…
people. 4) Who are some of the “white boys who stole the blues”? Why are they perceived as having stolen the blues? Elvis would have to be one of the “white boys who stole the blues”. His music was heavily influenced with his surroundings which at the time was with black people. He populated music that black artists created but didn’t have the range of popularity or access that he achieved for being white at that time. 5) Why is authenticity important in hip hop culture? How do the filmmakers seem to define authenticity in hip hop? Authenticity has a major role in Hip-Hop culture because the lyrics behind each rapper is their life. Rap is all about authenticity and being real. So, when a white rapper from the suburbs is rapping about the struggle of living in the “hood” it is laughable at best. It is a lie and that rapper is a fraud and a poser. You speak your truth when rapping and live it. 6) Who is Al Jolson? Explain the two arguments about his use of black music Al Jolson was a racist singer who wore black face and appropriated what the black man symbolized. He was often called the poster boy political incorrectness. He made black music that was acceptable to white people 7) One of the members of Two White Crew states that hip hop should be shared. What do you think is difference between sharing and stealing as some have accused Al Jolson and other white musicians who have used black music? Hip-Hop is black culture and it stems from black experience but the music can be listened to by other cultures as well as performed. I think it should be shared in sense that you are inspired by it and make it your own however if you are emulating black people every single time you rap like “Two White Crew” then you are just mimicking. Al Jolson is a prime example of stealing music from black people, it is said that Jolson didn’t find his true voice until he put on black face. Another example would be Eminem in the film, it was said that he “took rap and sold it to White people. He’s a good writer but who does he represent? Himself and the rich white executives who backed him when he came out the suburbs.” 8) What do you think Greg Tate meant when he stated? “It is kind of absurd for people to say they weren’t thinking about race. It’s like, your subconscious working overtime?” Do you think Crack’d Owt was performing black face? When Greg Tate said “It is kind of absurd for people to say they weren’t thinking about race. It’s like, your subconscious working overtime?” I think he meant that people should know what is offensive and what is not. It is not that hard to understand what is acceptable and what can be perceived as racist. The group “Crack’d Owt” in my opinion was performing in black face because they were imitating black people in such a stereotypical way that it is just as exaggerated as black face. 9) Paul Mooney states, “I’m black because you’re white” What does he mean by this? Paul Mooney is referring to the fact that we are being separated by these words and separated through institutionalized racism as well. “I’m black because you’re white” is the divide that will always separate the two and how they can’t be the same. 10) When is imitation innocent and when is, it degrading? In the documentary, the rap acts “Crack’d Owt” “Two White Crew” are perfect examples of how imitation can be degrading.
By day they are so called respectable members of the community and then they transform into their costume. Donning chains, grills and holding alcohol because that is black culture in their minds. A complete narrow notion of what it means to being black in America is.
11) How is authenticity complicated in hip hop music? in other words, what are the complexities involved with ascribing authenticity to hip hop music
Hip-hop is a culture, a community, and a social and political movement that began in the 1970’s as an attempt to channel the voices of anger into something other than the life of the streets. Authenticity is complicated in Hip-Hop in the sense that people that people remember the history from where it started and hold on to it. So, when a white rapper starts rapping some of them are perceived as novelty acts because they don’t seem real enough to understand or even imagine what the burden it is to be black in America.
12) Summarize the conversation that is happening in this film who are the Who are the conversant? What are their arguments? How are they responding to each
other? The documentary brings up multiple questions, one of the take away was that what happens when white youths get enamored with rap and Hip-Hop culture? Is this just America being the blending pot its claims to be or is it an example of appropriation and culture mockery? The film raises questions on the authenticity of white rappers and how the Hip-Hop community is based on values of being real. The best way to describe the film would be a quote from it, authenticity in Hip-Hop culture is a paradox because it is black culture however people from other cultures appeal to it.
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
Strausbaugh, J. (2006). Black Like You: Blackface, Whiteface, Insult & Imitation in American Popular Culture. New York, NY: Penguin Group.
The black culture is the minority culture in this instance and in most cases, it is dominated by the white culture which has imposed its ideas on them (Stuckey, 2013). When two different cultures come together, different types of cultural appropriations occur. These include transculturation, cultural dominance, and cultural exploitation. The appropriation between the white and black cultures, resulting in the African American culture, is defined by cultural dominance and exploitation.
change their life style to demonstrate all the African-American’s people lack of culture. To clarify
Artists have an interesting perspective about hip hop’s relationship to racism, and racial exploitation. Black and white artists have totally different opinions towards hip hop and its relation to racism. Lots of black artists have come from the poorest situations and made a life for themselves by rapping or singing about hip hop. They rap with passion, courage and energy. Lots of white rappers, who usually come from nice backgrounds, have enough funds to start
In Stuart Hall’s “What is This “Black” in Black Popular Culture?” the historical implication of popular culture in the U.S is examined and the influence that blackness has in it is deconstructed. According to the text, the departure of European concepts of culture after WWII sparked a hegemonic shift as the United States emerged as a world power. Due to this, the U.S. became the epicenter of global culture production. However, since America has always had a large ethnic population due to slavery, the true face of American popular culture was black American vernacular traditions. Even today, slang that emerge from black ghettos and communities become highly popular with people of other races. In fact, much of black culture is not just our culture,
They have become more infatuated with the novelty and difference in lifestyles rather than the issues black people face. The media takes advantage of this attraction, and treats the culture as entertainment, demeaning black creations while not really caring about the people who make up the culture. Many individuals love the idea of black culture but do not want to face the real and uncomfortable conflicts associated with black identity such as police brutality, racism, colorism, and intersectionality. If white people are able to partake in something so essential to black identity such as music or hairstyles, why should they feel limited to speak on real and current
...ssed the people of the black diaspora, Black Entertainment Television and the pop-media in general are not liberating the black people from the chains of poverty and they aren’t promoting the progression of African American culture but quite the opposite.
...t usually deal with the time period in which hip hop was held in and the many factors in history which are real.
Hip-Hop is in todays times is considered to be a cultural movement in todays generation. The five elements of Hip-Hop starting off with the beat boxer, Deejay, next is the Master of ceremonies also known as the MC or Rapper, break dancing, graffiti, and knowledge and style. Recognizing myself as an African American male growing up in the suburbs I was always a sight for sore eyes, not in a sense for being ugly or due to my pigment of skin it was do to the pigment of my skin but how I dressed compared to the other kids growing up. Noticing the brands that I wore were different in Style from the predominantly white school population, clearly showing that we shopped in different stores. Style Defined by Webster’s Dictionary is a particular way
“Cultural appropriation refers to picking and choosing elements of a culture by a member of another culture without permission” (O’Reilly). For example, white people steal certain parts of African American culture. They exploit it, misuse it, and whitewash it. “Exploiting a culture deprives the culture of the credit they rightfully
Hip hop originated in the ghetto areas of New York during the 1970’s and is a mixture of DJ, MC, B boy and Beat boxing. In his studies of defining hip hop, Jeffries concluded that these mixtures of art forms do not define hip hop but rather that Hip hop itself is a culture of these elements. “Hip-hop is like a culture, it’s a voice for black people to be heard. Our own style, our own music” (Jeffries. 2011; 28). Jefferies identifies hip hop as a social movement, which stems from the concept of ‘collective identity’ (Jefferries.2011; 27). This can be defined as “an individual’s cognitive, moral and emotional connection with a broader community” (Polletta and Jasper. 2001; 84). Which relate to Smitherman’s views that hip hop is a celebration of black culture uniting these individual to form a collective community. (Smitherman. 1997; 20) .These Theorists generally accept that hip hop is culture and it’s the production of its creators and the individuals who consu...
Hip-Hop/Rap is one of the biggest growing genres of today. From its early stages in the 1970’s to today’s pop culture, it has grown quite a lot. Unfortunately, it has developed a terrible reputation of drugs, violence, abuse, and gangs. When people associate Hip-Hop with things it is usually a negative image that comes to the person’s mind. Which is sad, Hip-Hop/Rap has a great artistic quality to them that gets so easily overlooked. There is true poetry and emotion behind these lyrics and beats, but not everyone is willing to sit down and listen to it. They quickly judge this music genre and the immediately dislike it without giving it a second thought. Rappers pour their emotions and their souls into their songs and it really speaks to people who would stop and listen to them. Hip-Hop/Rap has evolved over time. From the early stages of Kool Herc, Afrika Bambaataa, and others to today’s rap stars like Eminem and Kendrick Lamar. Each decades style is different but each style is still good. What really made Rap huge was the Sugarhill Gang’s own song called “Rapper’s Delight” the entire song is around 15 minutes long with just three emcee’s rapping, Wonder Mike, Big Bank Hank, and Master G. An emcee is another word for a rapper. Most emcees are the head of whatever event is being taken place, kind of like people that do skits in a talent show to introduce the next act. Hip-Hop/Rap today is filled with emcees and rappers. Today we find a more complex and more diverse style than what we would find back in the 70’s. There are different styles to different rappers. Each one unique in its own way and it makes that rapper stand out compared to everybody else. Also, another thing today that is different from the past is the flow of a rapp...
In the eyes of the general public, all of Hip-Hop is usually categorized in the same way. Labeled as the poison of the Black community because nowadays, most Hip-Hop lyrics all sound the same generic way always talking about money, women, cars, drugs, or some type of beef that all these rappers sooner or later continuously have with one another. But what this new generation doesn’t know about are the positive and creative flows that were spit not so long ago in the 80’s and 90’s. Rappers back in the day like Tupac and Ice Cube both had times when they had to show off their thug sides but they both had reasons or a call-to-arms for that, and indeed were in tune with that era’s problems as well as the society where they were raised. Moreover, even though some new school songs actually look promising, old school songs are still always great classics that anybody in this day and age will most certainly vibe to.
Hip-hop music is portrayed by an entertainer rapping over a track that regularly comprises of loops or specimens of other music woven together (Selke INT). Hip-hop originally appeared in the Bronx around the 1970s and steadily turned into the predominant mainstream music structure by the 1990s, representing a multi-billion dollar industry today (Selke INT). Hip-hop music can additionally have some positive impacts. For example, its verbal imagination can motivate audience members to play with dialect, and acknowledge musicality and rhyme (Selke INT). Just like poetry, hip-hop can be a way of expressing oneself.