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Arnold friend the devil
Arnold friend devil symbolism
Arnold friend devil symbolism
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Arnold represents a greater evil in her dream because he exemplifies a striking resemblance to the devil. According to the bible, Satan is the evillest figure in the history of creation, but will not always appear that way. He often presents himself as one’s friend or ally and deceives them to gain an insight into their lives. Arnold pulls up in Connie’s driveway and says that he just wants Connie to go on a drive with him without being forceful or hostile. Once Connie outs Arnold’s masquerade, he become more demanding, and continues to call her by pet names
At the end of the movie, a stranger named Arnold Friend encountered Connie at her home while she was home alone. Arnold was a vicious, but alluring character. The way he dressed was as if he tried to imitate a young teenage boy. First, his intentions for Connie were kind of blurry. Connie, being as
The depiction of Arnold Friend runs parallel to the common conception of the Devil. Many aspects of his outward appearance, as well as his behavior, contribute to this by portraying him in a sinister manner. His nose is "long and hawklike" and he has a "slippery smile." His "greasy" boots don't fit him right, "as if his feet [don't] go all the way down." The stereotypical Beelzebub is often seen with hooves. When he draws 'his sign' – the sinister letter X – in the air, it "stays there, almost still visible," as if he supernaturally burnt it into the air. The numbers appearing on Arnold's car, 33, 19, and 17, exclude the number 18. The 18th letter of the alphabet is "r", and removing that letter from his name presents "an old fiend". Arnold knows about Connie's family, where they are at that moment, and what radio station she is listening to. This can be explained logically by the fact that that he is a stalker. As an allusion, the Devil is omniscient. Arnold also promises not to enter Connie's house unless she picks up the phone. This exemplifies the classic adage, "The Devil won't come into your home until you invite him in." Finally, the fact that Arnold is preying on someone nearly twenty years his junior (physically inferior and easily overpowered) and the methods he uses to finally convince her to come with him (threatening her family and her home) portray him as a genuinely despicable character, worthy of the epithet "Devil," if not its lit...
As a young kid, Victor looked up to his father but also had problems with his father. While he loved his dad, Arnold could be abusive to both Victor and Victor’s mother. One scene in the movie, Arnold asks Victor to give him a drink from the cooler, Victor drops the drink and it spills all over the floor of the truck. Arnold in some ways yells at Victor and slaps/ hits Victor in the face for dropping the drink. Also throughout young Victors life, you can see his father and mother losing themselves to alcohol, and to take out his anger, young Victor goes outside and starts throwing thing at something his dad loves and the thing that he experiences pain in, the dads pick-up truck. Victor lets his anger go during the night while his parents are passed out from all the drinking they did at the party earlier that night. I think that during that moment, Victor wanted to show how tough he was but also that he was tired of seeing his parents drink and not being themselves. I think that the pick-up truck during that time represents Victor trying to stand up to his dad while showing that he could be tough too.
Greg Laurie describes the devil as a sly, smart person, in his article “The Truth About the Devil,” and says that even though Satan does not know everything, he knows how to use what he has to lure you to him. Right off the bat, Arnold tells Connie that he knows her family is out and for how long. He also mentions her best friend and other friends by name and tells her, “’I know everybody’ (4)”. This shocks Connie and I think makes her fear that he will hurt them if she does not comply.
Allie, Holden's young brother who died several years earlier, was a major symbol throughout the story. When Holden remembers incidents from his past involving Allie, his attitude changes, such as when he writes the composition about Allie's baseball glove or when Holden broke his hand after punching all of the windows after Allie died. "I slept in the garage the night he died, and I broke all the goddam windows with my fist, just for the hell of it". (39) He feels that Allie was one of the few people who were not phony in a world full of phonies. More importantly, Allie represents the innocence and childhood that Holden strives to find throughout his three-day journey. In Holden's opinion, Allie represents the purity that Holden looks for in the world. Holden admits that he admires Allie more than he admires Jesus, and even prays to Allie at one point, rather than Jesus. Allie is Holden's role model, whom he judges the rest of the world according to. When Allie dies, it creates turbulence in Holden's life.
Arnold Friend could possibly be a symbol of the devil. Friend tries to be kind and tells Connie he will take care of her and everything to try and get her to come with him. Oates says, “His whole face was a mask, she thought wildly, tanned down onto his throat…”; this could symbolically be connected with the devil. The devil would never be out in the open he would be in disguise. McManus also talks about how Friend is related with the devil. “Friend’s suggestion is that if Connie’s house was on fire, that she would run out to him, may also suggest symbolism. Fire being associated with devil.” This is a great symbol of Friend and the devil because fire is most definitely associated with the
Benedict Arnold was born on January 14th, 1741 in Norwich, Connecticut. His father was a businessman and anticipated that his son would be equally as successful. Three of Arnold’s siblings died from diphtheria, so his father began drinking heavily and lost his job. The family fell on hard financial times (Benedict).
Some researchers believe that the story brilliantly shows Arnold Friend as a satanic identity (Rubin 57). Most believe him to be a representation of santa because of his looks, numbers on his car, his actions, and his name. Arnold Friend gives off a devilish appearance through his hair. Connie notices that his hair is shaggy and black, like a devil. The numbers on his car also support him being a representation of the devil. “Friend’s code also contains a cryptic reference to Genesis 19:17” (Piwinski 195). The story of Abraham and the promise land is found in Genesis 19:17, the story tells about how Abraham is leaving his father’s house to go to a great land. Friend also plays off of this scripter with Connie. “Friend coaxes Connie to flee her [father’s house] …” (Piwinski 195). He also tells Connie about a great place that he will take her. “We’ll go out to a nice field, out in the country here where it smells so nice and it’s sunny” (Oates 425). The scripter further shows the friend is the devil because he gets Connie to leave her home and promises her false places that are suppose to be given to her. Arnold Friend’s actions also help to support the idea of him being a devilish figure. The devil can not enter into a home that he is unwelcome to, Arnold Friend is the same way. “Although Arnold has come to take Connie away, is his traditional role as evil spirit, he may not cross a threshold uninvited; he
Arnold Friend is the devil in human form. However, as his physical description progresses, he becomes more unreal and more caricature-like with every trait. Everything Connie, the protagonist and object of Arnold Friend's desire, sees is like something else she knows, familiar and recognizable. These traits, however, do not create a homologous character; instead it is an awkward collection of incongruities. If a trait does not appear borrowed, it appears fake or imitating. His hair is "shaggy [and] shabby . . . that looked crazy as a wig," and Connie's assertion is strengthened when he put his sunglasses on his head "as if he were indeed wearing a wig." Already Arnold Friend seems assembled, completely divergent from human characteristics. Connie describes the way he is dressed, as well as his body type, as similar to every other boy out there. With every physical detail, Arnold Friend seems more and more like the devil taking on the appearance of a typical teenage boy in order to prevent scaring young girls away. "His face was a familiar...
The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character is one hint to the reader: “Connie looked away from Friend's smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at the name, Arnold Friend. She looked at it for a while as if the words meant something to her that she did not yet know” (583). The name “friend” was commonly used by the Protestants to refer to evil or the devil. Moreover, Arnold Friend's appearance also hints that he is Satan: “There were two boys in the car and now she recognizes the driver: he had shaggy, shabby black hair that looked as a crazy wig”(583). The narrator emphasizes the “wig” to make the reader think that he is wearing it for a purpose, which is hide his devil’s horns. Also, the fact that Arnold Friend's eyes are covered is another stragedy use by Oates to confirm the assumption of the diabolic presence: “ He took off the sunglasses and she saw how pale the skin around his eyes was it, like holes that were not in shadow but in...
When approached by Arnold Friend at first, she was skeptical but was still charmed by him. As she began to feel uneasy, Connie could have used her intuition to realize that he was trouble. Once she had been engaged by Arnold, her life was over. The influences on Connie and her lack of instilled reasoning led to her down fall. Her family’s fragmented nature was echoed in her actions; consequently, she was unable to communicate with her parents, and she was never was able to learn anything of significance. She felt abandoned and rejected, because no one took the initiative to teach her how to make good decisions. Connie was unable to mature until she was faced with death and self sacrifice. In the end, her situation made it difficult for her to think and reason beyond the position she was in. By not being able apply insight, she fell into Arnold Friends lure. Misguidance by the parents strongly contributed to Connie’s
...sun, heaven and hell, and good and evil. The Creature and Victor through out the story are perfect dual characters that mirror each other. Victor is stripped of all his loved ones by the Creature and the Creature loses his loved ones (the cottagers). They are also thought of as evil but have good intentions at heart.
The monster does not resemble Victor physically; instead, they share the same personalities. For example, Victor and the monster are both loving beings. Both of them want to help others and want what is best for others. Victor and the monster try to help the people that surround them. Victor tries to console his family at their losses, and the monster assists the people living in the cottage by performing helpful tasks. However, Victor and the monster do not reflect loving people. The evil that evolves in Victor’s heart is also present in the monster.
"It was as though in those last minutes he was summing up the lesson that this long course in human wickedness had taught us--the lesson of the fearsome, the word-and-thought-defying banality of evil" (252).
In the story “Where are you Going, Where Have you been?” Joyce Carol Oates tells us about a fifteen year old girl named Connie. Connie is confronted by a young man who is trying to persuade her to take a ride with him. He introduces himself as Arnold Friend and kindly asks her to come with him but she refused. He then threatens Connie and her family. She is then forced outside and leaves with Arnold Friend. Arnold Friend clearly symbolizes the devil through his physical traits, his knowledge of Connie, and his power over her kind of like he was hypnotizing her to go with him.