Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Horror movie analysis
Compare and contrast horror movies
Essays about horror movies
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Horror movie analysis
The film Vertigo, produced by Alfred Hitchcock, demonstrates parallels that tie into modern day movies in the same manner as The Matrix, produced by Joel Silver. Although Vertigo results in fatalities and mourning over loved ones, The Matrix ends in a much more pleasant tone. Together, these movies attempt to convey an illustration about human nature’s desire for control. Not only does The Matrix parallel Vertigo in regards to desire, but in addition to an obsession that altered the main character’s state of mind. An observation about human nature extracted from both films in regard to desire is their constant need for control and uncover the mysteries of life. One example of a similarity in the introduction of both films were cops tracking down after a suspect. A rooftop chase was taken place by the police in Vertigo and in The Matrix; a searching for a suspicious suspect. Furthermore, there were multiple of the same camera angles that were used to portray the action that was taken place throughout the film. In contrast, Scottie (from the movie Vertigo) was the police hunting down the …show more content…
criminal, however, in The Matrix, Trinity was the suspect who escaped the cops and defied gravity. Comparable, each character desired something that was unattainable to them that initiated their interest in discovering the essence of living. As shown by Scottie's actions throughout the film, it is in human nature to have a desire to control your surroundings in a selfish way. Morpheus, just as Scottie, misleads Neo into wanting to figure out what The Matrix is so he would come to find out that he is the One the oracle was talking about in their vision to be able to save them all. Controlling Neo, he gives him a red pill that allows him to be able to constantly track him. Although his intentions are beneficial for Neo and can free him, it is in his human nature to desire power over another human being so that he can expose the reality of Earth in order to make it a much better place to live. Resembling the fascination to control in Vertigo, The Matrix also portrays this because the agents attempt to supervise over Neo and track him wherever he goes to try to stop him from destructing their newly created world. Just as today’s society, objects are able to control people’s mind and their consciousness. These films consists and deals with the concepts of perception versus reality. In The Matrix, the characters are perceived to believe that they are in real life because if they die in this imaginative world, their mind will believe it to be truly dead. They are in a world controlled by technology and in Hitchcock’s film, he was attempting to convey the theme of illusion that transmits visual motifs. The use of frames and mirrors wittily created by Hitchcock composes of multiple shots in front of a mirror or within the bounds of a doorway, an arch, or a window frame. These objects exemplify a confined portrayal of a sight, not the sight itself. After Scottie sees Madeleine mysteriously disappear into the hotel, he views a figure that appears through a window, and to his surprise, she had never checked in. Scottie’s mind begins to play tricks on him and he is concerned whether or not if she was really there or was she simply a figure of his imagination. While Neo is in The Matrix, he is presented a spoon by a young girl who explains that if it is in The Matrix, it really does not exist, but is only a lesson for Neo to understand that manipulating The Matrix is not about concentrating on a substance and trying to alter its state of being. Rather, nothing is actually prevailing and there is nothing he can do to revise it but to only change himself. By doing so, he can legitimately be the One who saves the world. Just as Neo perceives to see the world as a perception instead of a reality, Scottie, and his egotistical self, forgot to recognize the reality of the situation that he is too oblivious to understand. Scottie is having a need for control, however, the setting around him does not allow for him to have this control.
Scottie’s view of the world is changed when he is diagnosed with vertigo and Neo’s view of the world is altered when he finds out about The Matrix and the dangers that it can commit. Neo attempts to control his fate by explaining that he is not the One who can save the world and control the matrix and break its rules. Likewise, Scottie attempts to change and control Madeleine in ways that control her life, however, his life and his basis of happiness are because of her. Trinity was once told by the Oracle she would fall deeply in love with the One, who ended up being Neo. Once she accepted the fact that she admired and cared for Neo and kissed him while he was dead, he came back to life and is able to open his mind and do the impossible as he pleases in The
Matrix. These two films parallel and illustrate one another by attempting to convey one unified message about human nature; the constant desire for control over others. The Matrix resembles Vertigo because both elucidates human obsession over objects that can distort one’s mind. The directors of the movies inspire the audience to speculate the many themes and motifs that were created throughout the film. Hitchcock and Wachowski wisely applied filmmaking techniques by uniquely creating framing shots, limiting information to the audience, and analyzing the anxious nature of the main characters. Accomplishing this, the audience becomes intrigued and obtains a different outlook on the movie, causing disorientation, a replica to vertigo.
Both Fahrenheit and Matrix, having a savior, a teacher, and an evil villain, are one of many stories that are parallel, yet, as one can see, Matrix and Fahrenheit 451 are almost exact copies. A soldier for the truth tries to enlighten the world after he, himself, is enlightened. In the end all the characters mirror each other. It?s easy to see that Ray Bradbury?s book was the basis for Matrix.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
Perhaps an even stronger testament to the deepness of cinema is Darren Aronofsky’s stark, somber Requiem for a Dream. Centering on the drug-induced debasement of four individuals searching for the abstract concept known as happiness, Requiem for a Dream brims with verisimilitude and intensity. The picture’s harrowing depiction of the characters’ precipitous fall into the abyss has, in turn, fascinated and appalled, yet its frank, uncompromising approach leaves an indelible imprint in the minds of young and old alike.
Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen.
Alfred Hitchcock’s Vertigo is a thrilling film filled with mystery and suspense. However, Hitchcock left many unsolved issues at the end of this film. In contrast, when comparing Vertigo to more recent films of similar genre’, mysteries are usually always solved and thoroughly explained by the end of the film. Ironically, Hitchcock’s failure to explain everything to the audience in Vertigo is one of the film’s best attributes. This lack of knowledge allows the viewer to use their own imagination and speculate as to what might or might not have become of certain characters.
I have provided a clear evaluation of his essay in an organized way using the appropriate standards of evaluation. In understanding why humans “Crave Horror Movies” even when some people get nightmares after watching them we find the importance of our emotions and fears. We find those emotions and fears form a body of their own which needs to be maintained properly in order to remain healthy. We see how emotions can be controlled though viewing horror movies. Stephen King’s “Why We Crave Horror Movies” is a well written essay with convincing analogies, comparisons, and urban humor.
The medium of film, while relatively new and unexplored compared to other visual arts, has proven itself time and time again to be extremely versatile and fascinating with regard to aesthetic properties. At times, film can be used to enhance or respond to another piece of art—for instance, the adaptation of novels or other works that inspire or serve as the basis for a film. An adapter by nature, Alfred Hitchcock often used other works as inspirations for his films. Hitchcock’s filmography contains predominantly adapted works, though these adaptations are usually loose and edited to fit Hitchcock’s aesthetic and common themes. For his acclaimed film Vertigo, Hitchcock drew from Pierre Boileau and Thomas Narcejac’s novel D’entre les morts (or
Alfred Hitchcock's Vertigo is a film which functions on multiple levels simultaneously. On a literal level it is a mystery-suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of the hoax, and the unraveling of the threads of the murder plot. On a psychological level the film traces the twisted, circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of the immemorial tale of a man who has lost his love to death and in hope of redeeming her descends into the underworld.
... Oracle in The Matrix is all due to fate. In the end, fate was the overall ruler of his destiny in becoming ‘the One’ in this film.
The link between expressionism and horror quickly became a dominant feature in many films and continues to be prominent in contemporary films mainly due to the German expressionist masterpiece Das Kabinett des Doctor Caligari. Wiene’s 1920 Das Kabinett des Doctor Caligari utilized a distinctive creepiness and the uncanny throughout the film that became one the most distinctive features of externalising inner mental and emotional states of protagonists through various expressionist methods. Its revolutionary and innovative new art was heavily influenced by the German state and its populace in conjunction with their experience of war; Caligari took a clear cue from what was happening in Germany at the time. It was this film that set cinematic conventions that still apply today, heavily influencing the later Hollywood film noir genre as well as the psychological thrillers that has lead several film audiences to engage with a film, its character, its plot and anticipate its outcome, only to question whether the entire movie was a dream, a story of a crazy man, or an elaborate role play. This concept of the familiar and the strange, the reality, the illusion and the dream developed in Das Kabinett des Doctor Caligari, is once again present in Scorsese’s 2010 film Shutter Island. It is laced with influences from different films of the film noir and horror genre, and many themes that are directly linked to Das Kabinett des Doctor Caligari shot 90 years prior.
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
In the film The Matrix (1999) in the scene “The Two Pills” help characters and relationships are developed and continuation of the films narrative through various components of cinematography and mise-en-scène. Most notable in The Matrix is the use of costuming, sound effects, props, setting and camera movement. Through the use of these techniques the audience becomes more involved in the narrative as Neo meets Morpheus for the first time and is given the opportunity to learn the secrets of the matrix.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
A horror movie “makes people think, what if it was reality?” said by a thrill seeker person who was waiting to watch a horror movie. Experts also cite more various reasons about why people enjoy watching scary movies. For the thrill of it and also because it seems real for thrill seekers; these are some secretes reveled to show why thrill seekers enjoy horror movies. Feeling the sense of evil and being curious about understanding humanity’s dark side makes horror movies a perfect way of enjoying these feelings, and relieving the tension of curiosity about violent, blood and terrorism. Moreover, experts said that not only desirability to blood and fear could consider as an attraction to whose ...