Introduction
‘The Hunger Games’ directed by Gary Ross in 2012 and ‘Antigone’ written by Sophocles in 441 BCE have many similarities and differences, which makes sense seeing as they’re both made for incredibly difference cultures. In both ‘The Hunger Games’ and ‘Antigone’, the lead is a female protagonist who goes against her gender norms in order to fight for what she think is right, however Antigone bewails that she won’t be able to ever get married or have kids, whereas Katniss herself chooses not to have children. Both Katniss and Antigone bravely sacrifice themselves for a loved one, however the fates their siblings are potentially exposed to are very different. And finally, both Katniss and Antigone become somewhat of a symbol of civil
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disobedience in their worlds, and many join them in rebelling. However, Antigone only rebelled because she had to, she was the only person who could do what she had to, however Katniss strongly and willingly chose to rebel because she wanted to fight for what she believed in. Topic 1: Women’s role in society In ‘The Hunger Games’ directed by Gary Ross and ‘Antigone’ written by Sophocles the way in which gender roles play apart in both texts creates many similarities and differences between the two based off how the protagonists react to what’s expected of their gender during the time they’re living in.
Both protagonists in these texts are female (Katniss from ‘The Hunger Games’ and Antigone from ‘Antigone’), and they both go against the norms for their gender to stand up for what they believe in, despite being oppressed by men. Antigone standing up against Creon as a woman was incredibly brave. The very reason that Antigone’s sister Ismene didn’t want to stand up with Antigone was because of her gender, this is proven when Ismene tells her sister “O think, Antigone; we are women; it is not for us // To fight against men; our rulers are stronger than we,”. And we can see exactly why Antigone standing up as a woman was so brave when Creon expresses that he was especially offended because she rebelled as a woman “We’ll have no woman’s law here, while I live.”. He isn’t saying that he disapproved of Antigone breaking the rules, he disapproved of a woman breaking the rules. In the Hunger Games, though women aren’t as oppressed, she is still competing in the Hunger Games even though shes what our society consider ‘the weaker sex’. Yet instead of Peeta being the big hero who saves her during the Hunger Games, she is what saves Peeta. She’s the one who kills Cato, not Peeta. These are …show more content…
all examples of her overcoming male strength. In both Ancient Greece and our modern society, women are still perceived as the weaker sex. Even though in our modern society we’ve come incredibly far, we’re still living in a world where according to the Guardian, women’s sports only get 5% of media coverage[1], because it’s perceived as weaker. In both societies, it is expected for a woman to get married and have children, however neither of them do. Katniss doesn’t want to, and by Antigone committing her crimes against her state, she no longer can. They’re both strong women who are unable to fulfill their gender roles regarding families. But Katniss is fine with not having children, she even says to Gale “I’m never having kids”, yet Antigone says “Creon condemns me and hales me away, // Never a bride, never a mother”, mourning this idea. Katniss takes pride in not wanting kids, it was a decision, whereas Antigone is sorrowful about this. This is a difference between the two because in Ancient Greece women were much more oppressed. As soon as women began menstruating they were married off in Antigone’s time. This is because back then, women’s entire purpose in life was to breed. Antigone having this ripped from her would have been heartbreaking because in the society she was living in, it meant that she’d be essentially useless. In Antigone’s society, a woman was owned by her father until marriage, when she was then owned by her husband. Antigone had lost her father, and Creon ensured that Antigone could never get married, it was as if she was lost or unwanted property. Katniss is proud and strong in her decision to never have kids. This is because The Hunger Games was made for an infinitely less sexist society. In the era that we’re living in, though women have lots to fight for, we are still so much closer to being equal to men than Antigone was. It’s much less expected for women to have children. Though having kids is somewhat expected of a woman nowadays, it’s not considered shockingly horrific if a woman chooses not to have kids, the telegraph itself even claims that the number of women choosing not to have kids has doubled this generation [2]. Topic 2: Family Loyalty In both ‘The Hunger Games’ and ‘Antigone’ the entire plot line would cease to exist without the theme of family loyalty.
In the Hunger Games, Katniss was only entered into the Hunger Games because she volunteered to, so that Prim’s life wouldn’t be put at risk. “I volunteer, I volunteer as tribute” Katniss exclaims after finding out her sisters life is at risk, Katniss is willing to risk her own life in order to save Prim’s. When Antigone finds out about Polynices’ lack of burial rights she asks her sister Ismene, “Would you help me lift the body... you and me?”. Like Katniss, Antigone is willing to risk her life to give her brother burial rights. This is because in both modern and ancient societies, family loyalty is an incredibly major value. In Greek cultures, family was everything, even in modern day Greece, “The family unit is the most important foundation of Greek society, providing emotional and economic support to the individual.” [3]. And this high value of family has stayed relevant in more than just modern day Greece, but everywhere in the world. Family is something we’re all born into, and we can’t replace our family. Our parents nurture us and potential siblings, and we love them in return. This is why Katniss and Antigone feel such a responsibility to protect they siblings, Antigone summarises this idea pretty well when she says “I could have had another husband // And by him other sons, if one were lost; // But, father, mother lost, where could I get //
Another brother?”, summarising this idea of family being irreplaceable, especially with her dead parents. Both Katniss and Antigone have no problem with sacrificing themselves because this key idea of family loyal has remained so static since Ancient Greece. When talking about Prim, Katniss says “I told her that I would try to win, that I would try to win for her” - suggesting that really the main reason she wants to survive the Hunger Games is for Prim, who she sacrificed herself for. And Antigone doesn’t care about whether or not she gets executed or not. When Ismene brings up the idea of her dying for her cause, Antigone shoots back “And if I do for it, what happiness! Convicted of reverence - I shall be content To lie beside a brother whom I love Katniss and Antigone are both saving their siblings from what their societies consider an awful fate, however both fates are very different from each other. Antigone is saving her brother from being neglected proper burial rights, which was an absolutely dreadful fate at the time. Not only was it considered unsightly to the gods, but it also meant that Polynices’ would be unable to enter the after life. And at the time this was a huge deal, Polynices being left unburied broke a sacred tradition in Ancient Greece. When Antigone discovers the fate of her brothers remains she says herself “the order // Says he is to be left unburied, unwept, a feast of flesh // For keen-eyed carrion birds”, using incredibly emotive language to express how much distress it caused her as it would cause anyone at the time of Ancient Greece. Funerals are still taken incredibly seriously nowadays, however not anywhere near as important as the burial rituals in Ancient Greece. Most people from our society wouldn’t risk their lives in order to bury their loved ones. Katniss wasn’t sacrificing herself to protect her sisters burial rights, but was protecting her from a fate that was likely to result in death. Prim was the youngest possible age to compete in the Hunger Games, and on top of that she was from District 12, which at this point in the series had only one person returning alive. Her being drawn to compete was essentially a death sentence. The death of a child in our modern society is something thoroughly appalling, as to us it’s something so innocent and sacred coming to an end before it can even fully develop. But this is only a new idea. In Ancient Greece, science wasn’t nearly as developed as it is now, meaning that children dying wasn’t a rare event. It was so common that “babies did not receive names until the seventh or tenth day of life” [4]. This isn’t to disregard to importance of family in Ancient Greece, however hearing about a child dying wouldn’t get anywhere near as much of a reaction as someone being neglected burial rights.
Imagine living in a time where books have been banned and your only source of companionship was a screen on the wall. Or picture living in the city of Thebes, where you must risk execution by the king in order to give your dead brother the proper burial he deserves. These two scenarios precisely describe the worlds of Montag, from Ray Bradbury’s Fahrenheit 451, and Antigone, from Sophocles’ Antigone, respectively. Though the ways in which Antigone and Montag challenge their world’s status quo are very similar, the motives and consequences behind their actions are very different.
Sophocles depicts that family is superior to authority by showing how bloodline is a sole part of one's identity, that listening to one's heart over one's mind in making a decision is preferable—especially when it comes to family—and how relationship are more important than rules. In Greek society following the king's rule and laws put forth was commenced and even expected however adhering to one's family and most importantly the gods is a compulsory act. By contrasting the notions of the two sisters- Antigone and Ismene- as both give importance to family- Antigone follows her dedication to her bloodline, while Ismene favors obeying authority. Antigone does not falter with her actions even when Ismene firmly argues against her stating: “Bury him!
It is easy to place the blame on fate or God when one is encumbered by suffering. It is much harder to find meaning in that pain, and harvest it into motivation to move forward and grow from the grief. It is imperative for one to understand one’s suffering as a gateway to new wisdom and development; for without suffering, people cannot find true value in happiness nor can they find actual meaning to their lives. In both Antigone and The Holy Bible there are a plethora of instances that give light to the quintessential role suffering plays in defining life across cultures. The Holy Bible and Sophocles’ Antigone both mirror the dichotomous reality in which society is situated, underlining the necessity of both joy and suffering in the world.
A multitude of authors have written novels about a dystopian society in which most of them share similar themes and motifs. These novels present a government that unjustly revokes the citizens from their freedoms and ability to live a prosperous life. Most of the characters that follow the government rules live in oppression and a repetitive lifestyle of making their contribution to the leader. Throughout reading the novel 1984, the reader could make several connections to The Hunger Games series because of the comparable ideas and themes. These two novels share the similar ideas of which the birds represent hope for the people, giant screens allow the government to communicate to the citizens, and multiple divisions that provide for the whole
In the story of Antigone, the way the author describes characters is very success, especially Creon and Antigone. Antigone is definitely a feminist hero in the story, who persist in morality, and fearless to the power of the king. Moreover, on the way to grotto, there were several internal monologues that she never showed to others. "You see me, you people of my country/as I set out on my last road of all,/looking for the last time on this light of this sun.../though I have known nothing of marriage songs/nor chant that brings the bride to bed./My husband is to be the Lord of Death."(Sophocles 1243) Though the foreshadowing, we can see that the desire of living insides of her that she is not just a hero, but a
Antigone is almost hailed to a god like status, as Oedipus was before her. She is extremely strong and unbelievably willing to sacrifice everything in the name of honor and pride. She so easily makes her decisions and chooses to die willingly without a second thought. The minute Creon questions her on breaking the law, she states: “Die I must, -I knew that well (how should I not?)-even without thy edicts.” What is even more is that Antigone was a woman, a woman in a time of extreme male domination. This makes her even stronger of a person in the play and shows the growing strength of the gender that we know of today.
The position of women is an important theme in this play. Gender has an impact on Antigone and her actions. Antigone does not stress her own gender openly, but Creon does, refusing to take back Antigone's punishment because she, a woman, has broken his law. One can view Antigone as being fed up with restrictions and obsessed with death and martyrdom. Clearly, she is motivated by love for her brother and by her strong belief that the divine law has been violated. However, becoming a martyr makes the consequences of her action an additional advantage, rather than an obstacle.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Antigone is the stubborn, free-willed sister who wants to do what’s right and not think about the consequences that will come to play in the future. “This female character takes on a rebellious role quite different from that of the other more docile woman of the time,” (Ashley Bouque). The quote talks about Antigone being different, while Ismene is more docile and does what she is told. Take the Woman rights movement, even though its thousands of years later. Before the Woman rights movement happened, woman did what they were told and followed the rules, like Ismene. After the movement, woman did what they thought were right to them and didn’t care about the rules, like Antigone.
From the very beginning of the play, the audience can see that Antigone is loyal to her family. “He’s to be left unwept, unburied, a lovely treasure for birds that scan the field and feast to their heart’s content” (Fagles 1984, 60). Polynices was to be left untouched, which could have resulted in a “divine punishment” by the gods in which he would have been sent to hell dimension. Because of her devotion to her brother, Antigone risked her life in order to save him from this eternal damnation. Her sister, Ismene, even notes that she is “truly dear to the ones who love you” (Fagles 1984, 64). Throughout the entire play, Antigone identifies strongly as being apart of a family and because she is a member, she felt as though it was her family duty to take care of them in the after life. When talking about her own mother’s death by hand, she said, “But if I had allowed my own mother’s son to rot, an unburied corpse – that would have been an agony!” (Fagle 1984, 82). Even when Antigone was accepting her punishment from Creon, she still had...
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
These two examples alone give us the impression, which degrades women and the power they had. On the contrary, Antigone goes against society view and a norm to do what she considers is morally proper. Ismene, Antigone’s sister and foil of the story, is compared with her throughout the story since Ismene believes that adhering to the law is more important over family loyalty. Ismene says: “I shall obey those who are in authority, for deeds that are excessive make no sense at all” (Antigone, Page 22, Line 67-68).
Divergent and The Hunger Games are two of the most successful movies released in 2014. The movies attracted a large number of viewers who were able to connect with the characters and the story being told. Many people found themselves getting emotionally involved in the characters lives. In both movies, it is easy to find yourself rooting for the underdog and hoping that only the best happens in the end. Both movies are remarkably similar because they feature similar strong female leads, display omnipotent authority, practice dystopian societies, and have a clear distinction between good versus evil.
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
Loyalty to the household is one of the foundational values of Grecian cultures. Both Antigone and the Odyssey portray the benefits of this devotion to kin, yet also expose the tensions that can arise while keeping an allegiance to a household. Polis, the city-state, was grounded in the concept of oikos, or households. Ancient Hellenic women were expected to uphold certain standards within society, such as burying the dead family members, pledging allegiance to the household of the betrothed, or marrying into a new household following the death of a husband. Consequently, massive repercussions, even death, could arise if a woman did not fully pledge allegiance to a betrothed household or abandoned her current family without justifiable cause.