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Impact of hip hop
Hip hop and its effects on society
Hip hop and its effects on society
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West Coast Hip Hop is a hip hop subgenre including all music and artists coming from the West Coast areas in the North America, particularly California. The sub category started commanding the scenes from the business stance and the radio play in the mid 1990s with the development of Suge Knight and Death Row Records and the introduction of G-funk (Bryant, 2008). The West Coast sound unquestionably varies from East Coast hip hop sound. Authoritatively, the West Coast hip hop scene began in 1978 with the establishing of Unique Entertainment. Primarily, West Coast hip hop has its roots more laced in Gangster Rap than East Coast hip hop does. Known as G-Funk, its sound was hard-hitting and moderate, its verses alternating between rough debauchery …show more content…
and equitably irate social editorial. The fundamental symbols of West Coast hip hop were Dr. Dre and Ice Cube. Dr. Dre found Snoop Doggy Dogg and in 1992 released the collection; The Chronic, a collection that characterized G-funk and produced armies of imitators (Bryant, 2008). Today, the primary artist speaking to the West Coast is Kendrick Lamar with TDE. Their style is less violent yet but at the same time incorporates a considerable measure of references to drug use, the hard-hitting lyrics and flows that were widely included by 2Pac and other pioneers of West Coast hip hop (Forman, 2013). The West Coast style is about partying and chilling out, and being tough in the city, drawing from the gangsta rap class. Presumably most eminent with artists like The Game, additionally with the deceased 2Pac Shakur, the style of music is not quite the same as whatever is left of hip hop. Probably most predominant in the '90's, even though still popular today, West Coast music rose to characterize the utilization of bass in hip hop (Birchfield et al., 2006). Driven by Dr. Dre's developments in the studio with use of synthesizer lines on top of moving basslines, West Coast melodies like "California Love" demonstrate the West Coast's style to the highest level. The West Coast hip hop scene emergence was decisively influenced by Prince, East Coast hip hop and others.
Various events laid the frameworks for West Coast hip hop, way before the rise of West Coast rappers. In essence the Hip Hop culture has been highly censured in the education sector for its perceived negative influences in the lives of youth. As a result, education has disregarded a social force that has had a noteworthy part in the improvement of people’s characters. Today Hip Hop exists as a fundamental component of the soundtrack to a worldwide and corporate culture, however ingrained inside Hip Hop is the basic talk whereupon it was established. This debate is concealed underneath uncritical thought and corporate control, yet it is still …show more content…
there. Over the years, some people have expressed worries about the effects that the Hip Hop music has on the thoughts, sentiments, and behaviors of the audiences especially on the young people. The perceptions and attitudes of the young people on education, material achievement, and valuation for themselves as well as other people appear to be molded to a substantial degree by the music they listen to. Additionally, the moral beliefs as reflected in their styles of dressing, language use, fashion styles, and technological inclinations, have been widely credited to lyrics drawn from the hip hop music industry. Music listening is of huge significance in the society especially to numerous youthful adults, and as they make use of it for self development and character valuation, it could have an enduring impact. Hip Hop has evolved to become a way of life taken up by innumerable youthful adults. The genre has developed in the course of the most recent a quarter century to become the most common form of expression by many youthful adults. The impact can be seen in virtually each aspect of the advanced society and modern lifestyle, from the fashion modes, auto preferences, technological designs and literally works. It has emerged to become a lifestyle cutting edge Many individuals use the Hip Hop culture to understand themselves and their general surroundings. A number of these youthful adults utilize music as their principle site of social governmental issues to arrange their personalities and make importance of their social world. Currently, more people are relying on Hip Hop lyrics to develop and accept ideas of self and their communities; and connect shared thoughts of being different. Researchers have maintained that the perceived hip hop culture has the potential to support and promote materialism, realism, savagery and violence and loss of conventional values given the massive influence that music has on any society (Birchfield et al., 2006). Certainly, hip hop may be characterized by expensive and extravagant performances which may in turn convey the wrong picture to the audiences. In past eras youthful adults drew values from group fortifications: families, religious foundations and schools. Today's adults are drawing their qualities from media and stimulation, for example, music, fashion and films. The music's appeals originates from the lines and rhythms expressed by quintessential dark urban adults whose uniquely patterned ways of socializing, behaving, interacting and talking reflect place that stands against the mainstream standards and norms. With the appearance and advanced use of innovative communication and technological systems, however, the impact of famous culture in today's society is unmatched with any other period in history.
In the modern world, the human behavior is fundamentally affected by the information and the nature of the environment that they dwell in. in essence, young people are widely affected by these factors mainly because character formation is at the peak at such stages of growth. Various studies have demonstrated that by adolescence, TV watching decreases, and music turns out to become the most persuasive medium in young people's lives. This developmental process determines the social culture adopted and goes a long way in shaping the
society. An exceptionally important and a conservative definition of culture is that it is the common and shared qualities, conventions, standards, traditions, expressions, history, legends, and establishments of a group of people (Forman, 2013). Culture is the mass of conduct that individuals in any society acquire from the older generations and which are passed on to the younger generation. The transmission of culture can occur in two major ways. It can either happen through socialization, which is the educating of society by a senior group to more youthful one explicitly through formal rules and instructions. This transmission can also happen through enculturation by implicitly educating the way of life to the more youthful generations over the span of regular life. These definitions reflect the feeling that culture is developed by groups of people, is comprised of beliefs, practices, and items, and is passed from one generation onto the next. Culture depends on the exceptionally human ability to classify experiences, encode such classifications typically, and educate such deliberations to others. Essentially, music plays a major role in determining the social behaviors in the current society. Dancing in Hip Hop clubs is seen to present an open door for young men and women to perform different gender roles, sexual assertiveness and sexual appeals. The Hip Hop clubs dance floors transform into highly competitive spaces where gaining attention and closeness to ladies near ladies stands as the main objective for young men. Young ladies are compelled to illustrate their sexual womanhood through dancing. Moreover, the young men are under consistent pressure to equally demonstrate and declare their masculinities. This presentation of gender and sexuality on the dance floors is enmeshed inside the setting of an elaborate cultural arrangement of social principles deemed appropriate for proper male and female behavior. Objectification of ladies is a strong element goes past the interpersonal progression. This displays the loss of the conservative morals and behaviors. Music videos used in the promotion of records and the entertainers have been critiqued for messages and pictures that depict African-American ladies in negative light (Forman, 2013). The Hip Hop culture is turning out to be progressively sexist. The improvement of sexual self is situated in a comprehension of the messages and implications an individual is given about sexual parts and practices either through family, companions, media or entertainment. People develop the sense of sexual implications through social connections and presentation to the sexual messages. The Hip Hop culture is a fundamental avenue through which young African-American men and women develop their own perceptions on sexual behaviors and gender roles. Such notions devalue the family aspect by eroding the essence and respect required in holding family units (Forman, 2013). Moreover, this music genre has been termed to foster violence among the youth. As is outlined herein before, the Hip hop culture is characterized by brutality and aggressiveness which is evident in the lyrics and the music videos. Such messages imply that the audiences are exposed to radical and revolutionary messages which could in turn affect their social relations. As a result, the viewers may adopt rough methods of handling different situations just as displayed in the videos they watch. Similarly, the materialism portrayed in the various videos may convey a wrong message to the audiences by facilitating the wrong perceptions about life. Some Hip hop fanatics may be tempted to believe that life is fundamentally about spending huge sums of money so as to acquire high end products. Such beliefs create a wrong impression and equally promote illusive thinking on the form of life to live and prioritizing. Conclusively, Hip Hop continues to possess a massive influence in the current society as it were in the early period of existence. Despite the continued development, Hip hop has had a series of negative effects on the social values and growth patterns of young adults imparting different values on the critical social norms that define the conventional society. References Birchfield, D., West, M., Savenye, W., & Rikakis, T. (2006). Multimedia and hip-hop for experiential education. IEEE Signal Process. Mag. IEEE Signal Processing Magazine, 23(4), 10-33. Bryant, Y. (2008). Relationships Between Exposure to Rap Music Videos and Attitudes Toward Relationships Among African American Youth. Journal of Black Psychology, 34(3), 356-380. Forman, M. (2013). 'Hood Work: Hip-Hop, Youth Advocacy, and Model Citizenry. Communication, Culture & Critique, 6(2), 244-257. Expanding the Definition of Hip-Hop Culture. (n.d.). Retrieved June 06, 2016, from http://news.usc.edu/17648/Expanding-the-Definition-of-Hip-Hop-Culture/
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
The hip hop culture began in the suburbs of New York over 30 years ago and has gone through drastic changes over this time. Hip Hop contains four different elements including: graffiti, rap, disc jockey and break-dancing. In the 1970’s, musical artists began to express themselves like Kool DJ Herc. Rap music began to spread through the urban neighborhoods of New York City and people used a new form of expression that gave a chance to sing about anything.
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Back in the disco days, in the early 1970’s, began a new genre called Hip Hop. It was born in the crime ridden neighborhoods of the South Bronx. Hip Hop is the extracting rhythms of melodies from existing records and mixing them up with searing poetry chronicling life in the hood. Though, hip hop started on the east coast, it did spread rapidly throughout all the clubs and hotels in New York. Then later on, it began to spread to the west coast in Los Angeles. This is where hip hop began to develop its own musical style. Hip hop is known and described as the voice of a generation that refused to be silenced by urban poverty. It is a genre that is fueled up with a lot of passion and truth that is spreading across the entire world. Hip hop is
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
There is no genre of music that has received such scrutiny as hip hop and rap. With its earliest cultural presence shown in New York City in the 70s, lead by Grandmaster Flash, Sugarhill Gang, and Doug E. Fresh, rap and hip hop seemed just a phase like Disco or early Punk. As the next wave of groundbreakers, LL Cool J and Run DMC, began paving the way, rap went from a beat box and break dancing to telling the stories of the inner city lives of black america.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Originating in the urban Bronx area of New York hip-hop culture emerged in the 1970’s as a way for minorities to form identifies and social status. Contemporarily, hip-hop has evolved to contain numerous activities such as, “spoken word poetry, theater, clothing styles, language, and some forms of activism,” (Petchauer). Also, in his Journal of Black Studies, author Tobey S. Jenkins states that the core framework of hip-hop culture consists of five elements, and those elements are, “the B-boy/B-girl (dance or break dance), the emcee (voice), the DJ (music), graffiti (art), and knowledge (the consciousness),”(Jenkins,2011). Jenkins also states that it is common for society to replace these elements when a person is to affiliate themselves with a product of hip-hop by five core stereotypes of the Black male hip-hop artist: “the nihilistic, self-centered, caked-out mogul with a god complex; the uneducated, lazy, absentee father; the imprisoned and angry criminal;
What is hip-hop? Assuming that you address hip-hop fans, the term alludes to more than simply a musical type - it incorporates an entire society, including dance structures, graffiti symbolization, and fashion (Selke INT). Hip-hop music is portrayed by an entertainer rapping over a track that regularly comprises of loops or specimens of other music woven together (Selke INT). Hip-hop appeared originally in the Bronx around the 1970s and steadily turned into the predominant mainstream music structure by the 1990s, representing a multi- billion dollar industry today (Selke INT).