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Interpretation of dantes inferno
Interpretation of dantes inferno
Hell on dante perspective essay
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What does hell look like? This question has survived throughout the millennia because people hold no clear answer to it. Various depictions of hell have been created, but one of the most incredibly vivid interpretations comes from Dante Alighieri’s epic three-part poem, The Divine Comedy. Dante’s journey through hell in Inferno (the first book of his epic) is well attributed to the different levels of torture people experience in accordance to their sins. One aspect that is often overlooked, however, is how the weather described within his poem affects the impact of each sin. In fact, weather such as hurricane-like wind, putrid rain, and flaming snow vigorously enhanced the nature of their corresponding sins portrayed in Dante’s Inferno. For instance, Dante and his guide Virgil came upon a chaotic pit “…that groans like the sea in a storm, when it is lashed by conflicting winds” after entering the second circle of hell (V.28-30). The raging winds “…which never rests, drives the spirits before its violence;” causing the thousands upon thousands of …show more content…
Dante and Vigil came across three different groups of people stripped of their clothes. “Some were lying supine on the earth,” known as the Blasphemers who were violent against god; “…some were sitting all huddled,” known as the Usurers whom held violence against art, “…and some were walking ceaselessly,” known as the Sodomites who were violent towards nature (XVI.22-24). The weather that tormented these souls was the case that “Over all the sand there rained, with slow falling, broad flakes of fire, like snow in the mountains without wind (XIV.28-30).” This snow of flames scorched the sands on the ground and the spirits who resided on the lands, and “Without rest ever was the dancing of their wretched hands, brushing away the fresh burning, now from there now from there
This portion of the text begins in the seventh canto and in it the punishment of those who lived in wrath are discussed, when Dante and Virgil first enter the circle they see a marsh containing people who endlessly beat upon each other the idea being that because they lived their lives in wrath they will live out their eternity with pure hatred for any soul they may encounter. Also addressed in this circle is the punishment for those who lived their life in a sullen manner, ignoring the goodness that the world around them contained. “‘Sullen were we in the air made sweet by the sun; in the glory or his shinning our hearts poured a bitter smoke. Sullen we begun; sullen we lie forever i... ... middle of paper ... ...
Fire and brimstone, flames engulfing people, and the endless cries from the souls that are suffering are all things that are commonly associated with hell. It’s not thought of as some place of just punishment, but filled with pain and torment. The question raised is whether or not it is actually full of fire and heat, or is it something different. When we read about hell in Dante’s Inferno, he describes the place not only full of fire, but also of ice, wind, and rain. All of the elements sit on different levels that have been thoughtfully laid out by Dante himself. Carol Forman speaks of how Dante set up his hell, “Hell is structured around Dante’s concept of sin.
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
On the other hand, the punishments that are borrowed from medieval torture techniques and imprisonment inflicts a physical and bodily pain upon the sufferer that is supposed to be taken literally. In the Medieval Era, their prisons were more like dungeons in the way that they were usually dark rooms with naked and ragged men that were chained to the stone floors. These prisoners were not allowed to move so they had to live in their own excrements, blood, and vomit which ended up filling the room with an odor that was so pungent it could have been a form of torture within itself. Dante used this idea of darkness and awful smells throughout the Inferno as the overall atmosphere of Hell. Also, the idea of the fiery and icy environments that Dante incorporates comes from the medieval prisons where the room would get so hot the prisoners would feel like they were on fire, and during the winter it would be extremely frigid. These ideas of extreme temperatures and darkness are only a few of the torture devices that Dante uses throughout his novel.
In Dante’s Inferno hell is divided into nine “circles” of hell; the higher the number correlates to the grimmer the sin and the pain you will endure. However, I do not completely agree with Dante’s version of hell, perhaps due to the difference in time periods. In this essay I will be pointing out my concerns with Dante’s description of hell and how I would recreate hell if I were Dante.
The first thing you would notice is the overall irony of Hell itself. As mentioned, most people have a view that Hell is very chaotic and in disarray. However, In Canto IV we find out that Hell is actually very organized. The structure of it is in fact “a great funnel-shaped cave… with its bottom point at the Earth’s center. Around this great circular depression runs a series of ledges, each of which Dante calls a CIRCLE.” (Alighieri 25). Most pictures you see of hell show images of very distressed people and demons running around in turmoil. They are usually all over the place and no sense of organization is apparent. There is also a map of hell that Dante has drawn in order to give us a clearer image of what Hell supposedly looks like (Alighieri 26). Through this we find that Dante has applied his use irony into the very structure of Hell. We also see that the people we thought were myths actually exist – in Dante’s eyes. Scattered throughout the book, we see several mythological characters that have indeed descended into Hell. On...
Rudd, Jay. "Inferno: Cantos 1–:4."Critical Companion to Dante, Critical Companion. New York: Facts On File, Inc, 2008. Bloom's Literature. Facts On File, Inc. Web. 11 June 2014
“Early in the spring of 1300, "midway along the road of our life," Dante is lost and alone in a dark, foreboding forest. To survive this ordeal, he must visit the three realms of the afterlife, beginning with Hell.” (Smith) Dante’s Inferno, one of the great classical poems that have come out of literature that’s topic is hell. Dante’s Inferno, gives a descriptive look into hell, from the eyes of Dante. Dante goes into detail about every part of hell. The people, what it looks like, sins to go there, the whole shah-bang. Dante splits up hell into nine different parts. In which he sends different types of sinners to each part. Each hell is made up differently, each has different systems that make up that particular systems. For example, circle three, has Cerberus the three headed dog, and another circle is completely frozen over. There are three circles of hell in Dante’s Inferno that are the best in the book: Circle one, circle six, and circle three.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Descending from the first to the second level of Hell, Dante witnesses the transition to greater agony and greater punishment for the damned. Overwhelmed by the sinner’s harrowing cries and the extensive list of seemingly innocent souls given to him by Virgil, Dante beckons for two lovers to approach him, desperate for some sense of comfort. The souls are known to be the historical figures Francesca de Rimini and her lover Paolo, forever trapped in the circle of lust due to their sinful adultery. Through her words spoken to Dante, Francesca shows how she feels she has been unjustly punished and is deserving of others’ sorrow, and Dante, despite his awareness that she is a sinner, pities her. A close reading of this passage is necessary to better understand Dante’s internal battle with showing compassion where it is not deserved and Francesca’s incessant denial of her sins.
In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.
Seeing as this work was written by Dante, and the journey is taken by Dante, he has a unique opportunity to judge his fellow man and decide how they will be punished. He also gets to place his enemies in hell, forever besmirching their names for generations to remember. Perhaps unknowing to Dante, that is worse than any of the punishments that he placed his enemies in. The reality of The Inferno is unlikely and therefore these punishments are nothing but a fictiona...
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic