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Analysis of inferno by dante
Analysis of inferno by dante
Analysis of inferno by dante
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Burning Up
(A Discussion of the Allegorical Significance of Dante’s Hell)
Fire and brimstone, flames engulfing people, and the endless cries from the souls that are suffering are all things that are commonly associated with hell. It’s not thought of as some place of just punishment, but filled with pain and torment. The question raised is whether or not it is actually full of fire and heat, or is it something different. When we read about hell in Dante’s Inferno, he describes the place not only full of fire, but also of ice, wind, and rain. All of the elements sit on different levels that have been thoughtfully laid out by Dante himself. Carol Forman speaks of how Dante set up his hell, “Hell is structured around Dante’s concept of sin.
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Man has free will. Everyone gets, ultimately what he chooses…their punishments and suffering are very often simply a continuation of the sin they had chosen,” (Carol Forman). The punishments in hell deal directly with the sin. Dante’s allegorical significance in the hell he created is shown in the first circle, second circle, and ninth circle of hell. First of all, Dante shows the allegorical significance of his hell through his first circle. As readers, we are first introduced to the circle of hell early in the poem. The first circle being limbo. This is where the souls of people who haven’t committed to either heaven or hell. Along with the souls are also the angels that nether committed to God or Satan’s side in the war of Heaven. Also, the souls that weren’t baptized are sent to spend eternity here. Ian Thomson talks about Dante’s purpose in creating Limbo, “If Dante speaks to our present condition, it is not because we fear damnation, but because he wrote the epic of everyman who sets out in search of salvation,” (Thomson). The significance of this place is to show readers that they need to choose one side or the other, preferably God’s side as he is holy and all mighty. The souls here are sentenced to an eternity of drifting around doing nothing. The allegory here is, if on Earth you drift around not doing anything, not choosing sides, then in hell you will also do nothing. By sentencing everyone in Limbo, Dante takes away any hope that they had. Dante also shows his allegorical significance of Hell in his second circle, where the lustful souls go. This is where the lustful reside. The people who have sinned due to love will spend eternity here in the second circle of hell. In Cantos 5, Dante enters the second circle of hell where he meets Francesca. She and her lover are constantly whipped around in the air as gale winds whip them around and rain pours down on them. She tells Dante of what she has done, but she never repents or says sorry for the sins she has committed. Jeffrey Hart discusses the significance of the punishment, “Since she never repents, she will always be where she is. Dante the pilgrim faints with sympathy for Francesca. But Dante the author places her precisely where she belongs,” (Hart). The significance of this punishment is quite genius actually. The winds that whip the souls around in the circle have the same force as the power as the emotions that whipped around the decisions of the lovers on Earth. From the evidence shown, you can see the significance of the Dante’s punishment in the second circle of hell. One of the most significant places of punishment in Dante’s hell would be in the ninth circle of hell. In the ninth circle of hell, the reader understands what Dante classifies as the worst possible sin of all time. That is betrayal; not simply that, but betraying your master. For some people, this may be different, but this is Dante’s hell, so that’s who he put in the ninth circle. Antonia Ryan discusses how Dante gets to this point, “Dante was forced into exile…which led him to chronicle his inner experience of hell,” (Ryan). Since this is his hell and he created it, we see what the worst possible sin for Dante is. Like stated earlier, the hell that Dante created wasn’t really the hell that everyone thought of. We commonly thought of it as full of fire and heat, but when reading over Dante’s thoughts, we find that he placed the worst people of all time in ice. “Dante is the one who made eternal punishment exotic and real,” (‘Art and Humanities). The significance of freezing in the ice is to show how extremely cold their souls are, cold and unaffectionate. As you can see, the significance of the ninth circle deals directly with the cold and heartless sins that the souls there committed. From fire to wind and ice, Dante created a hell full of different punishments for different sinners. There was a certain significance that came along with the sins that the souls committed. First, we saw the punishment of those who didn’t chose a side in the war against heaven or hell, along with those who weren’t baptized. They were forced to reside in limbo, a place full of nothing. Next, there were the souls in the second circle. These were the souls that committed sins of lust. There were eternally whipped around in the wind as were their decisions and desires when they lived on Earth. Finally, one of the most significant punishments in Dante’s hell is in the very center. This is the ninth circle of hell, where the worst souls of all time reside. The bodies of these souls are covered in ice, just like their hearts were when they made the decision to betray their masters on Earth. From the evidence shown, the conclusion can be made that Dante created a hell with different punishments that had allegorical significance. Creating My Own Hell After reading Dante’s Inferno, there were several things that I picked up on.
The first being that there was a certain construction to his hell. The shape, first and foremost, was with a cone. Being largest at the top and getting smaller and smaller as you went down. Of course, the farther you went down, the worse the sins. When taking into consideration how I would construct my own hell, I decided I would follow this same format. The people who committed the worst sins would sit in the bottom on hell, in like a pit. The people that committed sins that were the least offensive would be at the top of the cone, where it’s the widest. As far as the actual geography of hell, I don’t think I would follow Dante’s schemata exactly, although I would draw a couple ideas from it. One thing that I would keep the same is the fact that the punishment of the sinner would reflect the sin that he or she committed while on Earth. The thing that I would change would make hell a lot more personal. For example, the sin committed would deal with the person directly. What the person feared or dreaded the most would be the punishment inflicted upon them. Depending on the severity of the sin. For instance, someone simply lied, then the extent of their own fear wouldn’t be as severe as it would if they had killed …show more content…
someone. Next, there comes the issue of where I would put certain people in my hell.
When reading Dante’s Inferno, you could see that the worst possible sin for him was betrayal, especially that of a master. He put the people that directly betrayed their masters in the very center of hell. These people were eaten alive by the devil. He had different opinions on what the ultimate sins committed were. When looking at how I would create my own hell, I to would put people in different levels of hell due to the sins they committed on Earth. First of all, I would give souls who weren’t baptized the chance to change that. There are several factors that come into play; maybe their parents didn’t believe in religion, or maybe they died before they got the chance to be baptized. Either way, I would allow souls who haven’t been baptized the opportunity to change. If they chose not to, then they would spend forever in Limbo. It’s difficult to say where I would put each and every sinner; there are several different aspects to take into consideration. The severity of the sin, what it planned out of simply out of rage, etc., but there is a certain category of people I would put in the bottom of hell. Here would reside the souls of all those who hurt children. There is something truly awful about these people. Kids have no way of really knowing just how bad the world is, and the people that hurt them make them grow up much too fast. They take away their innocence. There are even
instances where they change their entire outlook on life. There is no reason to hurt a child, and that’s why I would put the people that do hurt kids on Earth, in the bottom pits of hell.
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
When one tends to think of Inferno they tend to think of Hell and the fiery and evil place that it is. They think of all the terrible deeds that have been committed to put one there or the terrible things being done to the wicked people. Something that would slip most people's mind and really did not enter mine as I was reading it was the fact that a major theme of the book is actually love. Love is what motivated Dante to make this journey in the first place. Love is what kept him going when he wanted to give up. Love is the reason that Hell was created in the first place. God loved all his children so he created a place to punish those who deserved it.
“Abandon All Hope Ye Who Enter Here.”(Alighieri 18) this statement is viewed while entering through The Gates of Hell. The Inferno by Dante Alighieri is one perspective of Hell that has been written. According to the Cambridge University Library, Hell is set up like a funnel that extends from the surface of the Earth located near Jerusalem; it expands down to the center of the Earth (Cambridge 2006). In this cone-like structure, there are circles that divide sins by the severity of the sin committed. Each circle is on a different ledge or level that separates them from each other (Alighieri 25). Dante and his guide Virgil travel through all the circles of Hell during the Lent season. Through their travels they inspect and comment on the variations
On the other hand, the punishments that are borrowed from medieval torture techniques and imprisonment inflicts a physical and bodily pain upon the sufferer that is supposed to be taken literally. In the Medieval Era, their prisons were more like dungeons in the way that they were usually dark rooms with naked and ragged men that were chained to the stone floors. These prisoners were not allowed to move so they had to live in their own excrements, blood, and vomit which ended up filling the room with an odor that was so pungent it could have been a form of torture within itself. Dante used this idea of darkness and awful smells throughout the Inferno as the overall atmosphere of Hell. Also, the idea of the fiery and icy environments that Dante incorporates comes from the medieval prisons where the room would get so hot the prisoners would feel like they were on fire, and during the winter it would be extremely frigid. These ideas of extreme temperatures and darkness are only a few of the torture devices that Dante uses throughout his novel.
The first level of hell in the Inferno is for those unbaptized yet virtuous. Although some did not have a sinful life, if they did not accept Christ they were sent to Limbo. I see flaws with the concept of limbo. If this level includes people that were not baptized, it must include unbaptized infants. Damning infants before they are even able to make their choice of religion is irrational; being put in hell is seen as a punishment, and for those who barely take a few breaths on this earth should not be held to the same standards and be eternally damned.
In the Inferno we follow the journey of Dante as he wanders off the path of moral truth and into Hell. The Virgin Mary and Santa Lucia ask Beatrice, Dante’s deceased love, to send some help. Thus, Virgil comes to the rescue and essentially guides Dante through Hell and back to the mortal world from which he came. However, things begin to seem kind of odd. When reading the Inferno one may begin to question the way Dante describes Hell and the things that occur within, or even the things we have always believed about Hell. Despite the way it is described and well known in western civilization, Hell is not at all how we expect it to be because of Dante's use of irony throughout this poetic masterpiece.
Everyone has a different perception of what really is heaven and hell and where people end up in the after life. Some people are not even religious and have their own personal thoughts about what is next after death. The Inferno or to be more precise “Hell” can be described and defined as a place where people end up after death in the natural world, when people have not followed God’s ways and laws of living. It is has been depicted throughout the years of time that suffering in hell is horrific, gruesome, and unimaginable. In Dante’s Inferno, Dante portrays the protagonist as he is guided by his ghostly friend Virgil the poet through the nine chambers of Hell. The transition from one circle to another is very shocking and graphic at what he witnesses through each circle. Dante uncovers where each sin will lead people to once the sinners souls face death. He faces many trials and tribulations through the beginning to end of the Inferno. Dante felt impelled to write the Inferno because he was going through his own personal struggles at the time. In a way he was extremely depressed because he was exiled out of Florence, and the love of his life Beatrice died. While Dante was in exile for so many years, it allowed him to write some of his most significant works of literature that people still read to this day.
In Dante’s Inferno, those who never repented for their sins are sent there after death. Like the old Latin proverb says, “The knowledge of sin is the beginning of salvation.” (“Latin Proverb Quotes” ThinkExist) The punishments in his Hell are decided by the law of retribution, which according to Webster’s Dictionary is the total effect of a person's actions and conduct during the successive phases of the person's existence, regarded as determining the person's destiny. (“Retribution” Merriam-Webster) Therefore, Dante creates a variety of reprimands for the three different types of sins: incontinence, violence, and fraudulence. These penalties can also be referred to as allegories because of their hidden moral meaning. The three best allegories in Dante’s Inferno describe the flatterers, fortune tellers, and suicides.
“Early in the spring of 1300, "midway along the road of our life," Dante is lost and alone in a dark, foreboding forest. To survive this ordeal, he must visit the three realms of the afterlife, beginning with Hell.” (Smith) Dante’s Inferno, one of the great classical poems that have come out of literature that’s topic is hell. Dante’s Inferno, gives a descriptive look into hell, from the eyes of Dante. Dante goes into detail about every part of hell. The people, what it looks like, sins to go there, the whole shah-bang. Dante splits up hell into nine different parts. In which he sends different types of sinners to each part. Each hell is made up differently, each has different systems that make up that particular systems. For example, circle three, has Cerberus the three headed dog, and another circle is completely frozen over. There are three circles of hell in Dante’s Inferno that are the best in the book: Circle one, circle six, and circle three.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
In my personal opinion I think that the first circle of Hell should be people who committed petty sins that would barely classify them as a “sinner”. This circle would contain a various amount of different people that told little lies and similar sins but still lived fairly good lives for the most part. In this circle it would include greedy people and wasters that did not affect anyone’s lives in a positive or negative way. The next layer I think should be slightly more severe fraud such as telling lies for gain. The third circle of hell I would say would be all types of betrayal. I would put those sinners here unless they committed murder along with betrayal, then they would be lower in hell. After betrayal in the fourth circle of Hell should be the lustful. In this circle there would be different degrees of lustfulness. These different levels would depend on the level, amount, and overall situation that caused one to commit lechery. For example a woman with an abusive husband who kissed another man would be really low in this circle. On the other hand a man married to a sweetheart who slept around with many woman would be punished worse. Next in the fifth circle of hell would be the violence sinners. Violence against self would not even be a sin in my Hell. The violence against god sinners would be punished worse than the violence against nature ones. The
In his first article of The Inferno, Dante Alighieri starts to present a vivid view of Hell by taking a journey through many levels of it with his master Virgil. This voyage constitutes the main plot of the poem. The opening Canto mainly shows that, on halfway through his life, the poet Dante finds himself lost in a dark forest by wandering into a tangled valley. Being totally scared and disoriented, Dante sees the sunshine coming down from a hilltop, so he attempts to climb toward the light. However, he encounters three wild beasts on the way up to the mountain—a leopard, a lion, and a she-wolf—which force him to turn back. Then Dante sees a human figure, which is soon revealed to be the great Roman poet Virgil. He shows a different path to reach the hill and volunteers to be Dante’s guide, leading Dante to the journey towards Hell but also the journey seeking for light and virtue.
Despite the obvious flaws of Dante himself, he does give a clear vision of how punishments will be taken forth in the afterlife. He gives reason to fear and respect the law of God lest eternal punishment be your only promise in the afterlife. These punishments are as relevant as can be, so he offers a very vivid picture of hell. The men that he puts in hell give it a realistic twist, enhancing the fear that is felt upon reading this work
As mentioned above, the structure of Hell is determined by the sins people commit during their lifetime (the specific morals people disobey) and how ‘bad’ these sins are considered to be (within their respective divisions). The sins being described in The Inferno abide by the rules written for the Catholic religion in The Bible, which is why The Inferno is often viewed as a religious text. This explains why Aristotle and Dante would disagree on a few key points of what it means to be virtuous. Aristotle is adamant about not having excess nor deficiency and rather finding a middle ground (mean), whereas Dante abides by the virtues laid out in The Bible. Hell usually personifies what would be considered excessive rather than deficiency in Aristotle’s code of ethics because of its background in the Catholic religion. One example of this exists with humility. In the Catholic context, humility stands a virtue that is praised in The Bible (and therefore Inferno) whereas in Nicomachean Ethics humility is a vice to be looked down on. This continues to be the case with many different excesses and virtues for