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On the other hand, the punishments that are borrowed from medieval torture techniques and imprisonment inflicts a physical and bodily pain upon the sufferer that is supposed to be taken literally. In the Medieval Era, their prisons were more like dungeons in the way that they were usually dark rooms with naked and ragged men that were chained to the stone floors. These prisoners were not allowed to move so they had to live in their own excrements, blood, and vomit which ended up filling the room with an odor that was so pungent it could have been a form of torture within itself. Dante used this idea of darkness and awful smells throughout the Inferno as the overall atmosphere of Hell. Also, the idea of the fiery and icy environments that Dante incorporates comes from the medieval prisons where the room would get so hot the prisoners would feel like they were on fire, and during the winter it would be extremely frigid. These ideas of extreme temperatures and darkness are only a few of the torture devices that Dante uses throughout his novel.
The circle of Hell that holds the simoni...
Dante’s Inferno is an unparalleled piece of literature where Dante creates, experiences, and explains hell. He organizes it into four different sections, inconvenience, violence, simple fraud, and treachery. These sections are further divided into ten different circles of hell, which are the Neutrals, Limbo, Lust, Gluttony, Avarice and Prodigality, Anger and Sullenness, Heresy, Violence, the Ten Malebolge, and the Frozen Floor of Hell. King Minos passes judgement on each of the people who enter hell, and he then sends them to their designated circle. The organization of Dante’s four sections, his ten circles, and the judgement from King Minos all display forms of cultural bias. This paper will demonstrate possible differences by providing an
Fire and brimstone, flames engulfing people, and the endless cries from the souls that are suffering are all things that are commonly associated with hell. It’s not thought of as some place of just punishment, but filled with pain and torment. The question raised is whether or not it is actually full of fire and heat, or is it something different. When we read about hell in Dante’s Inferno, he describes the place not only full of fire, but also of ice, wind, and rain. All of the elements sit on different levels that have been thoughtfully laid out by Dante himself. Carol Forman speaks of how Dante set up his hell, “Hell is structured around Dante’s concept of sin.
What does hell look like? This question has survived throughout the millennia because people hold no clear answer to it. Various depictions of hell have been created, but one of the most incredibly vivid interpretations comes from Dante Alighieri’s epic three-part poem, The Divine Comedy. Dante’s journey through hell in Inferno (the first book of his epic) is well attributed to the different levels of torture people experience in accordance to their sins. One aspect that is often overlooked, however, is how the weather described within his poem affects the impact of each sin. In fact, weather such as hurricane-like wind, putrid rain, and flaming snow vigorously enhanced the nature of their corresponding sins portrayed in Dante’s Inferno.
This notion of the suitability of God’s punishments figures significantly in the structure of Dante’s Hell. To readers, as well as Dante himself (the character), the torments Dante and Virgil behold seem surprisingly harsh, possibly harsher than is fair, Dante exclaims this with surprise. He doesn’t actually wonder who decided on these tortures. He knows it was god. What he is questioning is how these punishments are just, since they don’t appear to be just from a human’s point of view which views each punishment together with its conjugate sin only superficially. For example, homosexuals must endure an eternity of walking on hot sand, and those who charge interest on loans sit beneath a rain of fire. At first glance, each one seems too terrible for any sin. However, when the poem is viewed as a whole, it becomes clear that the guiding principle of these punishments is one of balance. Sinners suffer punishment to the degree befitting the gravity of their sin, in a manner matching that sin’s nature. The structures of the poem and of hell serve to reinforce this correspondence.
In Dante’s Inferno hell is divided into nine “circles” of hell; the higher the number correlates to the grimmer the sin and the pain you will endure. However, I do not completely agree with Dante’s version of hell, perhaps due to the difference in time periods. In this essay I will be pointing out my concerns with Dante’s description of hell and how I would recreate hell if I were Dante.
In the Inferno we follow the journey of Dante as he wanders off the path of moral truth and into Hell. The Virgin Mary and Santa Lucia ask Beatrice, Dante’s deceased love, to send some help. Thus, Virgil comes to the rescue and essentially guides Dante through Hell and back to the mortal world from which he came. However, things begin to seem kind of odd. When reading the Inferno one may begin to question the way Dante describes Hell and the things that occur within, or even the things we have always believed about Hell. Despite the way it is described and well known in western civilization, Hell is not at all how we expect it to be because of Dante's use of irony throughout this poetic masterpiece.
In Dante’s Inferno, those who never repented for their sins are sent there after death. Like the old Latin proverb says, “The knowledge of sin is the beginning of salvation.” (“Latin Proverb Quotes” ThinkExist) The punishments in his Hell are decided by the law of retribution, which according to Webster’s Dictionary is the total effect of a person's actions and conduct during the successive phases of the person's existence, regarded as determining the person's destiny. (“Retribution” Merriam-Webster) Therefore, Dante creates a variety of reprimands for the three different types of sins: incontinence, violence, and fraudulence. These penalties can also be referred to as allegories because of their hidden moral meaning. The three best allegories in Dante’s Inferno describe the flatterers, fortune tellers, and suicides.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante Alighieri's The Inferno is a poem written in first person that tells a story of Dante’s journey through the nine circles of Hell after he strays from the rightful path. Each circle of Hell contains sinners who have committed different sins during their lifetime and are punished based on the severity of their sins. When taking into the beliefs and moral teachings of the Catholic Church into consideration, these punishments seem especially unfair and extreme.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante is undoubtedly biased in his punishments and rankings of his sins as a result of his personal thoughts and experiences. Although some of his punishments are fairly reasonably and match the crime, there are also some circles that are in the wrong order and have unjustified punishments. A few of the circles that are the most disagreeable include limbo, the lustful, violence against self, and complex fraud. These specific circles are disagreeable because Dante ranks them based on his own experiences and thoughts. Hell could also be redesigned in a completely different way to make it more reasonable. Dante’s divine comedy has some major biased within it, making the sins and punishments arrangements arguable, and able to be completely redesigned.
Dante feels hell is a necessary, painful first step in any man’s spiritual journey, and the path to the blessed after-life awaits anyone who seeks to find it, and through a screen of perseverance, one will find the face of God. Nonetheless, Dante aspires to heaven in an optimistic process, to find salvation in God, despite the merciless torture chamber he has to travel through. As Dante attempts to find God in his life, those sentenced to punishment in hell hinder him from the true path, as the city of hell in Inferno represents the negative consequences of sinful actions and desires. Though the punishments invariably fit the crimes of the sinners and retributive justice reigns, the palpable emphasis of fear and pity that Dante imbues on the transgressors illustrates his human tendency to feel sympathy towards one who is suffering. For example, when Dante approaches the gat...
Despite the obvious flaws of Dante himself, he does give a clear vision of how punishments will be taken forth in the afterlife. He gives reason to fear and respect the law of God lest eternal punishment be your only promise in the afterlife. These punishments are as relevant as can be, so he offers a very vivid picture of hell. The men that he puts in hell give it a realistic twist, enhancing the fear that is felt upon reading this work
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
Justice is one of the major building block that society is built upon. It gives people a sense of retribution when they have been wronged. In Dante’s Inferno, justice is served in the supernatural realm. Throughout this play, the reader is exposed to the inner working of hell and the nine circles of specialized punishment it is composed of. Justice, in Dante’s Inferno, differs from justice in the mortal world in that it is decided, not by humans, but by God. However, it is not God’s justice that is portrayed in this divine comedy. While this divine comedy depicts justice coming from God, the justice in the Inferno is based on Dante’s personal views of the severity of the sin and the sinner. This paper will examine this issue by looking into the life of Dante and the potential reasons for his rankings of the sin pertaining to specific circles of hell.