The two poems, “Recipe” and “We Wear The Mask” highlight different struggles faced by non-white Americans based on their physical features. “Recipe” highlights the taunting Asian Americans received based on the shape of their eyes. “We Wear The Mask” alternatively describes a metaphorical mask the author and many African Americans wore to attempt to fit in with the rest of the world and hide their pain. Both poems deal with struggles of people who don’t quite fit in with the world around them, be it because of their race or any other factor, but both come with a message of how to deal with the pain that the struggles result in.
“Recipe” by Janice Mirikitani is a freestyle poem that hits on the difficulties Asian Americans may feel as they are held
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They both have a unique way of revealing a truth known by all: in the 20th century, Asian Americans, African Americans, and others were looked down on because they didn’t look white, or have any of the traditionally white features. Both authors clearly faced underserved judgment but came with two different views on how to retaliate. I believed Mirikitani used this poem as a way to say that while she may not have the glorified round eyes so valued by Americans, they aren’t as great as they seem. She literally says that with beauty comes pain, and tells her readers not to cry. This is more of a statement of not backing down in the face of adversity rather than not crying while attempting to make round eyes, but the message is clear. Dunbar, on the other hand, uses a mask to hide all the pain and grief he felt at his judgment. His poem alludes to the fact that the world chooses not to see the pain in other peoples eyes, instead preferring to believe they are happy simply because they say it, or there is a smile on their face. I think Dunbar is also trying to say that theses masks are not to be trusted, because we never know what is truly happening
The first poem that I chose was by the poet Julia Alvarez titled “Queens, 1963” this told the story of a family that has moved into in Queens, NY. The writer and narrator of this story is from the Dominican Republic. One year has passed for the family to finally settle into the neighborhood. This time an African American family has moved right across the street. The young girl notices how her neighbors have not treated this family with kindness and respect. More police have been seen patrolling through the neighborhood. When reading this poem my initial thoughts were that “Queens, 1963” describes the American people's behavior towards foreigners and their reactions. Alvarez states, “Mr. Scott, the retired plumber, and his plump Midwestern wife, considered moving back home, where white and black got along by staying where they belonged.” (Alvarez, pp 952) It will take another year and another family that will move into their neighborhood, than once the African American family settles in another family will be placed under the same scrutiny.
For fear of judgment based on appearance, any human being might cover up his sorrows as to not display any signs of weakness. Throughout Dunbar’s poem, the characters reflect upon their perception of the world and ironically accept the world the way it is. Revealing the true nature of the world, Dunbar states, “Why should the world be over-wise, /In counting all our tears and sighs?” (Dunbar 6). The poet insists that everyone need to be more comfortable and open to new ideas while embracing each others uniquenesses defined by strengths and weaknesses. The world was never “over-wise” because people dismiss the idea of helping others in fear of ruining their own reputation. Because of the utter nature of society, citizens have no other option but to wear a mask of apathy and cover up their insecurities. The narrator feels the need to conceal their feelings by “wear[ing] the mask that grins and lies” (Dunbar 1). They use “lies” to cover themselves, but at the same time question why no one seems to care. This contradiction complicates the battle between the world and the individual. Nevertheless, by changing their identities, they spread the idea of disguise, making everyone blind to the truth of human
The poem, "We Wear the Mask”, by Paul Laurence Dunbar is about separating Blacks people from the masks they wear. When Blacks wear their masks they are not simply hiding from their oppressor they are also hiding from themselves. This type of deceit cannot be repaid with material things. This debt can only be repaid through repentance and self-realization. The second stanza of “We Wear the Mask” tells Blacks whites should not know about their troubles. It would only give them leverage over Blacks. Black peoples’ pain and insecurities ought to be kept amongst themselves. There is no need for anyone outside the black race to know what lies beneath their masks. The third stanza turns to a divine being. Blacks look to god because he made them and is the only one that can understand them. They must wear their mask proudly. The world should stay in the dark about who they are. This poem is about Blacks knowing their place and staying in it. This is the only way they could be safe.
In an interview with Voice of America, she said that her identity as an Asian American “definitely play[s] into all of the reasons why [she] write[s] and why [she] continues to write” (Byrd). That is evident throughout this poem which is about a facet of the Asian American narrative, the fetishization of Asian American women, that is not always discussed. Women from every background deal with catcalling and other forms of casual sexual harassment which is what makes this poem relatable, but Asian American women must face this unique brand of intertwined racism and sexism in their daily lives. “To the Man Who Shouted ‘I Like Pork Fried Rice’ at Me on the Street” is not the solution to this problem, but it is a powerful piece of literature that demonstrates no one is simply a
During the 1900s, many African Americans experienced the effects of racial segregation but they still had hope, their oppression did not stop their belief for future change. In “I, Too, Sing, America”, Langston Hughes has makes it clear that he envisions change. In the beginning of the poem, he speaks of being treated differently than others in his home, making it hard to live equally. Hughes writes, “I am the darker brother, they send me to eat in the kitchen when company comes” (Line). He chooses to discuss this issue because his darker shade of skin in comparison to the other residents in his home, makes it possible for him to eat separately so that he will not be seen by the guests; this depicts segregation in his home due to race. Because of the racial conflicts that Hughes experiences, he hopes that there is some form of change in the future, where he can sit equally with others. He goes on to write, “Tomorrow, I’ll be at the table when company comes, nobody’ll dare say to me, eat in the kitchen “(Line). Hughes...
...one existing trapped within the view of hegemonic society; angry, but powerless so long as he remains in this state. Yet Sanchez provides a succinct plan for Black Americans in their quest to ascend the Veil: to exist as both African and American while feeding white America a pacifying view of a half truth-destruction fueled by deadly ignorance. The speakers of the poems are merely victims of the same system, seeking the same freedom. While the works of these authors differ greatly, one characteristic is common in both works: The desire for power to ascend the Veil that hangs heavily upon them like a cloak that prevents their ascension. The desire to live beyond the Veil.
Paul Laurence Dunbar was born in a northern town near Dayton, Ohio on June 27, 1872 (Brawley 12). His parents instilled in him the value of an education, and he excelled at the all-white Dayton Central High-school where he held the titles of class president, the president of the school literary society, and the editor of the school's newspaper (15). Dunbar was extremely well learned; he spoke and wrote in Standard English, but just as often his poetry was written in black dialect. As one of the first professional African American literary figures (Baym 1038), Paul Laurence Dunbar's poetry consists of two distinct styles: his dialect pieces with the simple rhyme schemes of the ballad lyrical form, such as his 1897 poem When Malindy Sings, and his classical poetry that has more complex rhyme and form, and is written in Standard English like his 1897 poem, We Wear the Mask. The dialect poem, When Malindy Sings, is a result of what Dunbar called the mask, and what W.E.B. Dubois would later call double-consciousness. It portrays black society through the eyes of white America and how they wish to see it, while the poem written in classical form, We Wear the Mask, displays Dunbar’s true thoughts concerning his identity and the identity of his race.
During this era African Americans were facing the challenges of accepting their heritage or ignoring outright to claim a different lifestyle for their day to day lives. Hughes and Cullen wrote poems that seemed to describe themselves, or African Americans, who had accepted their African Heritage and who also wanted to be a part of American heritage as well. These are some of the things they have in common, as well as what is different about them based on appearance, now I shall focus on each author individually and talk about how they are different afterwards.
In the novel there were many events that showed how the African Americans were in this time period. One of them being the court case of Tom Robinson, who was put under arrest for raping a white girl. Even though the white girl was the one coming on to him this resulted in her father walking in on them and hitting his daughter. Know this should have ended with the girl getting in trouble, but that was not the case in this time period it was a white man word versus a black man word and in this time a black man’s word was worth less than a dime. This was also shared in some level in the poem, this mask that it says African Americans had to wear to hide there pain and sorrow is the same thing that Tom Robinson had to do when facing life in jail, blacks had no choice they knew their fate in the hands of the
“We Wear the Mask” by Paul Laurence Dunbar and “Richard Cory” by Edwin Arlington Robinson are two poems that depict how many people hide their feelings from others. The two poems are similar in theme, but are told from different points of view and differ in plot.
In the line “I am the darker brother. They send me to eat in the kitchen” (Hughes 2-3) is denial of a particular person due to the pigmentation of their skin. The African American race had to suffer and be treated differently because of one small detail that was out of their control. Many individuals struggled with how they were treated during this time and others let such treatment make them stronger. As seen in the following lines “Nobody’ll dare say to me, “Eat in the kitchen, then.” Hughes illustrates that the narrator is in touch with being the same as everyone else. These lines show that he knows what he deserves and he will stand up for himself. Guilt of being a certain race is not hanging over the narrator’s head unlike many others who feel defeated. This poem stands for those who see themselves equally with the ones that look down upon them. “I, too, am America” is a testament of faith in his countrymen and women to recognize and appreciate the contribution of African-American citizens.” (Lewis) shows that America should be proud of the strong ethnic mix. Hughes possessed optimism for all human beings and took a lot of pride in showing that through his
...Moreover, the antithesis in “fine big house” and “shack” reflects the unbridgeable gulf between the two races. At the same time, it heightens the issue of segregation and racial discrimination which the African-Americans are suffering from. Meanwhile, words like “wonder”, “neither”, and “nor” show Hughes’ bitter sense of estrangement since he is unable to determine to which race he belongs. Thus, the poem is also a reminder by Hughes to his people of the tragic consequences of this social system on the mulatto offspring who have no place in either race. In this poem, Hughes dramatizes the inherent tensions of a mulatto who resents his mixed origins and ascribes his failure in life to it. Though blaming his parents at the beginning for his dilemma, Hughes ends by forgiving them and pitying himself for his dislocation and disenfranchisement from the American society.
The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream otherwise” (13). The unreal character of the mask has played a significant role over the life of African Americans, whom pretend to put on a smile when they feel sad internally. This ocassion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart and Miller 466). Through the utilization of iambic tetrameter, end rhyme, sound devices and figurative language, the speaker expresses the hidden pain and suffering African Americans possessed, as they were “tortured souls” behind their masks (10).
The history of African American discrimination is a despicable part of the United States’ past. Inequality among Black Americans prompts these individuals to overcome the hardships. This endurance is valued by African Americans and people all around the world. However, the ability to strive and maintain positivity in a difficult or prejudiced situation proves to be tremendously challenging. When people give up in tough times, they deny their opportunity to succeed and grow stronger. This paper examines the techniques that manifest the struggles of racism and the importance of conquering obstacles in the following poems: Dream Deferred, I, Too and Mother to Son.