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Negro american poetry
To what extent does African American literature serve as an expose to the African American Tradition
African American Literature Essays
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Paul Laurence Dunbar was born on June 27th, 1872 in Dayton, Ohio to former slaves Matilda and Joshua Dunbar. Throughout his life, he wrote novels, plays, and countless poems all of which were influenced by the stories his parents told him about slave life and his own experiences as a young man. He is best known for his dialect poems that spoke of the genuine truth of life as an African American during his time. Dunbar was one of the very first African American poets to be formally recognized and appreciated by the public for his supreme talent with words and the truth. He published his first book of poetry that was written in dialect in 1893 called Oak and Ivy, which quickly gained attention from other respected poets that encouraged Dunbar
Dunbar begins his first stanza by describing a mask he and others must wear that pretends he is happy and agreeable, as required for a black man in a white society. He goes on to say “this debt we pay to human guile; with torn and bleeding hearts we smile…” (lines 3-4). This line is truly significant in such that it describes how the speaker feels he is dying inside (bleeding) just from the mere weight of his skin color. This is also an important line because the narrator says he is being “torn” – as if he were a piece of paper and there are now two of him. This reiterates the fact that the people behind the mask are sad and in despair of the life they cannot have because they are black. Beginning the second stanza, Dunbar asks with sarcastic dispassion, “Why should the world be over-wise in counting all our tears and sighs?” (lines 6-7). Dunbar’s blatant strike at society is referring to the undeniable ignorance of how clearly unfair and cruel people were treated at the time and how many people still chose to ignore how wrong it was. However, Dunbar recognizes that whites will never question their ways and blacks will never take off their masks to tell them to. In despair over this realization, Dunbar accepts that since both people wearing the masks and the rest of society have to change, it will be a long time
Many writers begin writing and showing literary talent when they are young. Paul Laurence Dunbar, born and raised in Dayton, Ohio, was already editor of a newspaper and had had two of his poems published in the local newspaper before he’d graduated from high school. His classmate, Orville Wright, printed The Tattler which Dunbar edited and published for the local African American community. After graduating from high school, he was forced to get a job as an elevator operator which allowed him spare time for writing. He finally gained recognition outside of Dayton when, in 1892, he was invited to address the Western Association of Writers and met James Newton Matthews who praised his work in a letter to an Illinois newspaper. In 1892, he decided to publish his first book of poems entitled Oak and Ivy and four years later his second book of poems Majors and Minors was published. People began to see him as a symbol for his race, and he was thought of artistically as “a happy-go-lucky, singing, shuffling, banjo-picking being… in a log cabin amid fields of cotton” (Dunbar, AAW 2). Dunbar’s poems, written alternately in literary and dialect English, are about love, death, music, laughter, human frailty, and though Dunbar tried to mute themes of social protest, social commentary on racial themes is present in his poetry.
The inconsistent American view of integrity exposed in “We Wear the Mask” Paul Laurence Dunbar and “Theme for English B” Langston Hughes acknowledges the struggle between how society views African Americans and how the community views itself. Circumstances were difficult in America amongst the end of the 19th and beginning of 20th century. An immense amount of changes were happening, and numerous people had a troublesome time dealing with them. African Americans specifically got in a culture that showed up to more superior to anything it had been before and surrounded by the Civil War. The truth was, things simply weren 't so divine. African-American of this time period are prime cases
The victims of judgment, although bold on the outside, face several obstacles others are ignorant of. Dunbar, a member of the African-American community, assesses how the surrounding groups force him and his people to smile with “torn and bleeding hearts” (Dunbar 4). Artificially smiling, they, consequently, decide to ignore the truth of their hardships to feel secure. The strong adjectives associated with “hearts” emphasize the impact of these challenges on their lives. By exhibiting synthetic strength and not addressing these hurdles in life, Dunbar reveals how society refuses to accept and embrace others’ problems. Moreover, by repeating the phrase “We smile,” he shows how a simple facial movement is so powerful and allows individuals to ignore situations they deem difficult (Dunbar 10). In an environment that judges by a glimpse and often does not take the time to listen to the difficulties of others, it is not possible to open up and share. As a way to protect their dignity and maintain a sense of strength, they escape reality. Through both of these works of literature, it is clear that in an environment that compels change, the population will adapt to better fit in and reveal other sides to
The poem, "We Wear the Mask”, by Paul Laurence Dunbar is about separating Blacks people from the masks they wear. When Blacks wear their masks they are not simply hiding from their oppressor they are also hiding from themselves. This type of deceit cannot be repaid with material things. This debt can only be repaid through repentance and self-realization. The second stanza of “We Wear the Mask” tells Blacks whites should not know about their troubles. It would only give them leverage over Blacks. Black peoples’ pain and insecurities ought to be kept amongst themselves. There is no need for anyone outside the black race to know what lies beneath their masks. The third stanza turns to a divine being. Blacks look to god because he made them and is the only one that can understand them. They must wear their mask proudly. The world should stay in the dark about who they are. This poem is about Blacks knowing their place and staying in it. This is the only way they could be safe.
Paul Laurence Dunbar was born in a northern town near Dayton, Ohio on June 27, 1872 (Brawley 12). His parents instilled in him the value of an education, and he excelled at the all-white Dayton Central High-school where he held the titles of class president, the president of the school literary society, and the editor of the school's newspaper (15). Dunbar was extremely well learned; he spoke and wrote in Standard English, but just as often his poetry was written in black dialect. As one of the first professional African American literary figures (Baym 1038), Paul Laurence Dunbar's poetry consists of two distinct styles: his dialect pieces with the simple rhyme schemes of the ballad lyrical form, such as his 1897 poem When Malindy Sings, and his classical poetry that has more complex rhyme and form, and is written in Standard English like his 1897 poem, We Wear the Mask. The dialect poem, When Malindy Sings, is a result of what Dunbar called the mask, and what W.E.B. Dubois would later call double-consciousness. It portrays black society through the eyes of white America and how they wish to see it, while the poem written in classical form, We Wear the Mask, displays Dunbar’s true thoughts concerning his identity and the identity of his race.
Paul Dunbar was born into a tough life from the beginning. His parents were slaves and shortly they separated after his birth but this helped Dunbar later on in his career because Dunbar would draw stories from their plantation life (Paul Poetry Foundation). He had to grow up without two parents and had to tough it out on his own. Dunbar also was financially unable to attend college and eventually moved to Chicago and befriended Frederick Douglass (Paul Poetry Foundation np). These events affected his life by not allowing Dunbar to attend college and sharpen his writing skills and Douglass helped him gain more reputation. Dunbar challenged the literary world by trying to make them read within the words and not just read the words. He fought slavery through his poetry and always referred to people as “we” and never “I”. This is important because Dunbar wanted to stand up for the whole black community and it is important he inspired so many people to read his poems. Dunbar impacted modernism by writing some o...
Paul Laurence Dunbar is one of the most influential African American poets to gain a nationwide reputation. Dunbar the son of two former slaves; was born in 1872 in Dayton, Ohio. His work is truly one of a kind, known for its rich, colorful language, encompassed by the use of dialect, a conversational tune, and a brilliant rhetorical structure. The style of Dunbar’s poetry includes two distinct voices; the standard English of the classical poet and the evocative dialect of the turn of the century black community in America. His works include a large body of dialect poems, standard English poems, essays, novels, and short stories. The hardships encountered by members of is race along with the efforts of African Americans to achieve equality in America were often the focus of his writings. http://www.dunbarsite.org/
One pattern that is easily identified is that of religiosity. The mission of this poem was to reminds the slaves that God would free them one day, just like he did the Israelites. However, in order for a slave to believe that, he or she needed to have a belief in something greater than his or her current situation. Yet, they could not be impatient with this belief and think that it was coming soon. In “An Ante-bellum Sermon,” Dunbar tells his audience “Don’t you git to brigity;/An’ don’t you git to braggin’/Bout dese things, you wait an’ see.” If a poem was spoken like this during slavery, it would be sure to prompt the slaves not take their freedom into their own hands. Therefore, throughout the poem Dunbar is consistently reminding them that they will have to suffer first in order to one day gain their humanity and freedom. With an understanding of these Black Arts patterns, the mission of the poem is
Paul Lawrence Dunbar born June 27, 1872 in Dayton Ohio. Dunbar mother was a laundress and his father a former slave, soldier and plasterer. As a student Dunbar was the only black in his senior class, nevertheless he was still nominated President of the class. During adulthood Dunbar eloped with Alice Ruth Moore who was a teacher. Dunbar had no children. As editor of his own newspaper “Dayton Tattler” his writing inspiration surface. Many of his family experiences of slave and plantation life influenced Dunbar later writing. There was often controversy about Dunbar dialect poetry, it was said to cruelty misread black history, and it was written for white audience. Before his death on February 9, 1906 Dunbar was considered influential because his poetry influence Harlem Renaissance writers such as James Weldon Johnson, Langston Hughes and Claude Mckay.
In the time of the Great Depression, many people were in moments of suffering and hardships. However, African American were facing moments of prejudice and segregation, that was sonly based on the color of their skin. In the novel, “To Kill a Mockingbird” by Harper lee and the poem “We wear the mask” by Paul Lawrence Dumber, gave incite to those moments and how African Americans changed themselves to fit in to the white people society.
James Langston Hughes was born February 1, 1902, in Joplin , Missouri . His parents divorced when he was a small child, and his father moved to Mexico . He was raised by his grandmother until he was thirteen, when he moved to Lincoln , Illinois , to live with his mother and her husband, before the family eventually settled in Cleveland , Ohio . It was in Lincoln , Illinois , that Hughes began writing poetry. Following graduation, he spent a year in Mexico and a year at Columbia University . During these years, he held odd jobs as an assistant cook, launderer, and a busboy, and travelled to Africa and Europe working as a seaman. In November 1924, he moved to Washington , D.C. Hughes's first book of poetry, The Weary Blues, was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, won the Harmon gold medal for literature.
The Poet by Paul Laurence Dunbar Before we pass on from this world, it would be nice if we had left our mark, given our contribution, made our claim in the history of human civilization. Wouldn't it be wonderful to achieve such a goal? Wouldn't it be horrible to have attained that level of recognition and yet be recognized for things you deemed inferior? In the poem "The Poet", Paul Laurence Dunbar expresses his remorse at having written superior Standard English literature and yet only be known and praised for his Dialect works. The first way Dunbar achieves this meaning is through his use of language.
UDRI Web Development Center, . "The Life of Paul Laurence Dunbar." Paul Laurence Dunbar Website. University of Dayton, 03 Feb 2004. Web. 25 Feb 2014. .
The title itself directs readers towards a sense of assimilation by wearing a mask. Wearing a mask indicates hiding an original identity in order to please the mainstream one. This is exactly the case in “We Wear the Mask”. In this case, blacks had to hide their humiliation and suffering from their white counterparts by wearing a mask that lies. When Dunbar wrote, “With torn and bleeding hearts we smile” (646), it is evident that African Americans were forced to hide their pain by showing a fake smile. They suffered emotionally on the inside but could not express it. In addition to showing a fake smile, African Americans did not care about their heritage. The third stanza reads, “But let the world dream otherwise, / We wear the mask!” (14-15). The lines do not celebrate cultural heritage because the slaves had to show pleasure while they are being tortured. Letting the world dream otherwise shows the slaves’ carelessness when it comes to expressing their identity.They are concealing their true self by hiding their pain. Hiding their pain also means hiding their cultural
However, back in Dunbar's time, slavery prohibited black people from being ordinary members of society. Although they prayed heavily and persevered, they wore the mask for the time being, in the hopes of living in a world where the color of one's skin would not determine their character. No changes needed as this is a Works Cited section and should not be edited.