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Langston Hughes as a literary influence
Langston hughes and contribution to african american literature
Langston hughes and contribution to african american literature
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Gwendolyn Brooks captures the reality of America’s youth with her poem, “We Real Cool.” Growing up in Chicago, Brooks was inspired to write “We Real Cool” while catching a glimpse of a group of teenagers playing pool during school hours (On “We Real Cool”). The poem portrays a group of young people dodging the responsibilities of life in order to do whatever is considered “cool” to them and their peers. The poem allows the audience to make their own judgements about the pool players, because Brooks gives no opinion. However, the last line of the poem gives the audience the impression that the pool players’ actions are wrong because it shows that their destiny is an early death date. Brooks made the speaker of the poem to be defiant, since he is rebelling against what is expected of the youth by “lurking late” and “striking straight” (3-4) in order to give the audience a realistic view of teenaged dropouts. To begin with, the poem is structured in eight short and concise lines. Each word of the poem is only one syllable, and may indicate that the speaker is not educated. It is …show more content…
also using informal language and wording. This shows defiance because young people are expected to be educated in order to begin establishing their future. Since teenagers are close to being adults and starting careers of their own, they are expected to be knowledgeable for the sake of their future. On the other hand, Brooks depicts a group of rebellious teenagers who do not seem to care about their lives. “We/ Die soon” (7-8) shows that they know the outcome of their lives, and may answer the question as to why they are being defiant. In addition, the author uses epistrophe, a repetition of words at the end of a line (Epistrophe), in order to emphasize the fact that the speaker’s confidence in being defiant against society’s standards. The use of “we” shows that it is not unusual to find a young person disregarding their responsibilities, because of the fact that there are many teens involved in this. Also, the use of “we” is, in a sense, assertive because the speaker is saying that he and his group are entitled to “singing sin” and “thinning gin” (5-6) because they are “real cool.” Brooks’ poem was written in 1959, making it about thirty years after the Harlem Renaissance.
However, there are clear signs of inspiration from Langston Hughes’ jazzy rhythm in poems such as, “The Weary Blues” (Gross). “We Real Cool” also has a jazzy rhythm when being read out loud, possibly because of the three beats in every line excluding the first and last line. In contrast of this upbeat rhythm, the message of the poem says a lot about the youth and society. Brooks shows how some young people will go through great lengths to defy society and “live for the moment.” She however, does not determine if this is good or bad, but the audience is left with the impression that defying society’s expectations can put people at risks. Even today, it can be difficult for some people to show off their individuality and be independent without running into risks that may affect their lives
greatly.
and that we should help those less fortunate than ourselves. In this I essay I have shown how successful the poet was in making me share this view by using his thoughtful and intense language, word-choice and imagery techniques.
Gwendolyn Brooks and Sonia Sanchez, in their poems “We Real Cool” and “Summer Words of a Sistuh Addict”, are both alike in their idea of dealing with troubled youth. Brooks discusses in her poem “We Real Cool” rebellious pool-playing youth that “sing sin” (Line 5) and “thin gin.” (Line 6) The whole poem centers around disturbed youth. The narrator in Sonia Sanchez’s poem “Summer Words of a Sistuh Addict”, is also a disturbed young woman who is addicted to heroin, and seems to live a rather rebellious lifestyle. In addition, both of these poems use tone via word choice, sentence structure, and meter in order to vividly describe the scenarios in their poems, and to impact their reader. However, both poets use the literary elements mentioned above differently in their poems.
Through the course of this poem the speaker discovers many things. Some discoveries made are physical while others are mental and emotional. On a physical level the speaker discovers a book, a new author and the power
The essence of this poem is the author’s mastery of sound and rhythm and his excellent use of figurative language. Richard Wilbur purposely chose words that have few a syllables and require little to no change in mouth size and tongue movements to appease to the reader when read aloud. There is an ABAB rhythm scheme
The poem is written in the style of free verse. The poet chooses not to separate the poem into stanzas, but only by punctuation. There is no rhyme scheme or individual rhyme present in the poem. The poems structure creates a personal feel for the reader. The reader can personally experience what the narrator is feeling while she experiences stereotyping.
The poem 'We Real Cool' by Gwendolyn Brooks is a stream of the thoughts of poor inner city African-Americans who have adopted a hoodlum lifestyle. Though many can have different interpretations of this poem, it is fair to look at the life and career or the works and influences of Gwendolyn Brooks.
Lastly, Alexie sets forth a particular structure and form in this poem. The stanzas are
The poem, We Real Cool, by Gwendolyn Brooks speaks through the voice of a young clique who believes it is “real cool.” Using slang and simple language to depict the teenage voice in first person, Brooks’s narrators explain that they left school to stay out together late at night, hanging around pool halls, drinking, causing trouble, and meeting girls. Their lifestyle, though, will ultimately lead them to die at a young age. But, despite an early death, the narrator expresses that they are “real cool” because of this risky routine. Through her poem, Brooks’s shows the ironic consequence of acting “cool”: it leads to death.
Brooks’ selection of single syllable words helps set the rhythm of a jazz mood. The monosyllable words provide a rhythmical tool for generating a snappy beat to her tale. Her repetition of rhyming words close together adds unity to the poem. By placing the one syllable words close together: “cool / school” (1-2) and “sin / gin” (5-6), it emphases each word. The feelings and imagery are clear in this poem. The rhyming lines in her verse contain only three words, and it keeps the poem’s rhythm moving. The short verse makes it easy to remember. The short lines speed it up, but the sound on each stop really stands out. Only the subtitle is longer, which Brooks utilizes to encompass the setting. Her careful use of short words keeps the beat and describes what the boys are doing, like leaving school, or staying out late. These simple
The poem “We Real Cool” is the story of young kids, possibly teens, who are rebellious, uneducated, and arrogant. It states: “We real cool. We left school. We lurk late. We strike straight. We sing sin. We thin gin. We jazz June. We die soon.” (l.1-8) The poem talks about the pool players and their lives. It seems as though the pool players are school aged because the poet says, “We left school.” (l.1-2) This line shows how they have no interest in school or learning. Since they choose to ditch school, they are most likely uneducated or immature therefore, their behavior throughout the poem, is not too surprising.
"We Real Cool" is a short, yet powerful poem by Gwendolyn Brooks that sends a life learning message to its reader. The message Brooks is trying to send is that dropping out of school and roaming the streets is in fact not "cool" but in actuality a dead end street.
... him due to our own biases. Instead, we should contribute more time and effort to observe carefully before judging someone. Moreover, it also applies to the secondary school’s education system that students only learn through repeatedly memorizing by heart, without thorough understanding. In fact, this poem sheds some light on how we see things; thus, interpret things, introducing the importance of experience.” (Yau)
As the poem went on about the Jazz June through the research the music was from the roots of slavery days where the slave sang sound through communication without their owner knowing what they talking about. The June was the summer time it felt like freedom every day of their life. For them, it was a chance to discover doing the season due to the crop of people who swindle in for June. The last part talks about the lifestyle that leads to death for them but no seem to care about their life for early death. The freedom characterized itself not knowing for the is right or wrong. they assumed responsibility due to actions of ending results of death. The life of the boy may be with excitement and danger with the choosing
The structure of this poem is not the traditional form of poetry, in that he begins with a first person statement then after an indentation, he elaborates on it almost lik...
The construction of the poem is in regular four-line stanzas, of which the first two stanzas provide the exposition, setting the scene; the next three stanzas encompass the major action; and the final two stanzas present the poet's reflection on the meaning of her experience.