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Langston Hughes once said in his poem, The Black Man Speaks, “I swear to the Lord / I still can't see / Why Democracy means / Everybody but me.” This quotation by Hughes is able to perfectly depict inequality which was just one of many struggles African Americans faced during Hughes’ time. Although literary critics felt that Langston Hughes portrayed an unattractive view of black life, the poems demonstrate reality. Hughes’ poetry contains many issues that typically plagued blacks at the time including racial abuse, lack of opportunity, and segregation. Langston Hughes was born February 1, 1902 in Joplin, Missouri. Poems.org stated that Hughes’ parents were divorced when he was young. He was the offspring of two African American parents. His maternal grandmother raised him until he was 13. He then moved in with his mother and her husband in Cleveland. Hughes’ education consisted of studies at Columbia University. Without completing his education there, he left and took up many odd jobs. One such job included travelling abroad as a seaman. In his adult life, he lived in Washington D.C. Hughes’ poetry was influenced by Paul Lawrence Dunbar, Walt Whitman, and Carl Sandburg. His love of jazz music also shaped some of his poetry (Academy of American Poets). Arnold Rampersad comments that “Hughes's sense of dedication was instilled in him most of all by his maternal grandmother.” Ramperstad also concluded that parental neglect impacted Hughes’ poetry. Langston Hughes died of prostate cancer on May 22, 1967. The glaring inequalities Hughes experienced throughout his lifetime became the subject of many of his poems. For instance, the harsh reality of black life is demonstrated in Hughes’ poem “Ku Klux”. The poem depicts a black man being... ... middle of paper ... ...escription of the Jim Crow laws. Some critics claim that Langston Hughes depicted an ugly representation of black life in his poetry, but these poems exhibit the truth. The legacy of Langston Hughes’ writings has had a profound effect on American literature. He was one of the first African American poets. Due to his published success, he broke through the racial barrier in this country. During the Civil Rights Movement, he continued to write poetry and collections of works that demonstrated the hardship of blacks during the time. In his poems Ku Klux, Harlem, and Merry-Go-Round, Hughes shows the prominence of racial abuse, lack of opportunity, and segregation in African American life. The poetry of Langston Hughes impacted American culture by increasing awareness of the actual trials encountered by the African American population in America during this time period.
Langston Hughes was born on February 1st, 1902 in Joplin, Missouri. He started education at Lincoln University in Pennsylvania. He went on to write and publish his first work, a poem called, “The Negro Speaks of Rivers” in Crisis magazine. He then continued his education at Columbia University in New York in 1921. He then lived for sometime in Paris and after returning to the United States, he worked in Washington D.C. as a busboy. Later after that, Vachel Lindsay discovered Hughes literary talents. Hughes talents did not only exist in poetry, he also expanded his talent into music, play writing, and short stories, for example the “Simple” stories. His most prominent work however was written and published during the Harlem Renaissance a time where many other African-American authors were showcasing their work and being published. Hughes however, stood above the rest with his multiple talents and work which spread across the board. The white society of America at the time of the Harlem Renaissance and years after began to label him as a radical. Hughes remained extremely prolific to the very end of his life. Hughes published over forty books, including a series of children’s books. However, if you add his translations and his many anthologies of black writing, the amount of books he has published would double. He remained a controversial figure, having been considered a dangerous radical in the 1940s. Hughes was now, as he retained his lifelong commitment to racial integration, rejected by 1960s radicals considered to be a part of the problem, rather than part of the solution. However, that would not stop Hughes from being recognized as one of the important black a...
When reading the literature of Langston Hughes, I cant help but feeling energetically charged and inspired. Equality, freedom, empowerment, renaissance, justice and perseverance, are just a taste of the subject matter Hughes offers. He amplifies his voice and beliefs through his works which are firmly rooted in race pride and race feeling. Hughes committed himself both to writing and to writing mainly about African Americans. His early love for the “wonderful world of books” was sparked by loneliness and parental neglect. He would soon lose himself in the works of Walt Whitman, Paul Laurence, Carl Sandburg and other literary greats which would lead to enhancing his ever so growing style and grace of oeuvre. Such talent, character, and willpower could only come from one’s life experiences. Hughes had allot to owe to influences such as his grandmother and great uncle John Mercer Langston - a famous African American abolitionist. These influential individuals helped mold Hughes, and their affect shines brightly through his literary works of art.
Hughes mother went through protracted separations and reconciliations in her second marriage (she and her son from this marriage would live with him off and on in later years. He was raised by alternately by her, by his maternal grandmother, and, after his grandmother’s death, by family friends. By the time he was fourteen, he had lived in Joplin; Buffalo; Cleveland; Lawrence, Kansas; Mexico City; Topeka, Kansas; Colorado Springs; Kansas City; and Lincoln, Illinois. In 1915, he was class poet of his grammar-school graduating class in Lincoln. From 1916 to 1920, he attended Central High School in Cleveland, where he was a star athlete, wrote poetry and short stories (and published many of them in the Central High Monthly), and on his own read such modern poets as Paul Laurence Dunbar, Edgar Lee Masters, Vachel Lindsay, and Carl Sandburg. His classmates were for the most part the children of European immigrants, who treated him largely without discrimination and introduced him to leftist political ideas.
The civil rights movement may have technically ended in the nineteen sixties, but America is still feeling the adverse effects of this dark time in history today. African Americans were the group of people most affected by the Civil Rights Act and continue to be today. Great pain and suffering, though, usually amounts to great literature. This period in American history was no exception. Langston Hughes was a prolific writer before, during, and after the Civil Rights Act and produced many classic poems for African American literature. Hughes uses theme, point of view, and historical context in his poems “I, Too” and “Theme for English B” to expand the views on African American culture to his audience members.
James Langston Hughes was born February 1, 1902, in Joplin , Missouri . His parents divorced when he was a small child, and his father moved to Mexico . He was raised by his grandmother until he was thirteen, when he moved to Lincoln , Illinois , to live with his mother and her husband, before the family eventually settled in Cleveland , Ohio . It was in Lincoln , Illinois , that Hughes began writing poetry. Following graduation, he spent a year in Mexico and a year at Columbia University . During these years, he held odd jobs as an assistant cook, launderer, and a busboy, and travelled to Africa and Europe working as a seaman. In November 1924, he moved to Washington , D.C. Hughes's first book of poetry, The Weary Blues, was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, won the Harmon gold medal for literature.
Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American, the poem’s struggles and future changes seem to be of greater importance than they ordinarily would. The point of view of being the oppressed African American is clearly evident in Langston Hughes’s writing.
Langston Hughes is considered by many readers to be the most significant black poet of the twentieth century. Except for a few examples, all his poems are about social injustice in America. The somber tone of his writing often reflected his mood. Race relations were present in almost his whole career, following him from his first poem to his last.
Langston Hughes parents then separated. Since his mother moved from city to city in search of work he lived in Lawrence, Kansas, with his grandmother named Mary Hughes. She fiercely opposed to racial discrimination. While growing up, Langston also stayed with friends of the family, James and Mary Reed. Living with his grandmother and the Reeds in all-white neighborhoods, he felt even more isolated.
Both of Hughes’ paternal great-grandmothers were African American and both of his paternal great-grandfathers were white slave owners of Kentucky. Langston Hughes was the second child of schoolteacher Carrie (Caroline) Mercer Langston and James Nathaniel Hughes. He grew up in a series of Midwestern small towns in Missouri. Hughes's father left his family and later divorced Carrie, going to Cuba, and then Mexico, seeking to escape the enduring racism in the United States (“Biography of Langston Hughes”). His grandmother raised him until he was thirteen (as his father had left him and his mother at a young age) when he moved to Lincoln, Illinois, to live with his mother and her husband. They, later, settled in Cleveland, Ohio. Hughes started writing poetry when he was in Lincoln (“Langston Hughes”).
Langston Hughes is considered one of the greatest African American poets to live in the last century. Langston Hughes wrote poems over oppression from 1926-1964, he wrote many poems, jazzes, blues, and spirituals. Langston Hughes uses America as symbolism to represent that America represents more than a country and it represents “The American Dream” and freedom.
Langston Hughes was a large influence on the African-American population of America. Some of the ways he did this was how his poetry influenced Martin Luther King Jr. and the Harlem Renaissance. These caused the civil rights movement that resulted in African-Americans getting the rights that they deserved in the United States. Hughes was born in 1902 in Joplin, Missouri. His parents divorced when he was young and his grandmother raised him. She got him into literature and education; she was one of the most important influences on him. He moved around a lot when he was young, due to his parents divorce, but remained a good student and graduated high school. After this he traveled the world and worked in different places, all the things he saw in his travels influenced him. In 1924 he settled down in Harlem where he became one of the important figures in the Harlem Renaissance. He enjoyed listening to blues and jazz in clubs while he wrote his poetry. The music that he enjoyed greatly influenced the style and rhythm of his poetry. The poem “Dream Variations” by Hughes is about an average African-American who dreams of a world where African-Americans are not looked at or treated differently and they can rest peacefully. Yet in real life this was not so, black people and white people were not equal. And the world was not as forgiving and nice as in their dream. This poem is a good example of Hughes writing because it is typical of three things. The first is the common theme of the average life of an African-American and their struggles. Secondly, the style of his writing which is based on the rhythm of jazz and blues- he uses a lot of imagery and similes. Lastly, his influences which are his lonely childhood and growing up as an Afric...
During the 1920's and 30’s, America went through a period of astonishing artistic creativity, the majority of which was concentrated in one neighborhood of New York City, Harlem. The creators of this period of growth in the arts were African-American writers and other artists. Langston Hughes is considered to be one of the most influential writers of the period know as the Harlem Renaissance. With the use of blues and jazz Hughes managed to express a range of different themes all revolving around the Negro. He played a major role in the Harlem Renaissance, helping to create and express black culture. He also wrote of political views and ideas, racial inequality and his opinion on religion. I believe that Langston Hughes’ poetry helps to capture the era know as the Harlem Renaissance.
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems: that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry.
Langston Hughes was deemed the "Poet Laureate of the Negro Race," a fitting title which the man who fueled the Harlem Renaissance deserved. But what if looking at Hughes within the narrow confines of the perspective that he was a "black poet" does not fully give him credit or fully explain his works? What if one actually stereotypes Hughes and his works by these over-general definitions that cause readers to look at his poetry expecting to see "blackness?" Any person's unique experiences in life and the sense of personal identity this forms most definitely affects the way he or she views the world. This molded view of the world can, in turn, be communicated by the person through artistic expression. Taking this logic into account, to more fully comprehend the message and force of Hughes' poetry one must look, not just to his work, but also at the experiences in his life that constructed his ideas about society and his own identity. In looking at Hughes' biography, one studies his struggle to form a self-identity that reflected both his African American and mainstream white cultural influence; consequently, this mixing of black and white identity that occurred throughout Hughes' life is reflected in his poem "The Weary Blues."
The poem “Negro” was written by Langston Hughes in 1958, where it was a time of African American development and the birth of the Civil Rights Movement. Langston Hughes, as a first person narrator, tells a story of what he has been through as a Negro, and the life he is proud to have had. He expresses his emotional experiences and makes the reader think about what exactly it was like to live his life during this time. By using specific words, this allows the reader to envision the different situations he has been put through. Starting off the poem with the statement “I am a Negro:” lets people know who he is, Hughes continues by saying, “Black as the night is black, Black like the depths of my Africa.”