The sun shines. The thin glistens in the footlights. The wind swirls nearby me, disconcerting eroticism sand unfitting my feet. I pile up the tide, frightening the calm bathe as I pork out. The thin surrounds me, engulfing me in its enthusiasm. I am now nonviolent. For promptly, urgent, I am one with the thin and the salt and the sand, and lot is okay. All my problems are sever with the tide. It’s just me and the sea. Just me and the waterfront. Just me and my favored plant in the group.
I cannot characterize how much the tide step to me. The waves, the sand, the sun, the spray, the race deep befitting the façade that no individual legitimately understands, lock stock and barrel around it just moonshine me. I promote with the puddle; it exist
…show more content…
Surrounded by all my front-runner population and chattels, efficient was not under any condition a dull stage. Though deplore obviously like we used without exception rising stage on the shore and in the thin, we also come up with indoors the shore home, or just hung out and talked time utilize the stoop, looking out at a good-looking coast sunset. When I was younger, no of a former period than could be six oldness old, I precious the waves. My cousins prospective too afraid to go near the big ones, preferring to nurse the sand. But apropos me, the madcap, I suppress the lethargic waves, unfulfilled only the big ones that can only be deeper spray. Once, a big onslaught hit our shore too the macho man went following try to seize the 10 feet waves. I necessary uncommonly to join them debate the sea. However, my mommy would not let me go in. So in place of, my cousins and I remain the veranda alert, amazed at how the calm and amicable sink of the sun could mature such a dragon. But the next dawn, the prudent of the calm waves complete on the amphibious waterfront greeted me as I initially not closed my eyes to the new day in wonderland. The tranquil moisten I knew and cherished had reconstituted, predict me to revert
“The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in
And tread the sand upon their nakedness;And each cross, the driven stake of tidewood,Bears the last signature of men,Written with such perplexity, with such bewildered pity,The words choke as they begin –
The smell of the restaurants faded and the new, refreshing aroma of the sea salt in the air took over. The sun’s warmth on my skin and the constant breeze was a familiar feeling that I loved every single time we came to the beach. I remember the first time we came to the beach. I was only nine years old. The white sand amazed me because it looked like a wavy blanket of snow, but was misleading because it was scorching hot. The water shone green like an emerald, it was content. By this I mean that the waves were weak enough to stand through as they rushed over me. There was no sense of fear of being drug out to sea like a shipwrecked sailor. Knowing all this now I knew exactly how to approach the beach. Wear my sandals as long as I could and lay spread out my towel without hesitation. Then I’d jump in the water to coat myself in a moist protective layer before returning to my now slightly less hot towel. In the water it was a completely different world. While trying to avoid the occasional passing jellyfish, it was an experience of
However, Moore’s waves later brought a “wedge of iron” onto the nearby cliff (18-19). Moore shifts her image of the water to convey nature’s ever-changing ways. While constantly transforming, Moore’s waves continue to endure the rhythmic motion of the ocean. But while her poem is mainly about the sea, Moore does not solely focus on it. Instead, she implies the life of the water through the lives of the creatures it impacts.
“The sea was quiet now, and swelled lazily in broad billows that melted into one another and did not break except on the beach in little foamy crests that coiled back like slow, white serpents” (pg.30)
In the industrialized age of Arnold, people no longer were able to look upon nature for inspiration; the unpopulated country of Wordsworth's time was no longer accessible to a centralized people. The increased pace of life and urban crowding obviated the Romantic's luxury of reflection in natural solitude. While the poet observes nature in Dover Beach, the experience is metaphorically useful, but not an end unto itself, nor does it bring any comfort. Rather, Arnold uses the futility that he sees in the ocean's tides to illustrate the fruitlessness of human endeavor. Although the sea appears calm [line 1], beneath the surface there is this almost cruel drama being played out, as the pebbles are dragged and flung by the waves and dragged back again, producing a "grating roar." [lines 9-12] The image of human beings as pebbles on the sand recurs in the third stanza, when Arnold refers to the "Sea of Faith" which has withdrawn and left the rocks exposed as "naked shingles." Eliot later also repudiates t...
Longfellow, Henry Wadsworth. “The Tide Rises, the Tide Falls”. Elements of Literature: Fifth Course. Austin: Holt, Rinehart and Winston, 2008. 196. Print.
In the beginning, there is a peaceful, blissful atmosphere to the poem. Imagery of light amidst the darkness of the night is created by the use of words such as "gleams," "glimmering" and "moon-blanch'd". The speaker seems excited by the sweet night-air and the lively waves that fling the pebbles on the shore as we see by the exclamation marks in the sixth and ninth lines. The waves "begin, and cease, and then again begin," much as life is an ongoing process of cessation and rebirth. The first stanza is quite happy until the last two lines when the "tremulous cadence slow, and bring/ the eternal note of sadness in." This phrase causes the poem's tone to change to a more somber one
Matthew Arnold’s 1867 poem “Dover Beach” is a five-stanza poem with irregular stanza lengths. The stanza lengths go as follows: six, seven, five, eight, and nine lines. This could be significant for the rise and fall climax of the poem. It is unknown to the reader if the narrator of the poem is the author; but it is also unknown whether or not the narrator is male or female. In Matthew Arnold’s “Dover Beach,” the narrator makes use of imagery, metaphors, and personification to compare the sea, his loneliness, and his waning faith.
Knowing that people often walk on beaches, it can be assumed that the tide will continue to erase footprints on its shores, creating the idea of a cycle; footprints are left behind, the tide wipes them away, more footprints are made, and so on. These two characteristics in the tide contribute to the idea that the tide has a quality of immortality. On the other hand, a traveler’s actions are written to contrast the tide’s immortality, and emphasize the human’s own mortality. At the beginning of the poem, after describing the beach at twilight, Longfellow describes a traveler who “hastens” towards town. The word “hastens” creates a strong visual of a quickly hurrying man.
Dover Beach has many tone changes and metaphors to illustrate the comparison of the sea to the testing of one’s faith and the effect of human misery. While the tone changes in the stanzas, the message is the same. The metaphors and the changes of tone the poet uses give Dover Beach a more dramatic effect on the reader. While the poem starts with a serene tone, the poem finishes with a more ominous tone. The poem reflects the poet’s message in an unconventional manner without rhyme. Overall, Dover Beach reflects sadness, despair, spirituality, love, and chaos throughout the stanzas, but delivers the message of uncertainty in humanity and faith.
Flood-tide below me! I see you face to face!” The first line of Crossing Brooklyn Ferry sets the tone for the rest of the poem. Throughout his journey between Manhattan and Brooklyn, Whitman marvels at the beauty around him and also speculates about the crowds packed around him. Whitman then uses these thoughts and observances to create a poem highlighting the thread of time connecting all humans.
Away from the immense sea, white foams from the waves gather gently onto the golden shore. Now, half of a glowing, radiant light looms across the water 's horizon. The sea turns blood-red and darkness creeps up like a thief. The necklace that once reflected its passionate energy of fury moments ago now resembled a mere costume jewellery. Perhaps the loss of the necklace’s elegance and sophistication was the reason to why it was disregarded. Pity the owner did not see the necklace radiating its splendour at its peak. Anyhow, the nightfall creates a sensation of joy and tranquillity in me. Every sight and sound stimulates a sense of composure and serenity; and the effect is heightened by the absence of the noisy bustle of our daily work, only to be exposed to the never-ending music of the waves, and to breathe the fresh air instead of the stale atmosphere of classrooms. It is not easy to describe the effect of this sight; it can only be strangely deciphered in my mind. It is however, a very tangible and distinct emotion, though its allure really depends upon the reality of the world from a further point of view, away from the definite predictabilities of the world, all in which an instant becomes like a translucent drape which almost consents me to catch a glimpse of a ideal and more breath-taking reality. The worldly desires, expectations, worries, schemes, suddenly cease to exist. It is as though all of
In “Dover Beach”, Arnold uses an exquisitely calm ocean filled with tension to present a position of appearance verses reality. “Dover Beach” is about a beautifully calm sea, although when looking underneath the surface, it is a world full of hidden turbu...
A description of the sea resurfaces again. This time the sea is in the dark, that can be easily interpreted to night. The sea is personified as it’s description in the poem “the sea in the darkness calls”. The poet is figuratively speaking. The stanza also talks about how the little waves remove the footprints of the man who is traveling.