Dover Beach has many tone changes and metaphors to illustrate the comparison of the sea to the testing of one’s faith and the effect of human misery. While the tone changes in the stanzas, the message is the same. The metaphors and the changes of tone the poet uses give Dover Beach a more dramatic effect on the reader. While the poem starts with a serene tone, the poem finishes with a more ominous tone. The poem reflects the poet’s message in an unconventional manner without rhyme. Overall, Dover Beach reflects sadness, despair, spirituality, love, and chaos throughout the stanzas, but delivers the message of uncertainty in humanity and faith.
The poem Dover Beach uses the sea to explain how one’s faith is tested. For example, light on the coast of France, which shines one minute and gone the next minute is a symbol of the dying light of faith. The poem starts with a couple looking at the serenity of the moonlit water of the English Channel. In fact, the sound of the waves makes the reader think of Greece, but the poet uses the sound of the sea as a metaphor to explain humanity’s loss of faith. For instance, the poet treats the sea initially as a beautiful part of nature that is comforting, but then the poet changes the tone to the sea as being unstable. The poet uses many metaphors to compare the sea to personal weaknesses. Each stanza has different tones, but each stanza repeats the idea that faith must remain strong.
In stanza one, on the French Coast the light gleams and is gone is a symbol that the light blinks off and on. This also indicates that one’s faith was originally strong, but now waivers. The poet talks about the grating roar of pebbles indicates conflict between the sea and land, which symbolizes the conflicts ...
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...f serenity and beauty, but in the end the sounds of the sea shows the meaning of human misery with the crashing noises and the grating of the pebbles.
The poet uses many metaphors in this poem. For instance, which the waves draw back and fling, compare the waves to one’s faith that was accepted and then rejected. Another metaphor used in lines 17 and 18 the turbid ebb and flow of human misery, comparing human misery to the ebb and flow of the sea. The metaphor of the bright girdle furled states that faith is necessary to maintain some type of balance in the world.
Dover Beach begins with an appeal of serenity, but ends with reality. The metaphors and tone changes allow the reader to understand that what appears as beautiful and serene is often disguised with chaos and instability. Certainly, Dover Beach leaves the reader with uncertainty in humanity and faith.
Published in 1944, the poem itself is an elegy, addressing the melancholy and sorrow of wartime death, as indicated by the title ‘Beach Burial’. This title gives clear meaning to the sombre nature of the work, and the enigmatic nature of it holds the attention of the audience. The entirety of the poem is strewn with poetic devices, such as personification of dead sailors as “…they sway and wander in the waters far under”, the words inscribed on their crosses being choked, and the “sob and clubbing of the gunfire” (Slessor). Alliteration is used to great effect in lines such as that describing the soldiers being “bur[ied]…in burrows” and simile in the likening of the epitaph of each seaman to the blue of drowned men’s lips and onomatopoeia is shown in the “purple drips” (Slessor). The predominant mood of the work is ephemeral, with various references to the transient nature of humanity. The ethereal adjectives used to describe and characterise objects within the poem allow a more abstract interpretation of what would normally be concrete in meaning. The rhythm of this piece is markedly similar to the prevalent concept of tidal ebb and flow, with lines falling into an ABCB rhyme scheme and concepts
The juxtaposition of the Titanic and the environment in the first five stanzas symbolizes the opposition between man and nature, suggesting that nature overcomes man. The speaker characterizes the sea as being “deep from human vanity” (2) and deep from the “Pride of Life that planned” the Titanic. The diction of “human vanity” (2) suggests that the sea is incorruptible by men and then the speaker’s juxtaposition of vanity with “the
He describes how the sand on the beach flows and moves on the shore. For example, in the first line of stanza two, he says, “Slush and sand of the beach until daylight.” This description of the sand really helps you visualize it.
“The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in
The repetition of sound causes different feelings of uncertainty and fear as the reader delves deeper into the poem. “Moss of bryozoans/blurred, obscured her/metal...” (Hayden 3). The r’s that are repeated in blurred and obscured create a sense of fogginess of the darkness of the water that the speaker is experiencing. The fogginess is a sense of repression, which is attempting its way out of the mind to the conscious. Hayden continues the use of alliteration with F and S sounds. Although they are different letters they produce the same sound that causes confusion, but an acceptance of death. “Yet in languid/frenzy strove, as/one freezing fights off/sleep desiring sleep;/strove against/ the canceling arms that/suddenly surrounded/me...” (Hayden 4). The use of sound at the last six lines of the poem causes the reader to feel the need for air and the fear of death. “Reflex of life-wish?/Respirators brittle/belling? Swam from/the ship somehow; /somehow began the/measured rise” (Hayden 4). The R sounds that begin is the swimming through the water. The B sound that continues right after in “brittle belling” is the gasp of air, and finally, the S sounds that finish the line by creating a soft feeling. As if the reader might not get out in time, even though the lines are saying that the speaker does escape the ship. The fear the alliteration evokes from the reader is the unconscious. The deep inner thoughts that no one wants to tap into. The speaker is accepting the idea of death in the ocean through his unconscious, but his conscious mind is trying to push back and begin the “measured rise” (Hayden 4) back to the
"The water of the Gulf stretched out before her, gleaming with the million lights of the sun. The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in the abysses of solitude. All along the white beach, up and down, there was no living thing in sight. A bird with a broken wing was beating the air above, reeling, fluttering, circling disabled down, down to the water." Chapter XXXIX
Throughout the story the ocean represented Edna's constant struggle for self-realization and independence. From her first flow of emotion on the beach to her last breath of life in the sea, the ocean beckons her. The voice of the sea lures her onward in her journey toward liberation and empowerment.
The poems “Sea Rose” by H.D and “Vague Poem” by Elizabeth Bishop were both written by two women who took over the Victorian era. H.D’s works of writing were best known as experimental reflecting the themes of feminism and modernism from 1911-1961. While Bishop’s works possessed themes of longing to belong and grief. Both poems use imagery, which helps to make the poem more concrete for the reader. Using imagery helps to paint a picture with specific images, so we can understand it better and analyze it more. The poems “Sea Rose” and “Vague Poem” both use the metaphor of a rose to represent something that can harm you, even though it has beauty.
The Seafarer highlites the transience of wordly joys which are so little important and the fact thet we have no power in comparison to God.
Relief,” Millay used a similar form of imagery to describe the rain that resulted in the remembrance of the persona’s love: “…I miss him in the weeping of the rain…” (Millay, 3). This description of the rain not only helped better visualize the rain itself, but also emphasized the sorrowful and desolate undertone of the poem. Another exemplification of visual imagery utilized in Millay’s poem was used to illustrate the tides: “…I want him at the shrinking of the tide…” (Millay, 4). The retreating of the tides was easily concei...
Through metaphors, the speaker proclaims of her longing to be one with the sea. As she notices The mermaids in the basement,(3) and frigates- in the upper floor,(5) it seems as though she is associating these particular daydreams with her house. She becomes entranced with these spectacles and starts to contemplate suicide.
There is also a sense of acuteness as the words in this stanza are short and sharp, and the lines clash and seem to contrast greatly. " Whispering by the shore" shows that water is a symbol of continuity as it occurs in a natural cycle, but the whispering could also be the sound of the sea as it travels up the shore. The end of this section makes me feel as if he is trying to preserve something with the "river mud" and "glazing the baked clay floor. " The fourth section, which includes four stanzas of three lines, whereas the third section included four-line stanzas and the second section included two-line stanzas, shows continuity once again, as if it's portraying the water's movement. "Moyola" is once again repeated, and "music" is also present, with "its own score and consort" being musical terms and giving the effect of harmony.
In the second stanza, Sexton drives from the funeral to the Cape to “cultivate” herself or deal with her grief. She describes the images she sees on the cape such as the sun shining from the sky and uses a simile to describe the sea that “swings in like an iron gate”. The scenery, unlike Sexton’s emotions, are very lively and happy and the usage of this imagery makes the reader understand that the world was still turning even through the speaker’s life had just stopped due to her loss (Johnson 3). The end of the second stanza concludes with “in another country people die”, which brings back the poem’s theme of death and returns the poem to a more dismal tone showing that she cannot escape death or her grief. In the third stanza, Sexton addresses a loved one who is with her. Despite the wind falling like stones from “white hearted water” or the grief hitting her, her loved one touches her and she realizes that unlike the dead, she is not
This poem also grasps the concept of religion and how it plays a role in this work. The character sets himself on religion and makes that as his "sanctuary" from the sea. "Thus the joys of God are fervent wit...
This piece of the poem is full of the images of nature. The image of sun and the moon can be find throughout the whole work, but in this part it probably poses as a symbol of rationality and intellect. Its function differs from the function of the moon and its light shines its rays of light on things to make them clearer, more comprehensible and earthly. T...