Watercolour is an artistic medium used In artworks for illustrative purposes. It is used for a range of different works from landscape images to fashion illustrations. There are many different techniques used when working with watercolour, like using watercolour paints or watercolour pencils which can both be used on wet or dry paper, and both harvest many smaller techniques within them for creating different visual effects. This essay will discuss these techniques in detail and compare the practices used, and will be supported with illustrative works by Gregory Conley and Tim Fisher.
Firstly we will look at the effects that pencil and paint both have when applied to dry paper. Watercolour painting is about how much water you have on your brush with the paint, its about the speed of the water evaporating onto the pages surface for your desired look, this means you need to consider weather and humidity when you paint. Applying watercolour to dry paper is best done on a sunny day with low humidity or in a temperature controlled room because you can use a medium amount of water on your brush, whereas if you were painting on a really wet, high humidity day the paper would have more moisture in it so you could end up with an illustration that you wanted to have great control over on dry paper bleeding colour out of control as if you were applying it to wet paper. To paint on dry paper, watercolour paints and brushes are needed, the paint colours are mixed with water to give the watercolour effect to the illustration and are then painted onto the page [Image 1 by Gregory Conley]. Although you can also apply the just the paint with very little to no water on the brush known as the dry brush technique to achieve a dry water colour effect...
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...his practice differs from using a pencil where its best to shave the colour pigments onto the page and use a wet brush to dissolve these pigment scrapings to create large areas of colour [Image 9 by Tim Fisher]. These two different practices both create a very similar effect on the page, but using this practice for a watercolour pencil allows scribbles and drawing marks to be non
[9] existent after the large area of colour was drawn because of the way the colour had been applied and dissolved.
This paper has discussed many watercolour techniques and their practices which can be used to create illustrative works. We looked at using watercolour paints and pencils on both dry paper and wet paper, and also looked over how the techniques of splattering colour, and applying large amounts of colour onto the paper, were practiced using both watercolour paints and pencils.
The visual elements in this painting are shape, color and light. The shapes and contours of the mother and child are life like.
Suspense is the feeling of uncertainty or excitement, in waiting for an outcome or decision. Edgar Allan Poe uses suspense in his story “Masque of the Red Death” by using objects and great descriptive detail. Poe’s story is about a prince that tries to escape from the inevitable. He tries to lock himself away from the ‘red death’ and has a masquerade ball that doesn’t end happily. Prince and all of his guests die inside or around the seventh apartment room. The seventh room is preceded by six colored rooms which are meant to symbolize either the stages of life, or the seven sins. Inside the last room there are black velvet tapestries that hang all over the ceiling and down the walls. The window panes are a deep blood red color which gives the room an unwelcoming atmosphere. On the western wall, there is a gigantic clock of a deep black wood. Inside it has a pendulum that swings back and forth with a dull monotonous clang. When the minute hand marks a new hour, there is a clear, loud, deep sound, which can be heard from far away. Although it can give off an eerie feeling, the great eb...
Besides bright or dim colors, and fine or rough brush strokes, artists use centralized composition to convey their interpretations in "The Acrobat's Family with a Monkey," "Amercian Gothic," "The Water-Seller," and "The Third of May,1808.”
...ist must keep his tools scrupulously clean. The brushes are dipped and wiped throughout the painting session with brush cleaner to keep from contaminating colors with residue from previous paint. Use a beater rack to remove excess thinner from brushes after cleaning them.
At first glance, the cheerful bright blue sky on the upper portion of the painting caught the most attention. The second dominant feature is the small sailboat with seagulls on the background where Monet illustrated in brightest white. Examining closely in that particular area, it is noticeable that the artist intended to incorporate a sheer layer of white surrounding the sailboat to create the illusion of sheen light breaking through the clouds and reflecting into the ocean. Monet used a variation of values along with the combination of heavy and light individual brushstrokes to create uneven tones to show the movement of the water caused by the weather and the sun. Several layers of underpaint can also be seen as the artist’s intention for the waves to appear fuzzier. The fuzzy wave in the foreground to the right is slightly bulged from the canvas showing the finer brushstroke slightly dabbed on the surface. Dense cracking is present all over the painting possibly due to the painting being very
In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect of the revulsion of this disease, Poe uses words such as "devastated," "fatal," "horror of blood," and "sharp pains and profuse bleeding." In summary, the story relates the prince, trying to be safe and away from the horrible death, invites a thousand friends to be in seclusion in his abbey away from the disease. During a celebration , a masked ball at the abbey - with incredible described rooms and moods - a surprise masked intruder causes death to all.
Zapf, Hubert. “Entropic Imagination in Poe’s ‘The Masque of the Red Death’.” College Literature 16.3 (Fall 1989): p211-218. Literature Resource Center. Web. 19 March 2012.
In the short story, “The Masque of the Red Death”, by Edgar Allan Poe, Poe always has some sort of symbolism for each main element. He is never straight to the point and typically extends one short sentence into a whole paragraph. Almost everything in this story has a significant meaning such as the title itself, Prince Prospero,the rooms, and the mysterious figure. Not only does this story include all these elements, but it also has a lesson at the end of this which is that it does not matter what type of person one is; one can never escape death.
Edgar Allen Poe wrote the short story “The Masque of the Red Death” in 1842. While only one character is actually named, Prince Prospero, the story builds apprehension just based on the descriptions and not on dialogue. The narrator is never named and it is a mystery as to this person’s involvement in the story. The ambiguousness of the narrator also helps build the drama throughout the story. “The Masque of the Red Death” tells the story of a group of wealthy people who are trying to ignore and separate themselves from a terrible disease that is sweeping across their country. The disease is swift and brutal and can cause death within 30 minutes. The people infected weep blood from the pores on their faces and bodies, which causes a disturbing visual image. Poe uses the setting and symbolism to reiterate to the reader that death is inevitable.
Throughout the short story “The Masque of the Red Death,” Edgar Allan Poe uses vivid symbolism, structure, and reoccurring details to paint a powerful image regarding the finality and inescapable reaches of death itself. “The ‘Red Death’ has long devastated the country,” yet the Prince Prospero continues to hold extravagant parties for his fellow elite members of society. Rather than merely telling a series of events, Poe carries his readers throughout the many rooms and scenes that hold the Prince’s masquerade, up until the clock strikes midnight and the partygoers can no longer hide behind their façade, and death comes in to take those that thought themselves invincible (Poe 438-442).
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
The year 1913, Henri Matisse returned to printmaking. Developing numerous prints of drypoints, woodcuts, lithographs, monotypes, and etchings. Matisse focused on the world around him, which included friends and family, everyday life in the studio, but it was the tools and techniques the artist used that had a significant impact on his work. Matisse began working on prints for Bathers in 1913, working with models in various seated and standing positions. The artist was working to simplify the human form by only capturing the essential elements and describing the figures with minimal lines. The drypoint technique creates a rigid line, and more angular because the artist uses a sharp metal tool to scratch directly into the surface of the copper
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
In the story, The Masque of the Red Death by Edgar Allan Poe, the author tries to create a specific atmosphere to emphasize the action within the story. The setting of the story immensely helps to create this atmosphere. Poe’s descriptive setting aids in creating the atmosphere of the story by developing mood, evoking feelings from the reader, and creating a false sense of security.