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Ted Kooser poetry
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In the ten seconds that it took me to skim over Ted Kooser’s “Skater”, I saw the ice stretching for miles beneath the silent clouds in the distance of a gray morning. The image of a young attractive woman, dressed in a lean North Face jacket and a mere black speck against the winter panorama also came to mind. As someone who has experienced the pains and gains of figure skating, I felt a personal connection to “Skater”. I too, have suffered the gelid nip at the fingers and cheeks, fought the fear of jumping and of falling, taken leaps of faith from wedges of dangerous metal. I could easily relate to the mental imagery, and so I chose this poem out of nostalgia and the hope that my emotional attachment to ice skating would help in my analysis. …show more content…
The same metaphors and imagery capture a previously unnoticed elegance in ice skating, which in turn represents the great moments in life where fear of death and aging vanish. Much of Ted Kooser’s poems make a half turn in the kaleidoscope of ordinary matter, changing the way we might see a blue jay landing on a tree or someone washing the dishes. The speaker in “Skater” may actually be Kooser during a moment in his life when he witnessed a girl skating on the ice. In his “Poetry Home Repair Manual” he asserts that inspirations for his poems come from a key observation and a few choice words that paint the essence of the poem (Kooser …show more content…
I spent a long time breaking in my own Black Beauties, a leathery pair of skates that gave me calluses before I could jump properly. The air is cold, the ice is colder still, and landing on a blade hurts like no other. There is a lot of discomfort in ice skating, and constant fear of sharp failure dulls confidence. Nonetheless, I made the connection between the skater ‘growing up’ into a woman and the jump, because I spent many hours myself trying to land my axle. I was glad that my background research strengthened my previous analysis; given Kooser’s perspectives on aging and time, it would make sense that he would choose a nimble ice skater to represent elegance, the perfect way to freeze mortality.
I think Kooser uses “Skater” to present a plain and beautiful truth. Vivid imagery conveys the power and elegance of the skater without us having to try or stretch our imaginations. For some, the seedless grape is enough to capture the ice skater’s experience, perhaps invoking a smile or fond memory in the reader. For those compelled to explore the deeper flavors behind the small and sweet poem, we find a mortality and time beautifully compressed into a single Waltz
This is a very lyrical poem. The speaker's emotions and intentions are made very clear in very inconspicuous ways. The subtle repetition of certain words and images give the poem a very distinct tone. For example, the repetition of the words "cold" and "brittle" in the description of the grass and the car seats is interesting. It adds an element of fragility or ephemerality to the poem. The prevalence of cold imagery is also remarkable. The cold setting seems to freeze not only the grass, but the moment in time at which the speaker is in. The icebox 'full of lightness of air' could be an ...
When I read poetry, I often tend to look first at its meaning and second at how it is written, or its form. The mistake I make when I do this is in assuming that the two are separate, when, in fact, often the meaning of poetry is supported or even defined by its form. I will discuss two poems that embody this close connection between meaning and form in their central use of imagery and repetition. One is a tribute to Janis Joplin, written in 1983 by Alice Fulton, entitled “You Can’t Rhumboogie in a Ball and Chain.” The second is a section from Walt Whitman’s 1,336-line masterpiece, “Song of Myself,” first published in 1855. The imagery in each poem differs in purpose and effect, and the rhythms, though created through repetition in both poems, are quite different as well. As I reach the end of each poem, however, I am left with a powerful human presence lingering in the words. In Fulton’s poem, that presence is the live-hard-and-die-young Janis Joplin; in Whitman’s poem, the presence created is an aspect of the poet himself.
The poem is a combination of beauty and poignancy. It is a discovery in a trajectory path of rise and fall of human values and modernity. She is a sole traveler, a traveler apart in a literary romp afresh, tracing the thinning line of time and action.
Strand, Mark and Evan Boland. The Making of a Poem: A Norton Anthology of Poetic Forms. New
...r’.” Poetry for students. Ed. Sara Constantakis. Vol. 43 Detroit: Gale, 2013. Literature Resource Center. Web. 30 Mar. 2014. http://go.galegroup.com/ps/i.do?>.
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Poetry, Drama, and the Essay. Ed. Joseph Terry. New York: Addison-Wesley Educational Publishers Inc, 2001. 123-154.
Ellmann, Richard and Robert O'Clair, ed. The Norton Anthology of Poetry, 2nd Edition. New York: W.W. Norton
“Lucille Clifton.” Poets.org. The Academy of American Poets, 1997-2014. Web. 12 Mar. 2014. http://poets.org/poet.php/prmPID/79 .
Rothenberg, Jerome and Pierre Joris, eds. Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, Vol. 2. Berkeley: University of California, 1998.
...fall of snow and the unremitting “sweep” of “easy wind” appear tragically indifferent to life, in turn stressing the value of Poirier’s assessment of the poem. Frost uses metaphor in a way that gives meaning to simple actions, perhaps exploring his own insecurities before nature by setting the poem amongst a tempest of “dark” sentiments. Like a metaphor for the workings of the human mind, the pull between the “promises” the traveller should keep and the lure of death remains palpably relevant to modern life. The multitudes of readings opened up through the ambiguity of metaphor allows for a setting of pronounced liminality; between life and death, “night and day, storm and heath, nature and culture, individual and group, freedom and responsibility,” Frost challenges his readers to delve deep into the subtlety of tone and come to a very personal conclusion.
The Norton Anthology of Poetry, ed. Margaret Ferguson, Mary Jo Salter, Jon Stallworthy, 5th edn (London: W. W. Norton & Company, 2005)
In Issa’s poem the transition from the image of melting snow to that of children falling on the village is abrupt and jarring. In Muldoon’s poem, the transition is smoo...
"Prose and Verse Criticism of Poetry." Representative Poetry On-line: Version 3.0. Ed. D. F. Theall. N.p., n.d. Web. 29 Nov. 2009. .
Nature as imagery is a largely spread idea in most of Frosts poems. However he is not telling us about nature or trying to explain nature to us, rather, he is using it as a source of narrative to metaphorically position something else. This, we can deduce,...