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Satire in the Eighteenth Century and Modern Times
The lady's dressing room jonathan swift
Satire in the Eighteenth Century and Modern Times
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Recommended: Satire in the Eighteenth Century and Modern Times
The task of satirist is to criticise the vices and follies of their contemporary society. However, the purpose of satire is to be universal. In this case, we are going to focus our attention on the works of two major poets of the 18th century which can be subscribed within Augustan literature: Alexander Pope’s The Rape of the Lock and Jonathan Swift’s “The Lady’s Dressing Room”.
In Pope’s mock-heroic verse The Rape of the Lock (1717) what is criticised is a moral fault: mainly, immoderate female moral pride. There are several versions of the poem. However, we have preferred the last one which consists of 794 lines in five cantos, as it was revised to be included in Pope’s Works (1717) and is the one which stands now. Written in heroic couplets, this work tells the rape of Belinda’s (the coquette) most appreciated lock by Sir Plume, and the consequences of the event for her. The event is based upon the theft of a lock of a young lady (Ms.Arabella Fermor) by an admirer (Lord Robert Petrel) which led to a rift between their families. The aim of the “heroi-comical” poem was supposedly to reconcile them. As it is a very long poem, we are going to focus on the description of Belinda’s toilette in Canto I.
Aristocratic women in the 18th century were concerned with their looks and image as those were intended as currency for marriage, and the characters described in both poems shared the same social status. Thus, they were always drawn to a situation of dependence upon a male relative, whether father, brother or husband. As Roger Pats explains:
‘ The major disabilities of women, in fact, were more straightforward. They had minimal rights with regard to property and the like: hence Pope’s longs battles on behalf of his half-sister...
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... Poetry 1660-1750. (Oxford, Oxford University Press), ed.1965
Rogers, Pat. “Pope and the social scene” in Writers and Their Background: Pope, ed. Peter Dixon, (G.Bells and Sons, London, 1972), pp.101-142
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"The Rape of the Lock, Alexander Pope - Introduction." Literary Criticism (1400-1800). Ed. Lawrence J. Trudeau. Vol. 60. Gale Cengage, 2001. eNotes.com. 2006. 29 Nov, 2009 http://www.enotes.com/literary-criticism/
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Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
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Pope, Alexander. "The Rape Of The Lock". In The Norton Anthology Of English Literature: The Major Authors . Ed. M.H. Abrams et al. 5th Ed. New York: Norton, 1987. 1108-1128
Although Alexander Pope's, The Rape of the Lock, and Jonathan Swift's A Modest Proposal are both witty satires, they differ on their style, intention, and mood.
The World Book Encyclopedia. 2000 ed. : p. 78. Griswold, Rufus Wilmot. The "Scarlet Letter" The Library of Literary Criticism of English and American Authors. Ed.
164-69. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 341. Detroit: Gale, 2013.Artemis Literary Sources. Web. 5 May 2014.
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The 18th century was filled with great authors who brought forth great poetry and stories that would last for an eternity. Alexander Pope and Johnathan Swift were legendary authors who changed and yet still influence young authors of this century. Pope and Swift were great satirist of their time and enlightened us on their humor. The primary focus of this paper is to depict between “The Rape of the Lock” and “The Modest Proposal” and how their writing styles differ.
Moreover, Gravdal’s text is references by future feminist authors, such as Barnett and Weisl, which shows how significant and impactful her research was to the field of medieval literature. Her observation, “The absence of a literary history of rape in medievalists criticism may reveal more about modern attitudes toward sexual violence than it does about the supposed medieval indifference to it” (1-2). This one statement opens the flood gates for addressing rape in The Reeve’s Tale because in 1993, it becomes a hot topic of discussion. With Plummer’s essay discussing the socioeconomic impacts of Malyne’s rape, Gravdal’s research addresses the modern scholar and their lack of openness on discussing rape in medieval literature. Her observation
In Rape of the Lock, Alexander Pope uses the epic form to satirize 18th century English society. The mock epic’s protagonist, Belinda, portrays a duality of women as both materialistic and chaste beings. This duality, dictated by society, shows contradictory values. Belinda’s duality illustrates itself best in the toilette scene at the end of Canto I. In this scene, she functions as an epic hero readying for battle, yet she merely gets ready for the day. Her toilette displays both cosmetic goods and religious symbols, showing equal importance to both her beauty and her religion. What does Belinda’s duality in the toilette scene symbolize about the function of women in both The Rape of the Lock and 18th century English society?
Pope, Alexander. "An Essay on Man." in Eighteenth-Century English Literature. Eds. Geoffrey Tillotson, Paul Fussell, Jr. and Marshall Waingrow. New York: Harcourt, 1969. 635-51.
Alexander Pope’s The Rape of the Lock is a satirical poem that features a theme of gender roles. Throughout the poem, Pope uses his protagonist Belinda, to poke fun at the superficial nature of aristocratic women. He focuses on the ritual of womanhood and approaches it like a trivial matter, and her reaction to the offence is hysterical. Through this portrayal, he reveals that the Baron has a childish quality in his need for revenge for Belinda’s stab at his ego. The speaker’s view does come across as misogynistic, but the woman is trying to stand her ground in a society dominated by men. Taking into consideration that a male wrote the poem, during the 18th century, when woman had a particular place in society, and men often trivialized their concerns. Pope alludes to the idea that most wars are indeed over very trivial matters. The conflicts between men and women are exposed during Pope’s exploration of this “trivial war.” The narrative of Belinda and the Baron in The Rape of the Lock reveals the main underlying theme as the power struggle between the genders.
Clark, Donald B. Alexander Pope. Twayne's English Author Series. New York: Twayne Publishers, Inc., 1967.
"The Rape of the Lock." The Norton Anthology of English Literature. Eds. Stephen Greenblatt et