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Examples of monsters in literature
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Walt Disney Pictures films have created dozens of both classic and contemporary films that have stood the test of time. Disney has taught with generations of people valuable life lessons by illustrating good and evil. Films are good ways to share both fictional and real stories that have antagonist, which causes conflict. In Disney films, the antagonist often represents societies view of what a monster is. Disney uses commonly known ‘monsters’ as characters to create stories while maintaining the fact that there are a variety of villains that differ from culture to culture. Commonly understood as being evil or wicked or ugly and deformed, but there is also another side to this common belief that monsters fall under that belief.
The Walt Disney
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The kingdom is also home to the stories antagonist, Ursula, an evil Sea Witch that takes advantage of innocent Ariel’s dreams. The Farlex Dictionary describes a monster as “An imaginary or legendary creature that combines parts from various animal or human forms” Ursula’s character fits this because she is based off the Greek monster Medusa and is an animal that takes on some forms of a human. When Ariel becomes of age and falls in love with a price that is human and lives on dry land she goes to the Sea Witch Ursula in hopes of becoming human. Ursla sells young Ariel a potion that turns her mermaid tail into legs in exchange for her tongue, and with that she must kiss the prince in three days, among other terms. Ariel drinks the potion Ursla sold her and became a mute human. When Ariel gets to land she was getting too close to fulfilling the terms of the agreement, upset Ursula intervenes by becoming a beautiful woman that “magically hypnotizes Eric into marrying” her. As the prince finds out the truth it is too late for Ariel as the sunsets she returns to the ocean because the deal is broken. Ursula gains much power from this situation and becomes the ruler of the undersea kingdom. A fight breaks out between Ursula, Ariel, and the prince resulting in Ursula death. With the death of Ursula the people she …show more content…
Another definition of the word monster from the Oxford English Dictionary is “an ugly or deformed person, animal, or thing”. Disney takes this definition and teaches its audience that just because someone is ugly or deformed it doesn’t mean that are evil or monstrous. Contrary to the common understanding that deformities are evil Disney creates a story of a deformed man that gets judged by his outside instead of inside. In the 1996 film, The Hunchback of Notre Dame, Quasimodo (the hunchback) lives isolated in a bell tower by his adoptive father in fear his son will be shunned because of his deformity. Quasimodo looks different from the normal human as he is a hunchback and also has prematurely aged so he looks much older than he is. By definition he is a monster, but The Hunchback is nothing like the perception people have of him. Ronald Britton writes of Mary Shelly’s Frankenstein, stating in a journal that being “rejected as an infant and to feel regarded as a monster” creates a monster, which is how Quasimodo felt growing up isolated in the confines of his room (Britton). This supports the theory that monsters are cultural because it is a mentality; when you are perceived as a monster the chances of believe it are much higher. Although Quasimodo is deformed he is very compassionate and loving. In this film, Disney is attempting to illustrate to people that just because
Victor animated the creature from dead body parts, effecting his creature’s appearance when he came alive. He couldn’t even look at his creation, and thought that it was malodorous, without thinking how unwanted and helpless the creature feels. With little hope for the creature because of his unappealing appearance, Victor does not bothering to wait and see if he has a good interior or not. As a result of Victor not taking responsibility, the monster decides to take revenge. The monster is repeatedly denied love and deals with the loneliness the only way that he can, revenge, killing Victor’s loved ones making him lonely just like
Monsters and the Moral Imagination, written by Stephen Asma, presents many possible outcomes as to why monsters are the rise. Mr. Asma discusses why monster portrayals could be on the rise in movies, books, and stories throughout his subsection Monsters are on the Rise. Perhaps the rise is due to traumatic events in recent history such as the holocaust or the terroristic attacks of 9/11 in
Monsters like Godzilla are important for humans who are coping with a fear of death. The use of monsters is to lessen the fear of that pending imminent threat and or distress of waiting for a catastrophe to happen. The symbolism in these films shows how humans see other humans as monstrous. They have no other way to represent that so they show it through huge threatening, bugs or monsters. In movies
When the monster dwells on the fact that he has no friends, money, and property because of the way he looks he claims, “I was besides, endued with a figure hideously deformed and loathsome; I was not even of the same nature as man”(Shelley 102). With the monster’s emotion toward his first encounters, he struggles with accepting who he is because he feels the hatred from others. The words “deformed and loathsome” express the disgusted and discomfort that clouds the thoughts of each human during their first encounter. He recognizes his differences in comparison to others and begins to become self-conscious when he attempts to come out into the community. In the same aspect, humans today feel the same way when they look different than the ones around them.
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
...-to-form illustration of cultural feelings about how people should look and act in the context of what is normal. Anything outside of normal is perceived negatively, viewed with suspicion and capable of the worst actions towards others. In this case, it is no wonder the monster unleashes his violent wrath upon those that have shunned and disposed of him. He was just fulfilling his predetermined destiny thrust upon him at the moment he was conceived. I am being somewhat sarcastic here, but I do feel that historically the ideas of what is normal can change. Unfortunately, as Shelley has drastically illustrated with the monster character, the monster is judged by his outside appearance and actions as it relates to what is considered normal.
The Little Mermaid is well known to everyone, but which version is known best? Hans Christian Andersen or Walt Disney, both are very similar mostly because Hans Christian Andersen’s Little Mermaid was the most popular version of the story before Walt Disney.
According to Merriam Webster’s dictionary, a monster is a “strange or horrible imaginary creature”. But monsters don’t necessarily need to be fictional; even humans can be monsters. The only thing that distinguishes us from fictional monsters are our appearances, human-monsters are hard to detect. Therefore, it’s easy to treat people based on their appearances since the human mind gets deceived by looks.
In both Hans Christian Andersons “The Little Mermaid,” and Disney’s version of the story, the main character— a young and beautiful mermaid— waits anxiously for her fifteenth birthday to venture from her father’s underwater castle to the world above the water. As the story carries on the mermaids priorities change; her modest and selfless nature is revealed towards the end in Andersen’s version. However, Disney’s version encompasses a rather shallow ending and plot throughout. The theme found in comparing the two versions reveal that Andersen’s substance trumps Disney’s entertainment factor in fairy tales.
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
She soon stopped hanging out with her friends and changed her entire personality, losing her voice, in order for Eric to fall in love with her. A thorough research has been carried out by linguists Carmen Fought and Karen Eisenhauer in which they researched how often each gender role spoke in each film. Their objective for doing this was to shine light on the way in which male roles used to dominate speech time, in comparison to recent Disney films that show women giving more vocal characters to play. Snow White (1937), Cinderella (1950) and Sleepy Beauty (1959) all show that women characters get over 50% of dialogue, whereas all of the Disney princess films released in the late 80s and 90s show that females only had around 20% of the overall dialogue time. Considering these films all have a female lead, these statistics show that male characters withhold supremacy even when they aren’t the main character, overpowering the female lead in her own film.Throughout the majority of Disney’s films, there’s an underlying statement that normalises male dominance and in which holds a negative impact over the youth of today, if children’s films continue to portray this outdated message over and over again, then children will grow up with a huge misconception of how they should be, which leaves a worryingly foundation set for the upcoming generation of this time. Many children idolise the characters in Disney films that’s why it’s very important to analyse the representations these characters are portraying for the children of our society to see. When a child has been engraved with these stereotypes since they can remember, it will be difficult for a child to separate these
A monster is defined as an imaginary creature that is typically large, ugly, and frightening. By this definition, Victor’s creature who is depicted to be eight feet tall and hideous
Monsters are described in the Oxford dictionary as, mythical creatures that are of great size and has ferocious appearances. They appear often in literature rather it be metaphoric or literal, and serve as to basically be a problem in the main character's story. But throughout the two stories that one had read, it's clear to see that if one were to read the book they would relate to one of the 2 monsters. And it's easy to say as I, the reader relates to the monster the most and Claudette the least. When reading the monster, there were many features that made the monster unique, but the one key feature is his innocence to the world.
Ursula is someone that people shouldn't mess with, she is dark and evil and have all types of black magic she could do. She would do anything in her powers in order to get what she wants. Sea creatures are afraid of Ursula they know that she is evil and is not a nice person, so they never really mess around with her unless they desire something they really want. The sea witch Ursula knew Ariel wanted to be human so she took Aries voice and gave her legs , Ariel's dad the underwater sea king didn't know Ariel would go to the sea witch , the underwater sea king was so worried , because Ariel hasn't come home yet so he sent out a search party to go find Ariel.
Cinderella’s mother passed away and her father remarried a woman who had two daughters from a previous marriage. A few weeks passed and a prince is holding a three day festival and all the beautiful young girls in the town were invited. Cinderella wanted to go but her evil stepmother gave her two impossible tasks to complete before she could attend the festival. Cinderella completes the two tasks with the help of her bird friends and her mother’s grave. Cinderella goes to the festival and she dances with the prince all three days. Finally, the prince has fallen in love with her and eventually they get married. Fairytales and Disney productions threaten gender politics and women’s role by portraying women in certain areas like domestic behaviors