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Analysis of waiting for the barbarians
Narrative of waiting for the barbarians
A critical analysis of J.M. Coetzee's Waiting for the Barbarians
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Within J.M. Coetzee's Waiting for the Barbarians, the author employs an allegorical style to serve as a moral and cultural response to colonialism and the evils of public torture. While the argument has been made that this novel represents a specific criticism of South African political structures, Coetzee's intentions were much broader and his novel is a critique of colonialism that is analogous to America's post 9/11 narrative. Coetzee furthers his analysis of torture in his more recent novel, Diary of a Bad Year, and explores how Americans should respond to the shame and the dishonor of the torture involved in the “war on terror.” The rhetoric of exception within both books displace the ordinary rule of law to justify the actions of torture and the empire or country's colonial goals to vanquish the “barbarians” or “terrorists”. The narratives also question whether exceptional threats, like that of the “barbarians,” or “terrorists” call for exceptional responses.
Coetzee poses important questions. Is there a collective shame we should feel about torture we see, regardless of it's historical setting? What would a feeling of responsibility or guilt accomplish? In Waiting for the Barbarians we can acknowledge how Coetzee's depiction of torture and his narrative choices are analogous to the post 9/11 narrative put forth by the Bush Administration. Diary of a Bad Year goes further, sets the time period and actors, and asks the reader how he/she should feel about torture, shame, and guilt. Both novels act as a lesson to all
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as a critique of American Imperialism and implore the reader to feel a responsibility or guilt associated with public torture. Coetzee's first person narrative and broad dissociation ...
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...ton Books, 2010. 125-135. Print.
Lenta, Patrick. “Waiting for the Barbarians after September 11.” Journal of Postcolonial Writing
42.1.(2006): 71-83. Print.
McClintock, Anne. "Paranoid Empire: Specters from Guantánamo and Abu Ghraib." Small Axe 13.1 (2009): 50-74. Project MUSE. Web. 21 Jan. 2011.
McMahan, Jeff. “Torture and Collective Shame.” J.M. Coetzee and Ethics: Philosophical
Perspectives on Literature. Ed. Anton Leist, Peter Singer. New York: Columbia University Press, 2010. 89-105. Print.
Spencer, Robert. “J. M. Coetzee and Colonial Violence.” Interventions: International Journal of
Postcolonial Studies 10.2 (2008): 173-187. MLA International Bibliography. EBSCO. Web. 12 Jan. 2011.
United States, Cong. Authorization for Use of Military Force, Pub. L. Na. Washington: GPO, 2001. 107-40 Print.
In constructing “ The Unredeemed Captive,” John Demos uses many styles of writing. One of the most pronounced styles used in this book is an argumentative style of writing. John Demos argues many points throughout the book and makes several contradictions to topics discussed previously in the work. John Demos also uses several major themes in the book, suck as captivity, kinship, negotiation, trade, regional and national development, and international relations. Each one of these themes, in my opinion, are what separate the book into its major sections.
Szegedy-Maszak, Marianne. "The Abu Ghraib Prison Scandal: Sources of Sadism." Writing and Reading for ACP Composition. Upper Saddle River: Pearson Custom, 2009. 210-12. Print.
...it may help us arrive at an understanding of the war situation through the eyes of what were those of an innocent child. It is almost unique in the sense that this was perhaps the first time that a child soldier has been able to directly give literary voice to one of the most distressing phenomena of the late 20th century: the rise of the child-killer. While the book does give a glimpse of the war situation, the story should be taken with a grain of salt.
Until there is a credible way to determine whether or not torture is in fact effective, I pass judgment that the practice should be discontinued. The question as to if the torture policy is a human rights violation or if it holds crucial necessity, is not answered in the essay. Applebaum explores the reality that torture possesses negative implications on the inflictor. After presented with the compelling stance and evidence, Applebaum raises the interesting question as to why so much of society believes that torture is successful. I agree that the torture policy is wrong, a point emphasized by Applebaum, contrary to the popular attitude surrounding the topic.
Carolyn Forche’s “The Colonel” discusses the lack of value towards human life by totalitarian government and the United States’ stake in investigating these powers and challenging them. The speaker in this poem recounts his experience meeting the colonel to show the audience both the amount of presence of the United States in this foreign setting and the Colonel’s lack of regard toward human rights. Figurative language, such as similes, metaphors, and symbols, as well as the speaker’s first-person point of view descriptions reveal her experiences in El Salvador with a cruel military government. These elements in Forche’s poem successfully convey themes of oppression and cruelty, as well as heavy
The best teachers have the capabilities to teach from first hand experience. In his memoir, Night, Elie Wiesel conveys his grueling childhood experiences of survival to an audience that would otherwise be left unknown to the full terrors of the Holocaust. Night discloses mental and physical torture of the concentration camps; this harsh treatment forced Elie to survive rather than live. His expert use of literary devices allowed Wiesel to grasp readers by the hand and theatrically display to what extent the stress of survival can change an individual’s morals. Through foreshadowing, symbolism, and repetition, Wiesel’s tale proves that the innate dark quality of survival can take over an individual.
In this tiny novel, you will get to walk right into a gruesome nightmare. If only then, it was just a dream. You would witness and feel for yourself of what it is like to go through the unforgettable journey that young Eliezer Wiesel and his father had endured in the greatest concentration camp that shook the history of the entire world. With only one voice, Eliezer Wiesel’s, this novel has been told no better. Elie's voice will have you emotionally torn apart. The story has me questioning my own wonders of how humanity could be mistreated in such great depths and with no help offered.
I was in complete and utter shock when I began to read Disposable People. The heart-wrenching tale of Seba, a newly freed slave, shook my understanding of people in today’s society, as well as their interactions between each other. I sat in silence as I read Seba’s story. “There they [Seba’s French mistress and husband] stripped me naked, tied my hands behind my back, and began to whip me with a wire attached to a broomstick (Bales 2).” I tried to grasp the magnitude of the situation. I tried unsuccessfully to tell myself that this couldn’t happen in modern times, especially in a city such as Paris. How could this be happening? In the following pages of Kevin Bale’s shocking account of the rampant problem of modern day slavery, I learned of more gruesome details of this horrific crime against humanity, such as the different types of slavery, as well as his best estimate of the number of people still enslaved throughout the world, an appalling 27 million.
“If one speaks about torture, one must take care not to exaggerate,” Jean Améry view of torture comes from a place of uneasiness (22). He discusses in his book At The Mind’s Limits, about the torture that he underwent while a prisoner in Auschwitz. In his chapter titled “Torture”, he goes into deep description of not only the torture he endured, but also how that torture never leaves a person. Améry goes to great lengths to make sure that the torture he speaks of is accurate and as he says on page 22, not exaggerated.
The tragedies of the holocaust forever altered history. One of the most detailed accounts of the horrific events from the Nazi regime comes from Elie Wiesel’s Night. He describes his traumatic experiences in German concentration camps, mainly Buchenwald, and engages his readers from a victim’s point of view. He bravely shares the grotesque visions that are permanently ingrained in his mind. His autobiography gives readers vivid, unforgettable, and shocking images of the past. It is beneficial that Wiesel published this, if he had not the world might not have known the extent of the Nazis reign. He exposes the cruelty of man, and the misuse of power. Through a lifetime of tragedy, Elie Wiesel struggled internally to resurrect his religious beliefs as well as his hatred for the human race. He shares these emotions to the world through Night.
In J.M. Coetzee’s novel Waiting for the Barbarians, the Magistrate comes to discover the humanity of the barbarian through his interactions with the blind girl, which eventually leads him to learn about the nature of his own humanity. Although the Magistrate is more lenient on the Barbarians than Colonel Joll, he still unknowingly objectifies them, while placing himself above them. It is only when he is imprisoned that he comes to realize the fragility of his own humanity. Ultimately Coetzee uses the magistrate’s journey from empirical leader to broken and fearful prisoner to express that peace and stability between people can only be obtained when all humanity is valued.
Irish Playwright, George Bernard Shaw, once said, “The worst sin toward our fellow creatures is not to hate them, but to be indifferent to them; that's the essence of inhumanity.” Inhumanity is mankind’s worse attribute. Every so often, ordinary humans are driven to the point were they have no choice but to think of themselves. One of the most famous example used today is the Holocaust. Elie Wiesel’s memoir Night demonstrates how fear is a debilitating force that causes people to lose sight of who they once were. After being forced into concentration camps, Elie was rudely awakened into reality. Traumatizing incidents such as Nazi persecution or even the mistreatment among fellow prisoners pushed Elie to realize the cruelty around him; Or even the wickedness Elie himself is capable of doing. This resulted in the loss of faith, innocence, and the close bonds with others.
The book’s title, with its dry allusion to the separation of powers, does not do it justice. “Guantánamo and the Abuse of Presidential Power” represents the best account yet of what Mr. Margulies calls “a human rights debacle that will eventually take its place alongside other wartime misadventures, including the internment of Japanese-Americans during World War II, the prosecutions under the Espionage and Sedition Acts during World War I, and the suspension of the writ of habeas corpus during the Civil War.”
Seldom are works as brilliantly written as Conrad's Heart of Darkness or Golding's Lord of the Flies. There are effective comparisons and contrasts between the two novels. The novels deal with many similar issues and contain many of the same themes.
The nineteenth century saw rapid development and reform across the whole of the country; with the Industrial Revolution transforming life in Britain. For working class women life was an endless struggle of passivity and labour; as soon as they were old enough they worked on farms, in factories or as servants to the middle classes (Lambert, 2009). For women in general, life was oppressive; constantly overshadowed by the male gender who were considered dominant leaders. In a Victorian household, the male was head of the family; his wife and children respected him and obeyed him without question. This critical analysis of two nineteenth century novels - Hard Times by Charles Dickens and Wuthering Heights by Emily Brontë, will discuss the representation of the two female protagonists in the context of the Victorian period and question whether they do indeed portray an endless struggle for survival and independence.