J.M. Coetzee’s novel Waiting for the Barbarians presents a story with an allegorical message in regards to the human condition. The book works to challenge humanity, and imperialism by investigating the limits of human cruelty and compassion. Coetzee undertakes this from a unique perspective; the novel itself transcends any one historical framework and allows the author to deal with history on his/her own terms. This structure provides a platform to deliver a deeper, more general message to the reader that in principle applies to myriad societies throughout history, present day, and possible future civilizations as well as to the individuals within these societies. Amongst the most salient concepts Coetzee explores in his work deals …show more content…
This event makes the Magistrate slightly uneasy about the practices and causes him to start a conversation with Joll about the subject of torture, which manifests as an important interaction. The Magistrate asks, “What if your prisoner is telling the truth…yet he finds he is not believed? Is that not a terrible position…How do you ever know when a man has told you the truth?” (Coetzee, 5). In response, Colonel Joll goes on to state, “There is a certain tone…First I get lies, you see-this is what happens-first lies, then pressure, then more lies, then more pressure, then the break, then more pressure, then the truth. That is how you get the truth.” (Coetzee, 6). The Magistrate then thinks to himself, “Pain is truth; all else is subject to doubt. That is what I bear away from my conversation with Colonel Joll.” This dialogue reveals the divergence in thought between the Magistrate and Colonel Joll, which grows to be amongst the central focuses of the story. The Magistrate is beginning to question the practice of torture, both by its effectiveness and the ethical implications. His line of questioning indicates that he views the prisoners’ lives as holding value, however remote, and thus worth averting unnecessary harm. Colonel Joll however, sees no such potential
In Night, he informs his reader of many examples on how a myriad of good people turn into brutes. They see horrific actions, therefore, they cannot help by becoming a brute. They experience their innocent family members being burned alive, innocent people dieing from starvation due to a minuscule proportion of food, and innocent people going to take a shower and not coming out because truly, it is a gas chamber and all f...
In Elie Wiesel’s Night, he recounts his horrifying experiences as a Jewish boy under Nazi control. His words are strong and his message clear. Wiesel uses themes such as hunger and death to vividly display his days during World War II. Wiesel’s main purpose is to describe to the reader the horrifying scenes and feelings he suffered through as a repressed Jew. His tone and diction are powerful for this subject and envelope the reader. Young readers today find the actions of Nazis almost unimaginable. This book more than sufficiently portrays the era in the words of a victim himself.
Many themes exist in Night, Elie Wiesel’s nightmarish story of his Holocaust experience. From normal life in a small town to physical abuse in concentration camps, Night chronicles the journey of Wiesel’s teenage years. Neither Wiesel nor any of the Jews in Sighet could have imagined the horrors that would befall them as their lived changed under the Nazi regime. The Jews all lived peaceful, civilized lives before German occupation. Eliezer Wiesel was concerned with mysticism and his father was “more involved with the welfare of others than with that of his own kin” (4). This would change in the coming weeks, as Jews are segregated, sent to camps, and both physically and emotionally abused. These changes and abuse would dehumanize men and cause them to revert to basic instincts. Wiesel and his peers devolve from civilized human beings to savage animals during the course of Night.
It is not a normal world when men,women, and children were getting slaughtered persistently. However, such a world can exist when unhumanity is allowed to grow. The memoir Night also
The act of interrogation has been around for thousands of years. From the Punic Wars to the war in Iraq, interrogating criminals, prisoners or military officers in order to receive advantageous information has been regularly used. These interrogation techniques can range from physical pain to emotional distress. Hitting an individual with a whip while they hang from a ceiling or excessively questioning them may seem like an ideal way to get them to reveal something, but in reality it is ineffective and . This is because even the most enduring individual can be made to admit anything under excruciating circumstances. In the Fifth Amendment of the Bill of Rights there is a provision (“no person shall be compelled in any criminal case to be a witness against himself” ) which reflects a time-honored common principle that no person is bound to betray him or herself or can be forced to give incriminating evidence. This ideology of self-incrimination has been challenged heavily over the past s...
Elie Wiesel’s book, Night, is a realistic summary of horror and rigid, life-shattering experience which revealed the heartlessness of humanity and what certain individuals are capable of. Reading Night presumes deep understandings of an innate problem as well as strength to imagine all those terrifying things. Elie Wiesel shows how important it is to understand the value we each have within and how powerful it can be if used for the good of the other. It is with strong encouragement that I recommend Night by Elie Wiesel. This book contains necessary contents of our history that has inevitably ensued chaos on many innocent lives. Those that are unaware of this history must be ready to face a very emotional and unbelievably true story. At the very least, Elie Wiesel deserves to be a Nobel Peace prize winner because people must know truth and he did a service to those who have lost their lives in the worst of conditions. Truth can set people free or the lies will perpetrate our present and flow into the future. People can live with the truth but not a lie. It is the least of what we can do and what we owe to the people who have gone before
The tragedies of the holocaust forever altered history. One of the most detailed accounts of the horrific events from the Nazi regime comes from Elie Wiesel’s Night. He describes his traumatic experiences in German concentration camps, mainly Buchenwald, and engages his readers from a victim’s point of view. He bravely shares the grotesque visions that are permanently ingrained in his mind. His autobiography gives readers vivid, unforgettable, and shocking images of the past. It is beneficial that Wiesel published this, if he had not the world might not have known the extent of the Nazis reign. He exposes the cruelty of man, and the misuse of power. Through a lifetime of tragedy, Elie Wiesel struggled internally to resurrect his religious beliefs as well as his hatred for the human race. He shares these emotions to the world through Night.
Since the beginning of history, human society has centered around war. People throughout the ages have attempted to understand why wars occur, and the effect of war on the people who fight in them. Authors have utilized the power of language to attempt to grasp the struggle and the horror of war, and make it accessible to the public. For example, Hemingway’s “In Another Country” and Bierce’s “Coup de Grace” both provide a glimpse into different aspects of war. Although they both pertain to the idea of war, “In Another Country” focuses on the psychological trauma of war while “Coup de Grace” showcases the horror of war. This is visible in the theme, setting, and characters of both stories.
In J.M. Coetzee’s novel Waiting for the Barbarians, the Magistrate comes to discover the humanity of the barbarian through his interactions with the blind girl, which eventually leads him to learn about the nature of his own humanity. Although the Magistrate is more lenient on the Barbarians than Colonel Joll, he still unknowingly objectifies them, while placing himself above them. It is only when he is imprisoned that he comes to realize the fragility of his own humanity. Ultimately Coetzee uses the magistrate’s journey from empirical leader to broken and fearful prisoner to express that peace and stability between people can only be obtained when all humanity is valued.
With exaggeration, authors craft their writing to have an even greater, more impactful effect on their audiences. This enhanced effect found in Candide serves the purpose of highlighting how humans adopt a type of absolute viciousness and inhumanity in times of war. One example is the instance where Candide - a member of the Bulgar army, at the time - must choose between being “flogged” by the entirety of the military command, or to endure “twelve bullets in his brain” (24). Here, Candide is given a nonsensical, almost ludicrous, ultimatum. Voltaire offers an embellished example that serves to demonstrate the barbaric military practices that come with war. Being a recurring aspect of war, Candide is, essentially, forced to choose between death and death. In fact, along with exaggeration, Voltaire satirizes war even further as the choice of whether it be a gradual or speedy demise is Candide’s own luxury. Voltaire does not just simply antagonize the ramifications of war, but rather, he ridicules all facets of war. Another example within Candide is when the Old Woman reveals the story of her own life as proof of the grim hardship that she too has experienced. In the midst of another battle, “one buttock” was cut off of the live bodies of every woman present in the interest of feeding the starving soldiers (56).
We see that the author’s purpose is to allow the readers to understand that the prisoners were not treated humanly, and allows us to see the negative attitudes the authority had towards the prisoners.
Irish Playwright, George Bernard Shaw, once said, “The worst sin toward our fellow creatures is not to hate them, but to be indifferent to them; that's the essence of inhumanity.” Inhumanity is mankind’s worse attribute. Every so often, ordinary humans are driven to the point were they have no choice but to think of themselves. One of the most famous example used today is the Holocaust. Elie Wiesel’s memoir Night demonstrates how fear is a debilitating force that causes people to lose sight of who they once were. After being forced into concentration camps, Elie was rudely awakened into reality. Traumatizing incidents such as Nazi persecution or even the mistreatment among fellow prisoners pushed Elie to realize the cruelty around him; Or even the wickedness Elie himself is capable of doing. This resulted in the loss of faith, innocence, and the close bonds with others.
We have been taught that we should always follow our priorities, whether it is dealing with jobs, families, education, or faith. Ethical egoism teaches us that if our interests are any one these or something else, we should put it first because these are our values. But how far should we go in protecting our values? Is there a limit of how they should be protected? Am I doing what’s best for my priorities or for me? Although we should protect our values, there needs to be a limit and a focus of how I should protect my values with the best intentions. The film, Prisoners, presents this moral dilemma of torture through the characters’ decisions and emotions.
The line between morally conscientious decisions blurs through Conrad’s use of Marlow as a vehicle for the process of reasoning through the savagery that allows him to explore the contradiction that lies beneath the accepted beliefs of the early 20th century. Evident through “Marlow’s withering condemnation of the colonial enterprise in general,” Conrad is fascinated and sickened by the lengths the European nations have taken to secure their imperialistic goals (Sewlall). These acts of degradation are committed in plain view of the rest of the world- an evil that occurs in pure daylight. The usually associated connotation of sunlight would indicate legality, purity and innocence; Conrad exposes imperialism to the core of its corruption and acts of cruelty horrifically being committed without protest from other European equals. Being a spectator to such exploitations should not rationally be plausible, however, human nature’s “fascination of the abomination” renders society helpless to disagree (Conrad 4). Regardless, humanity features nuances of both sides of the ‘good and evil’ pairing, seen through the parallel of the absolutes of light and
Joseph Conrad’s Heart of Darkness does not explicitly deal with a struggle between war and peace: the conflict is a psychological, moral one; however, the text’s implications that society is a thin veil over our innate savagery, the darkness at the roots of Western civilization, reveals disturbing truths about the peaceful, orderly lives we take for granted. The key to understanding Conrad’s novella lies in ascertaining the metaphorical significance of the “heart of darkness,” a search which may yield an answer as complex and obscure than any geographical, sociological or psychological solution.