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Narratives about gender roles
Gender roles in Literature
Gender roles in Literature
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Nothing out of the commonplace transpires within Judith Cofer’s short story “Volar”, at first glimpse, I knew that “Volar” dealt with flying, as the Spanish to English translation of the expression volar is “to fly” (pp. 294). “Volar” begins with the narrator’s comic-like imaginings, where she has power, similar to her favorite superhero Supergirl, while in reality, the unspecified narrator is an adolescent child at the peak of beginning puberty and becoming a teenager. As “Volar” progresses, the speaker initiates her day soon after her parents’ discussion about their longing to take a trip to Puerto Rico to visit family. “Volar” closes with the narrator’s mother glancing out of the kitchen window and have the impulse to utter, “Oh, if only I could fly” (pp. 296). …show more content…
The protagonist of “Volar” is the narrator and the conflict included is an internal conflict. Each and every single person has the difficult phase of life, and the emotions that the narrator partakes are identical to those of the audience. The protagonist owns “white “princess” furniture” that her mother purchased before (pp. 295). Personally, I can connect as I still have bed linens from when I was younger that still fit on a twin bed and I contemplate that the designs are immature sometimes. In “Volar”, the princess furniture can signify the mother’s desire to have the orthodox daughter, who adores princesses and being the damsel in distress. Contradictory, the narrator aspires being the heroine and have her own identity, which is nonexistent. Consequently, due to the first person point of view featured in “Volar”, Cofer does not allow the reader to know the thoughts of the other characters in “Volar”. I however, know that the mother wants what is best for her daughter, even if it is the stereotypical girl. It is the nature of a parent to want to see his or her child succeed, while living happily, no matter what the
On the surface, the protagonists of Silko's "Yellow Woman" and Chopin's "Story of an Hour" seem to have little in common. Yet upon closer inspection, both stories relate tales of women who are repressed by the social tenets that define their roles as wives.
Two households both alike in dignity .From ancient grudge break to new mutiny'' .There is a feeling at the start of the play when the Prince arrives and wants the violence to stop
The author of this short story, Sandra Cisneros used this myth to make herself different from other American writers. She used ideas from things and stories she heard growing up as a Mexican-American woman, living in a house full of boys that got all of the attention (Mathias). Cisneros also grew up in the 19...
Doyle, Brian. “Joyas Voladoras”. The Ways of Reading: An Anthology for Writers. Bartholomae, Petrosky. 9th ed. New York: Bedford/St. Martin's, 2011. 273-275. Print.
In Drown, a collection of short stories, author Junot Diaz presents readers with an impoverished group of characters through harsh, but vivid language. Through the voice of Yunior, the narrator throughout the majority of the stories, Diaz places the blame for Yunior’s negativity and rebellious nature on the disappointment caused by his father and the childhood illusion of America. Diaz, through language and symbolism, forces readers into an emotional bond with Yunior while exposing the illusory nature of the American dream. Although intertwined with each story, “Fiesta, 1980” allows for a more concise discussion of Diaz’s purpose. Diaz’s language, even at first glance, appears very different from conventional authors:Mami’s younger sister- my tia Yrma-finally made it to the United States that year. She and Tio Miguel got themselves an apartment in the Bronx…He didn’t say nothing to nobody.
The submission of women is demonstrated in the text through the symbolic colors of the couple’s bedroom. Indeed, as the young woman’s husband is asleep, the wife remains wide-awake, trying her best to provide the man with comfort, while enjoying her newlywed life. As she opens her eyes to contemplate “the blue of the brand-new curtains, instead of the apricot-pink through which the first light of day [filters] into the room where she [has]
Chick critiqued Judith Ortiz Cofer’s Silent Dancing by advising that it is a collection of fourteen essays and poems. It talks about Cofer’s adolescence and how she did not achieve the expectations for her to become a traditional Puerto Rican woman (AEW 381). Initially, Mamá is portrayed as an authority figure because she keeps her family in control just by the use of storytelling. With Chick’s point of view, I cannot disagree since it is accurate. Cofer, also disagrees with becoming the traditional Puerto Rican woman from receiving an education and going on her own path to becoming a writer. It is interesting how some of the characters are perceived, although they are considered as fiction since their identities are hidden. Cofer achieves her storytelling by being half fiction and auto-biography since it is written by herself. She reevaluates how women should be known as, but specifically the means of the life of a Puerto Rican
The narrator is confined to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two women of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters. Their personal freedom was severely restricted. For Mrs. Mallard, marriage was a curse to be reckoned with. She knew inside that her marriage was wrong, but she could not express her feelings openly. Her husband was not a bad man, but he was in the way. After hearing about her husband’s death, Mrs. Mallard comments, “now there would be no powerful will bending her in that blind persistence with which men … believe they have a right to impose a private will upon a fellow creature” (Chopin 72), Her husband definitely was a thorn in her
Nora Helmer was a delicate character and she relied on Torvald for her identity. This dependence that she had kept her from having her own personality. Yet when it is discovered that Nora only plays the part of the good typical housewife who stays at home to please her husband, it is then understandable that she is living not for herself but to please others. From early childhood Nora has always held the opinions of either her father or Torvald, hoping to please them. This mentality makes her act infantile, showing that she has no ambitions of her own. Because she had been pampered all of her life, first by her father and now by Torvald, Nora would only have to make a cute animal sound to get what she wanted from Torvald, “If your little squirrel were to ask you for something very, very, prettily” (Ibsen 34) she said.
By stating how other people behave or interact, the author offers a great chance for readers to interpret fairly for themselves what the reason for any conflict may be, or the nature of any essential contrast between the narrator and other adults in the story. In the story, there are many self-righteous opinions from people, which seem to be ironic to the readers; For example, her mother’s aggressive attitude of showing off her daughter, her piano teacher’s self-praise claiming him as “Beethoven.” All of the narrations including conversation clearly depict a different characteristic between the narrator and other people. For instance, a conversation occurs between the narrator and her mother when the mother criticizing a girl who seems similar to the author on TV which reveals dissimilar understanding for both of them to each other’s behavior. At first, the daughter speaks out for the girl by questioning her mother by saying “why picking on her […] She’s pretty good. Maybe she’s not the best, but she’s trying hard.” The daughter actually is defending for herself and reflecting that she feels uncomfortable with her mother’s disregard of her hard work. She wants to get her mother’s compliments instead of her criticisms. However, her mother response of, “just like you,” and, “not the best. Because you not trying.” Here, her mother doesn’t really answer her question, instead wants her put more effort on trying, neglecting how much she has tried before. However, in her mother’s perspective, she has never tried hard enough. By narratively stating the conversations she has encountered, readers perceive a strong implication of the reason for a future conflict between her and her mother.
Ivan's wife is also self-centered and exhibits great disdain for her husband, who she considers more of a nuisance and hassle than anything else. Ivan's last days are spent in terrible physical agony, as he uncontrollably screams and moans in pain. When Ivan's friends come to pay their respects to his widow, we see in her comments to them that she never reall...
I am going to analyze this text using the intrinsic and feminist literary theory analysis. With the intrinsic analysis, I will brood mostly on the style and characterization of the text. According to Eaglestone, 2009, intrinsic analysis is a look into the text for meaning and understanding, assuming it has no connection, whatsoever, to the outside world. “Style is said to be the way one writes as opposed to what one writes about and is that voice that your readers hear when they read your work” (Wiehardt, n.d). The text uses mostly colors, poems and songs to deliver its messages. The main characters in the...
Volar written by a Puerto Rican American writer, Judith Ortiz Cofer, is classified as a short story building the plot on a line of a family of immigrants going after the idea of American dream that includes a well-paying and stable job, a house in the suburbs, a family with two or three children a new car in the garage and two-week summer vacation (Rank, Hirschl &Foster, 2014: 3). By looking at the eye of little girl, the main character, to the events based on contrasts the girl’s fantasy and the reality in a small apartment, Ortiz Cofer achieves to shape her story’s economical portayal based on the American Dream in the way of the opposition her unpleasent, according to her, and desirable physical appearance. In constraction of the main character,
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion
She hides her actions and attempt to justify them until she is expose by the letter from the paper regarding her novel entry. She is ignorant to her unrealistic judgements about Cecilia and Robert and attempts to fix the problem when she made it worse. She realizes her mistake when the letter questions the conflict of her novel and she witnesses her attempt to hide the true horror behind her decision. While she attempts at hiding her problem in the draft, she made it more noticeable to the paper and drain the luster of the plot. Her realization of her ignorance honor the lovers’ romance and made her strive to atone her former