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Essay on gender stereotypical ads
Gender-based stereotypes in media
Sex role stereotypes and how they are shaped
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Visual images reinforce traditional gender and sexuality stereotypes through the manifestation of the masculine and feminine miens. An examination of print media advertisements highlights the social and cultural ideologies associated with traditional gender roles that are expected and imposed on by society.
“Advertisements are deeply woven into the fabric of Western Culture, drawing on and reinforcing commonly held perceptions and beliefs” of gender and sexuality stereotypes. They have a strong role in shaping society by reflecting, reinforcing and perpetuating traditional societal values and attitudes towards gender roles and identities. The visual images displayed in advertisements are “often absorbed into peoples learned expectation of individuals, comprising various groups, and therefore have the ability to sway individuals perceptions of and interactions with others” . These stereotypical representations of men and women depicted in advertisements invoke gender identities and reinforce societal values and attitudes towards gender roles. Renowned Canadian sociologist Erving Goffman stated that the stereotypical portrayal of gender “insinuates its way into our collective cultural consciousness, even our individual psyches, normalising certain traits associated with masculinity and femininity, men and women, and impacting upon how we frame and define gender and sexual difference in contemporary consumer culture” . This opinion reinforces the notion that the visual images utilised in advertisements reinforce traditional gender and sexuality stereotypes through the depiction of characteristics traditionally associated with masculinity and femininity.
The inherent gender dichotomies apparent in society are reinforced through t...
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...Channels of Desire: Mass Images in American Consciousness, Minneapolis, MN: University of Minnesota Press, 118 – 122.
Kang, M. (1997) The Portrayal of Women’s Images in Magazine Advertisements: Goffmanns’ Gender Analysis Revisited, Sex Roles, 37: 979 – 997.
Linder, K. (2004) Images of Women in General Interest and Fashion Magazine Advertisements from 1955 to 2002, Sex Roles, 51 (8) 409 – 421.
Sturken, M., & Cartwright, L. (2001) Spectatorship, Power and Knowledge, Practices of Looking: An Introduction to Visual Culture, 124 – 128.
McRobbie, A. (2004) Post-feminism and Popular Culture, Feminist Media Studies, 4:3, 255 – 264.
Moriarty, S. (2002) The Symbiotics of Semiotics and Visual Communication, Journal of Visual Literacy, 22:1.
McCann, E. (2009) Burberry Advertisement, June, Vogue, 14.
McCann, E. (2010) Godiva Chocolate Advertisement, May, Vogue, 18 – 19.
American’s and people in general are an audience targeted for various commodities, advertising being a major contributor. The world of advertising has become a multiplex science, as mentioned in “What We Are to advertisers,” Twitchell divides consumers into 8 categories and Craig, in “Men’s Men and Women’s Women,” concludes there are specific times of day for advertisements to be displayed to reach specific audiences. “Mass production means mass marketing, and mass marketing means the creation of mass stereotypes,” claims Twitchell. These stereotypes of men, women, and humans in general are how advertiser’s reach their targeted audiences.
Common sense seems to dictate that commercials just advertise products. But in reality, advertising is a multi-headed beast that targets specific genders, races, ages, etc. In “Men’s Men & Women’s Women”, author Steve Craig focuses on one head of the beast: gender. Craig suggests that, “Advertisers . . . portray different images to men and women in order to exploit the different deep seated motivations and anxieties connected to gender identity.” In other words, advertisers manipulate consumers’ fantasies to sell their product. In this essay, I will be analyzing four different commercials that focuses on appealing to specific genders.
The documentary Killing Us Softly 4 discusses and examines the role of women in advertisements and the effects of the ads throughout history. The film begins by inspecting a variety of old ads. The speaker, Jean Kilbourne, then discusses and dissects each ad describing the messages of the advertisements and the subliminal meanings they evoke. The commercials from the past and now differ in some respects but they still suggest the same messages. These messages include but are not limited to the following: women are sexual objects, physical appearance is everything, and women are naturally inferior then men. Kilbourne discusses that because individuals are surrounded by media and advertisements everywhere they go, that these messages become real attitudes and mindsets in men and women. Women believe they must achieve a level of beauty similar to models they see in magazines and television commercials. On the other hand, men expect real women to have the same characteristics and look as beautiful as the women pictured in ads. However, even though women may diet and exercise, the reality...
Advertising, whether criticized or celebrated, is undeniably a strong force in American society. Portrayals and Images of women have long been used to sell in published advertisements. However, how they have been used has changed enormously throughout the decades. Women have fought to find a lasting and prominent position in their society. Only in the span of twenty years, between 1900’s and 1920’s, the roles of women changed dramatically here in United States.
If a group of people were to walk around Times Square in New York City, they would see hundreds of different women and gather different opinions about them. Image is an important part of fashion, especially for females. Men have a standard that they can dress for unlike women who always say something about themselves through their clothing. It is because of the pressure to impress that women conceive a self-deprecating view. The two essays both describe the image of women; yet in “Beauty… and the Beast of Advertising,” Jean Kilbourne shares how advertisements influence the self images of women while in “Wears Jumpsuit. Sensible Shoes. Uses Husband’s Last Name,” Deborah Tannen explains the marks of women’s fashion choices.
Merskin, D (2004) Reviving Lolita? : A Media Literacy Examination of Sexual Portrayals of Girls in Fashion Advertising. In American Behavioral Scientist, vol. 48: pp.119-129. London: Sage Publications.
middle of paper ... ... “Three in four Americans (76 percent) say that a woman's appearance on the job is likely to affect whether she is taken seriously. Eighty-four percent of women and 68 percent of men agree with that statement”. To sum up, it is often said that advertising is shaping women gender identity, and some have argued that the statement is true, because of the higher amount of sexual references of women that advertisements show and the damage that occurs to women’s personality and the public negative opinions of those women.
Advertising in American culture has taken on the very interesting character of representing our culture as a whole. Take this Calvin Klein ad for example. It shows the sexualization of not only the Calvin Klein clothing, but the female gender overall. It displays the socially constructed body, or the ideal body for women and girls in America. Using celebrities in the upper class to sell clothing, this advertisement makes owning a product an indication of your class in the American class system. In addition to this, feminism, and how that impacts potential consumer’s perception of the product, is also implicated. Advertisements are powerful things that can convey specific messages without using words or printed text, and can be conveyed in the split-second that it takes to see the image. In this way, the public underestimates how much they are influenced by what they see on television, in magazines, or online.
Curry and Clarke’s article believe in a strategy called “visual literacy” which develops women and men’s roles in advertisements (1983: 365). Advertisements are considered a part of mass media and communications, which influence an audience and impact society as a whole. Audiences quickly begin to rely on messages sent through advertisements and can create ideologies of women and men. These messages not only are extremely persuasive, but they additionally are effective in product consumption in the media (Curry and Clarke 1983:
The portrayals of men in advertising began shifting towards a focus on sexual appeal in the 1980s, which is around the same that women in advertising were making this shift as well. According to Amy-Chinn, advertisements from 1985 conveyed the message that “men no longer just looked, they were also to be looked at” as seen in advertisements with men who were stripped down to their briefs (2). Additionally, advertisements like these were influencing society to view the male body “as an objectified commodity” (Mager and Helgeson 240). This shows how advertisements made an impact on societal views towards gender roles by portraying men as sex objects, similarly to women. By showcasing men and women in little clothing and provocative poses, advertisements influenced society to perceive men and women with more sexual
In the essay “Beauty (Re)discovers the Male Body,” author and philosopher Susan Bordo discusses the history and current state of male representation in advertisements. While using her feminist background, Bordo compares and contrasts the aspects of how men and women are portrayed in the public eye. She claims that there has been a paradigm shift the media with the theory that not just women are being objectified in the public eye, but also men too. Since the mid-1970s, with the introduction of Calvin Klein commercials, men have started to become more dehumanized and regarded as sex symbols. In a similar fashion to how Bordo describes gender, race plays a similar role in the media. People of all different ethnicities and cultures are being categorized into an oversimplified and usually unfair image by the media over basic characteristics.
The question of gender discrimination and stereotyping still remains the actual one in the 21 century. The concept of “gender” as “social basis” assumes studying of the gender stereotypes ordering one line of role behavior in a family and society for men, and others for women. Certainly, gender stereotypes really exist, and they are various in the different countries and during different historical eras. Despite the extensive data of researches, discrimination is widely used in the sphere of mass media, which uses gender stereotypes to attract attention from the necessary auditory or satisfy their own purposes. There are diverse situations where gender discrimination may be expressed through advertisements: the most typical are job advertisements and commercials. As stereotypical representations together with strongly marked discriminative elements are widely represented in advertisements, it is essential to determine the
An article by Christina N Baker, Images of Women’s Sexuality in Advertisements: A content Analysis of Black And White Oriented Women’s and Men’s Magazine emphasizes on how women’s are portrayed in media such as advertisements and Magazine. The author analyzes how media has a huge impact in our society today; as a result, it has an influence on race and gender role between men and women.
Lundstrom, William J., and Donald Sciglimpaglia. "Sex Role Portrayals in Advertising."Journal of Marketing 41.3 (1977): 72
Visual communication can be seen from a semiotic approach. The semiotic approach to visual communication stresses the idea that images are a collection of signs that are linked together in some way by the viewer. The study of semiotics divides itself into three areas: pragmatics, semantics and syntactic. Pragmatics is the study of the origin, common uses and communicative effects of signs. Semantics is an area of semiotics in which the researchers attempt to determine the significance of signs within and throughout various cultures.