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Visual representation on Irish Famine
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Visual Representation: The Irish Famine of 1845-50
The intention of this short piece is to give an idea of the range of visual commentary on the great Famine of 1845-50. Many are found the pages of Punch and the Illustrated London News, and are increasingly reproduced in publications as varied as academic histories, popular paperback collections, commemorative anthologies and, of course, on the internet. The examples reproduced here are small selection chosen to tentatively explore how colonial attitudes may be explicitly or implicitly discerned in the representations of the Famine produced by and delivered to the imperial centre.
It must be stressed that these notes in no way attempt to provide a history of the famine.
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Illustrated London News
ILN was founded by Herbert Ingram and first published on sat. May 14th 1842. It was priced at sixpence and targeted a broadly middle class readership. Its aim was to bring within the public grasp “…the very form and presence of events as they transpire; and whatever the broad and palpable delineations of wood engraving can achieve, will now be brought to bear upon every subject which attracts the attention of mankind”. That pictorials were viewed as important a vehicle as text for this reporting is shown in this extract from the Address of the first issue. The paper claimed to be non partisan, its first editorial stated “We commence our political discourse by a disavowal of the unconquerable aversion to the name of Party.” This may have been no more than a desire to gain the widest possible readership and as time progressed the paper displayed its Whig inclination. It displayed moderation and caution in its reportage and this extended to that given the famine, which was largely sympathetic if not quite able to denounce the inadequacy of government policy or the ideas of prevailing economic or political orthodoxy. None of the overt negative stereotyping found in the most acerbic Punch cartoons. Overall an attitude that England had a responsibility towards the victims of what was largely interpreted as a natural disaster.
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Punch
First published in 1841 as a weekly journal by Bradbury and Evans. At three pence per copy it soon reached a circulation of 30,000 by 1849. It also claimed to be above party and revelled in its image as ‘jester of the nation’. It enjoyed a popularity throughout the century as the leading satirical publication and pontificated through Mr. Punch on many of the political, literary, and social questions of the day.
Carey's The Harmony of Interests: Agricultural, Manufacturing & Commercial in 1851 attacked on British economic doctrines d...
We have consciences that function to tell us the difference between right and wrong. If we have clear consciences, we usually possess the ability to sleep. But when our consciences are full of guilt, we experience a state of sleeplessness. In Macbeth, Shakespeare uses the sleep and sleeplessness motif to represent Macbeth's and Lady Macbeth's consciences and the effect Macbeth's conscience has on the country of Scotland.
Humor can come in many different forms. Many people are aware of the blatant humor of slapstick, but it takes a keener mind to notice the subtle detail in sarcasm or satire. In A Modest Proposal, Jonathan Swift was able to create a piece of literature addressing the faults of the Irish culture while embedding in a humorous essay. Swift’s satire allows for the gravity of the Irish standings to be exploited under the disguise of a proposal for economic benefit.
Brown, Earl B., Jr. "Kosinski's Modern Proposal: The Problem of Satire in the Mid-Twentieth Century." Ebscohost. N.p., 1980. Web. Mar.-Apr. 2014.
Sleep is a metaphor that is used throughout ‘Macbeth’, more specifically the murder of sleep. Murder of sleep is a metaphor that first appears when Macbeth kills Duncan," ‘Sleep no more! / Macbeth does murder sleep'- the innocent sleep, / sleep that knits up the raveled sleave of care/ the death of each days life, sore labors bath," (II.ii.1-4). The metaphor of the murder of sleep expresses that fact that after killing Duncan; Macbeth is unable to return to sleep because of the horrors he just committed. Macbeth has committed an action so terrible that the near thought of it is sure to keep him up all night, thus he has "murdered sleep". Macbeth's murder of sleep is further reinforced as an even more brutal murder. "Innocent sleep/ sleep that knits up the raveled sleave of care," Sleep is something innocent and good, much like the beloved king Duncan. The metaphor of the murder of the wonderful and so beautiful sleep joins into a parallel with the murder of Duncan. Duncan is a king who similarly to sleep is full of miraculous and admirable qualities that Macbeth so horribly destroyed. By killing Duncan, Macbeth has killed his sleep. A life without sleep, is a tired, and groggy life, sleep is "the death of each days life, sore labors bath". Sleep is the necessary element needed to rid the "sore labor" of the day; however now that Macbeth has killed sleep he is unable to experience alleviation of this sore labor. Due...
Throughout the play the conventional idea of sleep as being a calm, restful time is switched around to demonstrate evil. When Macbeth is just about to murder Duncan in his sleep one sees his sleep is going to be disturbed. “Nature seems dead, and wicked dreams abuse the curtained sleep.” (Shakespeare 41) “Nature seems dead,” shows that Macbeth is feeling guilt already, not just about him killing King Duncan, but that with the murder, he is killing everything else of the country. “The curtained sleep” is saying that your sleep should be private and peaceful, like you are behind a curtain, being hidden from everyone else. This sleep is not peaceful though because it is being disturbed by the wicked dreams. Macbeth is picturing the deed he is about to perform as a nightmare, giving sleep an evil feel. The sleep of Macbeth is also being disturbed by his killing of Duncan. After Macbeth murders King Duncan, his consequences are that is sleep is being disturbed. “Still it cried, ‘Sleep no more' to all the house; ‘Glamis hath murdered sleep’, and therefore Cawdor shall sleep no more: Macbeth shall sleep no more.” (Shakespeare 45) As we see from this quote, Macbeth is starting to go crazy from his loss of sleep. The disturbance of his sleep is staring to disturb him physi...
Walsh, Susan. "Bodies of Capital: Great Expectations and the Climacteric Economy." Victorian Studies 37 (1993): 73-98.
Homelessness is all around the world, and many people have either dealt with the issue or had first-hand experience with it. Thus causes everyone to think about the possible solutions to such an important social and economic problem. Whether or not anyone wants to support or ignore the issue, it will always be there. However, the youth population is on the rise among the homeless. While the exact number of youth among the homeless is hard to determine, given various information about homelessness available and the age range that is considered youth, a 2012 survey from the Department of Education shows that 52,950 unaccompanied homeless youth were reported through school-based programs (Sparks 31). Homelessness among youth can be overcome or at least reduced, by reducing family conflict, severe economic hardship and abuse.
Some of the characters in the play are able to sleep well, and this is because of the integrity and righteousness of their actions. In fact, the only instance in which a character is shown to be able to rest peacefully is on the night Duncan stays at Macbeth’s castle. Duncan is portrayed as a worthy king and is widely regarded for his benevolence. He has no suspicions of Macbeth and is instead appreciative of his service in the war. For this reason, he is free from any anxiety while asleep on the night of his death. He is able to rest calmly because he has not done anything to warrant any resentment towards him and has nothing to worry about. Macbeth possesses the same innocence and can even be considered honorable when the play begins because of his success in battle. However, his soul is no longer pure once he and his wife plot to kill Duncan. Before the murder, he hears a voice whisper: “Sleep no more! /
He advocates cannibalism of children as a means to counter the poverty and famine occurring in the Irish population. His ideas incorporate dramatic irony as the reader understands that the essay is satire, however the prose in which it is written indicates otherwise. The narrator mentions “the poorer tenant will have something valuable of their own, which by law may be made liable to a distress, and help to pay their landlord’s rent, their corn and cattle being already seized, and money a thing unknown”, which will solve the issue of poverty among tenants (Swift 2). Although, many may object to this form of resolution, unless a change is aroused, this proposal, while cruel, seems logical. Provided the narrator has contemplated all possible objections, he “can think of no one objection, that will possibly be raised against this proposal, unless it should be urged, that the number of people will be thereby much lessened in the kingdom” (Swift 3). The narrator blatantly states that this proposal should arouse no objections, which insinuates that of the previous proposals stated to fix Ireland, the cannibalism of children is the best. Although cruel, the narrator suggest that it should outrank any other previous proposal made, which ignites recognition in the reader that the time period in which it was written desperately required
Macbeth explains to his wife, “Ere we will eat our meal in fear and sleep in the affliction of these terrible dreams.” Macbeth believes that there is something keeping him from sleeping: guilt. Macbeth blames Banquo for his sleepless nights, while Banquo sleeps peacefully in death. When Macbeth hires murderers to Assassinate Banquo and his son, he becomes more quilts. Thus resulting in more sleepless nights and hallucinations. Sleep is only for the clean and innocent people. Hence, Macbeth is in able to sleep due to his guilty conscience.
The lack of sleep is part of punishment for killing King Duncan. There is always a penalty for evil actions and it begins to extend against their conscience. This penalty is foreshadowed by the Witches in Act 1 Scene 3, when they were plotting to punish the sailor by not letting him sleep. Lady Macbeth is so full of guilt that she walks and talks in her sleep. You begin to notice throughout the play, after the murder, that she is constantly trying to wash her hands due to the guilt. Lady Macbeth loses her mind as a result of guilt and later commits
Life in the 1930's anywhere was not as glorious as life today, but one country to focus on is Ireland. Not having good transportation, housing, and resources was a good source of death in a lot of places in that time period, but Ireland was especially important. Ireland was and is still considered a very poor country but today isn't as bad as then. Disease was a very big cause of death with the lack of medical supplies and affected young children the most. (Wilson) A story that would show Ireland's poverty would be Angela's ashes, the book I chose for this research project. It shows what life was really like in Ireland in the 1930's and how poverty
However, when the street outreach workers engage with the homeless youths, it is the lack of resources, for instance, adequate housing alternatives/shelters, intended for individuals under the age of 18. With shortages of programs and shelters to accommodate the homeless youths, it poses multiple barriers for the adolescents, and according to the mentioned studies, it triggers them to revert back to their high-risk behaviors and survival techniques (National Conference of State Legislature – Homeless and Runaway Youth,
Evans, Eric J. The Forging of the Modern State: Early Industrial Britain. London and New York: Longman, 1996.