Visual Representation: The Irish Famine of 1845-50

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Visual Representation: The Irish Famine of 1845-50

The intention of this short piece is to give an idea of the range of visual commentary on the great Famine of 1845-50. Many are found the pages of Punch and the Illustrated London News, and are increasingly reproduced in publications as varied as academic histories, popular paperback collections, commemorative anthologies and, of course, on the internet. The examples reproduced here are small selection chosen to tentatively explore how colonial attitudes may be explicitly or implicitly discerned in the representations of the Famine produced by and delivered to the imperial centre.

It must be stressed that these notes in no way attempt to provide a history of the famine.

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Illustrated London News

ILN was founded by Herbert Ingram and first published on sat. May 14th 1842. It was priced at sixpence and targeted a broadly middle class readership. Its aim was to bring within the public grasp “…the very form and presence of events as they transpire; and whatever the broad and palpable delineations of wood engraving can achieve, will now be brought to bear upon every subject which attracts the attention of mankind”. That pictorials were viewed as important a vehicle as text for this reporting is shown in this extract from the Address of the first issue. The paper claimed to be non partisan, its first editorial stated “We commence our political discourse by a disavowal of the unconquerable aversion to the name of Party.” This may have been no more than a desire to gain the widest possible readership and as time progressed the paper displayed its Whig inclination. It displayed moderation and caution in its reportage and this extended to that given the famine, which was largely sympathetic if not quite able to denounce the inadequacy of government policy or the ideas of prevailing economic or political orthodoxy. None of the overt negative stereotyping found in the most acerbic Punch cartoons. Overall an attitude that England had a responsibility towards the victims of what was largely interpreted as a natural disaster.

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Punch

First published in 1841 as a weekly journal by Bradbury and Evans. At three pence per copy it soon reached a circulation of 30,000 by 1849. It also claimed to be above party and revelled in its image as ‘jester of the nation’. It enjoyed a popularity throughout the century as the leading satirical publication and pontificated through Mr. Punch on many of the political, literary, and social questions of the day.

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