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Islamic art and architecture philosophies and practices papers
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Jamie Hernandez Art 2C Professor Ann Bittl M/W 0930-1045 I chose to do a visual analysis on two specific pieces of Islamic art, one being the Maqsud of Kasha (Knotted pile of wool and silk, Ardabil, Iran, 1540), and the other being the Mausoleum of the Samanids (Brick, Bukhara, Uzbekistan, early 10th century). They’re two interesting pieces that show a lot of craftsmanship, dedication and attention to detail that Islamic art brings with it. I chose the tapestry because I’ve seen a lot of these types of works when I went to Afghanistan for a couple tours of duty. What attracted me to them was actually the time these women put into their craft. They truly are craftsmen. Going to the bazars and watching them work in the back of their …show more content…
Even in villages in the middle of nowhere you could still them being built by hand using a mud and straw mixture and even still, capping them with domes and pieces of wood keeping the symmetrical look but none with this much detail. The thing that stood out to me the most in particular is the brick work. The building itself has almost a weaved texture, like it was something made of thick thread with an over/under pattern like cloth work. And speaking of pattern, you see the Islamic trait again with the symmetrical patterns of geometric shapes and arches. The main arch and the depressed arch in the doorway give a feeling of depth to the tomb. The small pillars on the upper aches have sharp zig zag designs alternating with smooth flowing twists; ten arches on each side keeping with the balance of the building. Each doorway has a high border encompassing small circles completing a tall rectangular look making the doorway seem even bigger than it already is, along with the small channeled borders giving a structured shape to the smaller arches. The dome on the top of the building creates “a heavenly sense of transcendence,” making the building feel much larger on the inside. Again, the smaller domes and small pikes stay true to the repetitious nature of the art form. And to be honest, the doorway along with the small cubes and triangle above look like a face to me which is another reason why I liked it so
...understandable of making use of perfect architectural form as geometry, in terms of believe and as well as architecture. His design was straight to the point , making use of geometrical shape and it’s magnificent meaning which itself emphasises a perfect form and perfect centre point at its middle, which itself is a powerful remark on the focus point of the building (crucifixion spot at Tempietto and the pulpit at the Basilica) this achievement is more effective rather than using of coloured and expensive material ,gold ,sculpture ,painting ,large windows and light or other architectural elements which Baraque architecture used to bring about the attraction and highlight it’s point in the building.(the Alter of Grace at Church of Vierzehnheiligen)
After walking inside and trying to first experience, the church, and all its beauty and ornateness, I began examining the floor plan and elevations of the cathedral. Grace Cathedral was build in a gothic style, which it represents in its architecture inside and out. There were three huge rose windows. One at the very top of the main entrance and one on either end of the transept. There wer...
The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods.
The Byzantine Empire was a primarily Christian empire whose reign started in 330 A.D and ended in 1453 A.D with the capturing of the its capital, Constantinople by the Muslim Sultan Mehmed II. In the years following the fall of the Byzantines, many of the Christian basilicas were transformed into mosques for Islamic worship, inspiring many artists to create works that embodied their religious politics. One of the pieces created following the fall of the Byzantine Empire is the painting of Yusuf Fleeing Zulayhka, created in 1488 by Kamal al-Din Bihzad, a famous Persian painter who worked under the patronage of several Persian sultans. The illustration depicts Yusuf’s struggle to escape his master’s wife Zulaykha as she chases him through her elaborate palace in an attempt to seduce him. The representation was made using paint, ink and gold, and features jewel-like colors in order to portray the extravagancy of the palace Zulayhka has built specifically for the seduction of Yusuf (Stokstad 286). This essay will assess three accounts of the story of Yusuf and Zulaykha and the reasoning behind why the narrative is often labelled as a cautionary tale and of what kind.
A monumental staircase is the centerpiece of entrance hall and creates a barrier to a direct view of the courtyard. The stairway, although grandiose, is modeled after oversized wooden stairs with a “wealth of spindles and paneling from his earlier Shingle style houses.” The oversized arched windows on the wall facing Exeter Street, bring sunlight into this space, and have a radiant effect on the walls covered with variegated Sienna marble (especially quarried for the library). At the intermediate landing, there are two hand carved couchant lions, which are the work of Louis Saint-Gaudens. Above this stairway a spherical chandelier of bronze and cut glass hangs from the richly coffered ceiling. As you climb up the stairs towards the main landing, the paintings of Puvis De Chavannes representing poetry, philosophy, and science adorn the wall. These murals are painted
The interior of the Sagrada Familia is extraordinary. It is a kaleidoscope of light, darkness, and form. The ceiling has geometric shapes and fracturing of shapes as color is coming in from the stained glass windows. Many would say that walking into Sagrada Familia is like walking into a stone forest. Light is also entering from the clear glass along the nave and it has the sense of the effect of dappled sunlight coming through a forest. The individual piers, of traditional Gothic architecture, are extremely complex. Each pier is paired with another and within the individual units there is an incredible geometric complexity. The church is an enormously successful synthesis of bravery, invention, both classical and gothic form, geometry, piety, and of linking our contemporary world and our technologies with an extraordinary historical precedent.
The pavilion is significant figure in the history of modern architecture, regarded to be influential with its open plan and use of exotic material. There is a blurred spatial demarcation where the interior becomes an exterior and exterior becomes the interior. The structure constantly offers new perspectives and experiences, as visitors discover and rediscover in the progress of moving throughout the in’s and out’s, a non directional conforming circulating movement pattern. To facilitate this movement, even though it is a visually simplistic plan, its complexity is derived from the strategic layout of walls with its intimation of an infinite freedom of
It is 37 meters high with stone walls that concave and have roll moldings (Lloyd 169). The door of this gate was made of cedar wood, which was decorated with bronze and gold and topped by a winged sun disk, which represents Horus and the decorated battle scenes of the king of Edfu fighting enemies of Horus. The gate is followed by a large courtyard “ The Hall of the Masses”. The large courtyard consists two rows of columns on opposing sides, and this hall was open to the public. Through the entrance in the middle of the ecentric courtyard is the grand colonnade, which consists of eighteen columns with floral crowns.
The ancient Chinese developed the idea of collecting the cocoons of silkworms to create one of the finest natural textiles of all time. One great piece of Chinese silk art is the painted silk Funerary Banner from the tomb of the Marquise of Dai. As trading between cultures went on, the Islamic World started to incorporate fine silk in to art of their own. The Maqsud of Kashan’s Ardabil carpet is an enormous funerary carpet. This huge piece of hand-woven art is made with wool and silk.
I think a gigantic funerary mosque of white marble, built in Agra by order of the Mogul emperor Shah Jahan in memory of his favorite wife, the Taj Mahal is the most perfect jewel of Moslem art in India and is one of the universally admired architectures of the world’s heritage. Not only see the beautiful Taj Mahal from the video, I also knew the history of itself and its country. A white marble tomb sums up many of the formal themes that have played through Islamic architecture. The video did talk a lot of how much Shah Jahan himself and his father loved art and made many gorgeous artworks. Taj Mahal’s refined style is a conspicuous contrast to the Hindu architecture of pre-Islamic India, with its thick walls, arches, and heavy supports. Even though Taj Mahal is the symbol of grief and sadness, it still has it beauty looks from marble and sand stone.
There are parts of the walls that seem to be missing, which creates a flow between the two main spaces. The pavilion’s thin, sweeping roof is supported by eight cruciform columns clad in chrome. This created an open and free space where he lined the outside of the building with glass. He then carefully placed a thin slab of onyx in the middle of the open volume. Mies created established characteristics that became essential for modern architecture.
Wide stone stairways and a diagonal slicing wall disappear beneath the surrounding rocks, creating a dramatic path to the rooftop terrace in the Naoshima Contemporary Art Museum. Ando defines architecture as “the box that provokes.” He says, “I do not believe architecture should speak too much. It should remain silent and let nature in the guise of sunlight and wind speak.” His gift is to create spaces that respond to human needs and spirit, juxtaposing powerful concrete walls with light and nature to create a deep sense of peace. Using simple materials and geometry, Ando has produced a volume of exquisite
The building is 158 meters high and has 23 floors. It also utilizes Mies Rohe’s concept of "less is more" (Zhang, 2014; He, 2010). The structure of the building is simple and symmetry. Although it is a regular hexahedron, it needs actuate calculation (He, 2010). 75% of exterior wall of the building makes by bronze-tinted glass (Abercrombie, 2013). It uses Bronze-tinted color because it is a popular color at 1952. Moreover, normal glass cause environment hot at summer and cold at winter (Masello, 2015). Also, the exterior wall adds bronze window frame. It makes the building better sense of line and extended the form of the regular hexahedron’s building. It has the window frame transmits to people a sense of relative
It consists of a composition with a central vertical axis, which does not make any symmetry due to the freedom of the craftsman in carving the details of the arabesques” ( Antonio Almagro, 2015). Emphasis: I do not see in this architectural structure (The Great Mosque of Tlemcen) a focus on anything specific, but I notice only the column that near the Mihrab has a gold color that may add to the glory of the mosque, and because always the golden color gives the impression that the place is wide, I see that this only bright color used in the mosque. Movement: Some of the geophysical motifs that decorated on the walls of the mosque, which are very accurate, give the impression that they are real, and there is also the movement of prayer who come to the
When I was a child I used to be frightened of entering such a place for it seemed so imposing and somewhat dangerous, especially when music was being played. One day, in order to keep a promise I had made, I saw myself forced to enter. It took me quite a while to get the courage to pass through the old oak door, but the moment I stepped in, I realized just how enchanting and breathtaking this building could be. Its fantastic architecture and exquisite frescoes reflect perfectly the unity between this earth and the unseen kingdom of angels in such a manner that one cannot say where one ends and the other begins. The way in which the church was built is also the vivid testimony of a medieval period. Although it is a place that can sometimes be cold and ask for respect it is where prayers are answered and magic is done. An overwhelming feeling of inner harmony takes over you once you enter and God seems much closer. Darkness and light are welded perfectly together creating Redemption’s house. The tower allows you to see the entire town from the smallest river to the biggest building site, offering you its mightiness.