Analysis Of Ludwig Mies Van Der Rohe

Ludwig Mies van der Rohe (Barcelona Pavilion) Ludwig Mies van der Rohe, commonly addressed by many as “Mies”, deemed one of the pioneers of Modern Architecture alongside, Le Corbusier, Walter Gropius and Frank Lloyd Wright. By emphasizing open space and industrial materials through design, his expression became the precursor in defining modern architecture."Architecture is the will of an epoch translated into space," he remarked reflectively. Pressed to explain his own role as a model for others--a matter on which he was shy --he said: His early work focuses on mainly residential with his first major project being the “Riehl House”. Whilst Mies began his journey as an architect in the Traditionalism style, he progresses into Modernism. Designing

Its elegant and sleek design came by to its combination of rich natural materials used leading into foundations of the Modernism of Architecture and it is what brings true architectural essence as well as the ethereal and experiential qualities that the pavilion embodies. . “Less is More” quote by Mies as suggested by his intensive use of glass in buildings as a new level of simplicity and transparency. Glass was an expression of the current age of industrialism as he believed a building should be “a clear and true statement of its times. Fundamentally, Mies’s design philosophy and one of the driving forces behind his use of glass was the concept of fluid space as stated before. He believed that architecture should embody a continuous flow of space, blurring the lines between interior and exterior. The use of glass became apparent for the purpose of that, with movable glass allowed for space to be seen as flexible and independent of the structure itself. Most definitely a clear understanding and clever function of the the material’s usage, the use of glass inherits its pellucidity with the a subtle harmony of a modernist structure. Streamlining the simplistic nature of the structure."Artistic expression is a manifestation of the unity of design and material…” from Frank

The pavilion is significant figure in the history of modern architecture, regarded to be influential with its open plan and use of exotic material. There is a blurred spatial demarcation where the interior becomes an exterior and exterior becomes the interior. The structure constantly offers new perspectives and experiences, as visitors discover and rediscover in the progress of moving throughout the in’s and out’s, a non directional conforming circulating movement pattern. To facilitate this movement, even though it is a visually simplistic plan, its complexity is derived from the strategic layout of walls with its intimation of an infinite freedom of