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Effects of violent media on children
Effects of violent media on children
Effects of violent media on children
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French in his book "Screen Violent" stated that "since the turn of the century, violence closely followed by sex has been the most controversial and emotive aspect of the movies" (French 1996, p.4). In fact, they are the subjects of attacks and occasionally defenses in the media. A lot of people believe that sex and violence are overused in movies and their effects are mostly negative. As a result, they jump into the conclusion that there are more criminals because the young audiences were influenced by violence images from movies. In addition, they claim that scenes which show the women's body on the screen are disregarding of women. However, some other arguments state that limiting the sex and violence scenes in movies not only reduces the creativeness of filmmakers but also hides the truth. Therefore, the roles of sex and violence in movies have to be clarified and understood clearly. This essay will firstly examine the role of violence and then sex in movies.
Firstly, violence in the movies is not of recent origin. From the start, filmmakers were draw to subjects involving action and violence. For example, "The Great Train Robbery" in 1903 which contained the famous and powerful image of a gun being turned towards the camera and fired straight at the audience is the cinema's first example of truly brutality. In addition, graphic violence is an inescapable and ubiquitous characteristic of contemporary cinema. For example, Martin Scorsese has shown characters with their faces shot apart in "Taxi Driver" (1976) and there are giant bugs ripping their victims into ragged, bloody pieces in Verhoeven's "Starship Troopers" (1998). Therefore, it is possible to say that screen violence is deeply embedded in the history and functioni...
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Romney, J 2004, 'Le sex and violence', The Independent Online Edition, September 12, 2004. Retrieved: December 21, 2004, from http://enjoyment.independent.co.uk/film/features/story.jsp?story=561392
Jinman, R. 2003, `Sex and violence screen-shocker to open here uncut', The Sydney Morning Herald.
March 7 2003. Retrieved: December 21, 2004, from
http://www.smh.com.au/articles/2003/03/06/1046826481519.html?oneclick=true
Roten, R. 2001, 'The effect of violence in film and television on society', April 12, 2001. Retrieved: December 21, 2004, from http://www.lariat.org/AtTheMovies/essays/violenceinfilm.html
1. Sobchack’s argument pertaining to on -screen violence that she wrote thirty years ago was that any violent acts portrayed in movies back then was to emphasize the importance of an element in a story, an emphatic way of engaging the viewers and forcing them to feel what the movie was about. It gave them a sense of the substance of the plot which would allow them to feel for the characters and yearn for good to overcome evil. In other words, the effort made to engage audiences through depictions of violence created violence that was artistic and well done, or as Sobchack writes, violence was “aestheticized.” Violence was incorporated into film in a stylistic way, and even though violence in all forms is offending, twenty five years ago when it was seen in film, it had a greater impact on audiences because it had meaning (Sobchack 429).
The author of “Hollywood, Stop Exposing Our Kids to Violence” claims that filmmakers need to stop producing violent movies. The article argues that many children pick up bad habits from watching violent
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
Movies are a favorite past time recreation among individuals. The following two authors Gianluca Di Muzio (2006) and Stephen King (2007) present opposing views towards the horror genre and its impact on society. Di Muzio article on “the immorality of horror films” and King’s article on “why we crave horror movies” are great examples on ways the horror genre affects society. Di Muzio (2006) presents the negative messages placed in horrific cinema, whereas King’s (2007) communication is about the positives. Di Muzio (2006) emphasizes dark themes, plot and ways society’s consumption to gore can lead to a sadistic lifestyle in one of his studies and critiques on the horror film Texas Chainsaw Massacre, whereas views conveyed by King (2007) towards the genre are simply recreational and meant for adrenalin addicts.
This article also makes referral comparison to another genre of film “Unlike in other genres (detective, thriller), there is usually neither sympathy for the victims of Evil nor admiration for heroes opposing it.”(Kord, 2016) Violence is what triggers the guilt in the audience and what starts to make them speculate of their morality. “Violence may well be the horror film’s way of hacking away at its audience to engage with guilt. Admit who you are. Admit what you did.” (Kord, 2016) The author questions other theorists with an ample amount of valid research from validated
Torr, James D. Introduction. Violence in the Media. Ed. James D. Torr. San Diego: Greenhaven. 2001. 13-15.
Does entertainment influence society's attitude towards violent behavior? In order to fully answer this question we must first understand what violence is. Violence is the use of one's powers to inflict mental or physical injury upon another; examples of this would be rape or murder. Violence in entertainment reaches the public by way of television, movies, plays, music, and novels. Through the course of this essay it will be proven that violence in entertainment is a major factor in the escalation of violence in society, once this is proven we will take all of the evidence that has been shown throughout this paper and come to a conclusion as to whether or not violence in entertainment is justified and whether or not it should be censored.
What is it about violence that is so attractive to the general public? There are so many people who would rather see a violent movie than a movie filled with romance or adventure. If you were to compare the revenues from box office earnings I'm almost positive the movies filled with blood and guts earn much more than other movies. Naturally, if a person in the movie industry knows this will make them mega bucks , they will continue to make movies like this to make more money.
In a world in which acts of heinous violence, murder or crude and shocking behavior seem to be a normal occurrence, it may lead one to wonder what has put society onto this slippery slope. How did this type of behavior come to be so acceptable and in some cases glorifiable? A careful study of society may lead to multi media as being the main cause in this changing of ideals. The modern world has become desensitized to the acts shown on television, movies, video games or printed in newspapers and magazines. Censorship must be employed if morals and decency are to be preserved.
Knowing who will be inspired by a movie meant for entertainment and go on a killing spree is highly unlikely and until then copycat acts of violence will continue to baffle society. But in the minds of a few already unstable minds the violence that some movies depict will take on a reality of their own. Then, regretfully there’s one fact that can’t be denied, it does happen. When an unstable mind is influenced by a movie the results the results can be devastating. Movies do influence society’s view on violence and in some rare cases it will motivate some to violence.
Film scholar and gender theorist Linda Williams begins her article “Film Bodies: Genre, Gender and Excess,” with an anecdote about a dispute between herself and her son, regarding what is considered “gross,” (727) in films. It is this anecdote that invites her readers to understand the motivations and implications of films that fall under the category of “body” genre, namely, horror films, melodramas, (henceforth referred to as “weepies”) and pornography. Williams explains that, in regards to excess, the constant attempts at “determining where to draw the line,” (727) has inspired her and other theorists alike to question the inspirations, motivations, and implications of these “body genre” films. After her own research and consideration, Williams explains that she believes there is “value in thinking about the form, function, and system of seemingly gratuitous excesses in these three genres,” (728) and she will attempt to prove that these films are excessive on purpose, in order to inspire a collective physical effect on the audience that cannot be experienced when watching other genres.
an also kept very private. Since feminists and adult film has come together over the past couple of years , many adults films has not been the same. Feminist bring a middle ground of the fantasy world and some social problems together. They bring about ways that stop inequality , from the color of your skins to your sexual orientation. Society see adult films as woman being degraded , but feminist see it as woman being empowered and coming in tune with one self. So in this paper we will discuss how many people see adult films as a social problem and others question why should it be a social problem.
When it comes to the films that we have seen in period of the 60s and 70s, one message becomes clear that there has a been an increase in violence represented in these movies. In our very first movie, A Bout de Souffle, is a great base to start off our understanding of violence and it portrait in European cinema. It this degree, a female character has the sensation of being literally breathless when it comes to her relationship with the lead male character. The article also points out the idea of the male observing the females as an object and this is certainly true in this movie, Breathless. In several clips of the movie the pure relationship between the two lead characters show a sense of violence which is not physical, but highly psychological.
This essay explores the role and effects of violence in Western films and uses two films from the Western genre to illustrate various uses of violence. According to Scott (2007), the Western has been a popular genre since films were first produced. Their character and depth of meaning have evolved and matured. There are less of them than in earlier decades but they have influenced other genres.