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The evolution of the horror genre
The evolution of the horror genre
The horror genre essay
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Movies are a favorite past time recreation among individuals. The following two authors Gianluca Di Muzio (2006) and Stephen King (2007) present opposing views towards the horror genre and its impact on society. Di Muzio article on “the immorality of horror films” and King’s article on “why we crave horror movies” are great examples on ways the horror genre affects society. Di Muzio (2006) presents the negative messages placed in horrific cinema, whereas King’s (2007) communication is about the positives. Di Muzio (2006) emphasizes dark themes, plot and ways society’s consumption to gore can lead to a sadistic lifestyle in one of his studies and critiques on the horror film Texas Chainsaw Massacre, whereas views conveyed by King (2007) towards the genre are simply recreational and meant for adrenalin addicts. Ear piercing screams, blood splatters, loneliness, violence and isolated surroundings are only a handful of the themes mentioned in the analysis by Di Muzio in the movie Texas Chainsaw Massacre. These themes haunt the viewers significantly and especially children. The movie starts on a glorious note of friends united for a trip, only to see one their friend “struck on the head with a sledgehammer.” (Di Muzio, 2006, p. 279) This sets a tone of the unexpected and the directors emphasize greatly on scenes with numerous screams with utilizing blood to frighten their viewers. Fear is the product of our thoughts, it is temporary, but numerous individuals fail to realize the reality. The movie has the ability to attract audiences of different backgrounds to come together and partake in a visual entertainment of killing spree, keeping one in terror and on the edge of their seats at all times. Moreover, the antago... ... middle of paper ... ...re as it brings back memories from our childhood. King simply claims that horror movies have a “dirty job to do,” the adrenalin rush of the screams and unexpected outcomes. (King, 2007, p. 457) Kings (2007) answer to Di Muzio (2006) on whether it is morally permissible to indulge in gruesome forms of entertainment would be that the perception lies solely to the beholder and their judgment towards the genre. Both Di Muzio (2006) and King (2007) make contradicting arguments towards the horror genre. Di Muzio (2006) provides a thought provoking piece regarding morality in horror films and provides his critique on the movie Texas Chainsaw Massacre. Whereas, King (2007) focuses his attention on the positives of the horror genre and ways it allows one to liberate from their sadistic thoughts, calling it as food “to keep the gators fed” in our psyche. (King, 2007, p. 458)
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
In his essay, “Why We Crave Horror Movies” King attempts to bring understanding to the phenomenon of the horror film genre. He states “sanity becomes a matter of degree” eluding to the theory that sanity is relative and that all humans are relatively insane. Jack the Ripper and the Cleveland Torso Murderer were the examples of humans on one extreme of the spectrum of sanity; saints represent the other safe end of the sanity spectrum. He illustrates the thought that in order for human kind to stay functionally sane there needs to be some sort of outlet for our violent “mad” thoughts. In King’s view horror movies provide a stable outlet and mental relief for innate madness. King argues that his insanity/ant civilization emotions are ingrained
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
One of America’s famous actress film director and producer Katie Aselton once said,” I don’t love horror movies with something surreal happening. That doesn’t work for me. What’s terrifying is something that could actually happen to me and what I would do. I don’t know how to throw a punch, and I’ve never had to do it.” This quote shows connection to King’s article. I’m starting to consider that everyone has a crazy side. Why We Crave Horror Movies explains the reason people want to go see horror movies. The average person enjoys the horror movies because they are in a safe environment knowing they can not be harmed. By discussing the argumentative strategies such as ethos, logos,
I have provided a clear evaluation of his essay in an organized way using the appropriate standards of evaluation. In understanding why humans “Crave Horror Movies” even when some people get nightmares after watching them we find the importance of our emotions and fears. We find those emotions and fears form a body of their own which needs to be maintained properly in order to remain healthy. We see how emotions can be controlled though viewing horror movies. Stephen King’s “Why We Crave Horror Movies” is a well written essay with convincing analogies, comparisons, and urban humor.
Horror movies bring out the worst in us and for all the right reasons. King’s big idea suggests that by watching our mad, deranged role models slaughter one another, is actually keep us in line mentally. It allows us to stay sane and untroubled. Watching others do the dirty work gives us a sense of relief. Even though watching horror movies are filled with basic reasons of having fun, there is a deeper, psychological level of human emotions that is essential to our mental
Today’s society thrives on violence. Young children made pretend guns and shot at siblings, teenagers enjoyed video games which praised the player for kills, and adults flocked to see the latest horror movie, few people asked what effect this has on people and society. Some psychologists have started researching this effect. A study by Dr. Ferguson;...
Pinedo, Isabel Cristina. Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany: State University of NY Press, 1997.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
Imagine that tonight is movie night. The popcorn is made, the lights are low, everyone else is ready and the classic horror film Scream (Wes Craven 96) plays. The combination of horror and humor similar to the modern The Cabin in the woods (Drew Goddard 2012) has their unique message and some elements of a slasher film. In her essay “Her Body, Himself,” Clover writes a general description of a slasher film, “At the bottom of the horror heap lies the slasher (or splatter or shocker or stalker) film: the immensely generative story of a psychokiller who slashes to death a string of mostly female victims” (22). While in Scream these definitions may be obvious, Cabin in the Woods both critiques these traits while challenging them. By using Clover’s
However, upon the new changes in cinema—the idea of ideology shifted as well. Modernist Cinema subverted that typical dominant ideology. There is always a larger question poses about the film as a whole; why was this film made? Badlands situates the spectator in the position to decide whether or not murder is evil based on the visuals he or she views. The author’s hopes is that by creating unidentifiable characters and a nonchalant world that the spectator will realize that the idea of murder isn’t in fact being promoted merely the opposite—it’s being subverted. The subject matter of this film is one that is certainly unpleasurable in terms of entertainment but actually a dissatisfaction intending to comment on society as a whole. This intentional provocation involves “the attack on ‘entertainment’ cinema [as] part of a broader attack on the whole of ‘consumer society’” (Wollen, 424). Cinema serves as a distraction from society, but also operates to make a point to its intended audience. The point being the obvious, murder should never be morally acceptable. Its consequences typically should evoke a reaction that testifies against nature of the
Horror movies have been part of mainstream cinema since the early 1930s when films such as Dracula and Frankenstein were created. As the horror genre evolved, so did the stories in the films. Friday the 13th (Marcus Nipsel, 2009) is a very good example of this evolution. Even though it is a remake, Friday the 13th changed the way horror movies were seen by the audience. The ideas and theory behind this slasher sub-genre of horror films can be summed up in a book. Carol Clover, an American professor of film studies, wrote a book in 1992 entitled Men, Women, and Chainsaws: Gender in the Modern Horror Film in which she described the horror film genre. In a chapter entitled “Her Body, Himself”, Clover describes how weapons play a very important role in horror movies as well as explaining her Final Girl theory. Her book’s ideas changed not only academic notions but also popular beliefs on horror films. The 2009 remake of Friday the 13th implies that Carol Clover’s ideas about 80s slasher films, including male tormentors, the importance of weapons, and the Final Girl, have stayed the same through the years.
For instance the claim that is not to be agreed with in King’s essay is the one where he declares “The fun comes from seeing others menaced - sometimes killed” (2). King has the mindset that the reason we find horror movies entertaining is because of the torture the characters go through. This opinion of his is completely unacceptable because even though we all have our bad side, the satisfaction isn’t from seeing the people playing the roles die; but from the movie as a whole that is filled with feelings of suspense, curiosity, fear, excitement and so many more
Since the beginning of the motion picture in the early 20th century, horror movies have been recognized as a genre of movie for those who seek a good source of thrill and nail-biting entertainment. From the time when horror movies had begun as new and upcoming source of entertainment to the current day, many subcategories of these horror flicks have diverged. Some examples of those subcategories are supernatural, horror-comedies, psychological, suspense, and monsters (Vantrepotte). One of the more prominent types of horror films could be illustrated as a sadistic tortuous blood and gore fest, otherwise known as “torture porn.” The producers and directors in the cinematic world argue that these films have no affect on its viewers and that the torture porn development into Hollywood is simply another way to produce money. For example Eli Roth, the director of the movie Hostel, argues this. Soon after the February 2006 release date, the movie produced roughly $47 million in the box office in the United States alone (Hostel 2006). Though Roth made heaping amounts of money for this film his argument becomes invalid when disputing the resulting psychological effects of its viewers. Groups of people, such as concerned parents, would argue that torture porn is a negative subgenre of the horror category. It can be considered negative due to its psychologically damaging affects on those parent’s children. Although “torture porn” can be viewed as a way to produce more money and as a source of entertainment, it is not a positive development into the cinematic world because of its damaging psychological affects, such as desensitization and violent influence, on its viewers--especially children.