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Industrial revolution and the Victorian era
Social change in the Victorian era
19th century theatre flashcards
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Recommended: Industrial revolution and the Victorian era
This essay will be talking about how the architecture of theatres changed during the Victorian era. The topics discussed will be how the social changes, political changes and the technological changes played a factor in the change of architecture of theatres in the Victorian era. The main focus of this essay will be how the creation of the stage space changed. 100
Before the Victorian era, in the Georgian era, actors were not really on stage that much, meaning they were a lot closer to the audience. During the Georgian era, theatres were not a really nice place to go to. This is because the theatre experience was a lot different to how it is now, or even in the Victorian era. The audiences could be rather rude, noisy and also dangerous. It
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The gas industry being one of the main changes. In 1885, the gas industry developed the gas mantle. The gas mantle didn’t produce a very bright light, which meant that lime light began to get used. Limelight (also known as Drummond light or calcium light) was actually introduced in the 1820’s, which is just before the reign of Queen Victoria. This was a light created when a naked flame was directed at a cylinder of quicklime, creating an intense illumination. This made the stage a lot brighter than just simply using gas mantle lighting. However, this caused many of the Victorian theatres to burn down as a naked flame was being used, putting the lives of the audience at risk. The plus point about limelight’s was that theatre designers had the advantage of experimenting with the lighting, as they could do a bit of dimming of the light and also change the colours due to the gas used. A little while later, electrical lighting became popular and was used a lot more than gas lighting. This was an increase in the audience, as there were less fires and also a brighter stage. However the brighter stage was not something the theatre directors liked, as this did not allow dim lighting to be used, which meant that there were no shadows of the actors, making the plays look more flat than 3D. Electrical light dimming was introduced in the next century. During this period, gas lighting was …show more content…
There were hundreds of theatres fires between the installation of the first gas lighting system in Philadelphia in 1816 and London’s Savoy Theatre becoming the first to be electrically lit in 1881. Leaving a flame burning overnight would prevent pressure building up in the gas lines and a subsequent explosion.” http://www.history.co.uk/shows/articles/5-theatrical-traditions-and-where-they-come-from The Victorian theatres were first to properly introduce the proscenium arch, which meat that the indoor theatres looked like they were in a box like structure with a frame around the act. The border was an elaborate frame designed in a picture frame pattern painted in gold, which was approximately two feet wide. The frame continued round the proscenium arch and below the actor’s feet, which gave the illusion of no stage, making it more appealing to the viewers. A good example of this is the Haymarket Theatre (Theatre Royal) reconstruction in 1880.
In "Constant Star", lighting told much about the play as soon as it began. Low, yellowish lighting and a bit of fog spread by ceiling fans filled the stage as the play started. This gave the stage the look of an old photograph, so the audience immediatly gathered that the show was taking place in the past. The mood was often set by lighting as well. Red lighting gave the audience a sense of foreboding while yellow indicated happy times. Also, lighting could substitute for props. During scenes involving the train, lights would flash on and off, making the stage look as if it was actually moving. This effectively created the illusion that the cast was on a train. Also, lighting was innovatively used to create a "jail" in one of the scenes by creating vertical bars on the stage around the convicts.
The Restoration in England was an era ripe for the development of new ideas in the arts. The return of the Stuart monarchy under Charles II marked the end of eighteen years of almost dictatorial control by Oliver Cromwell and his Puritan parliament. Cromwell had campaigned actively to halt all theatrical activity. In the end, however, his laws were actually responsible for helping move England forward in theatrical history. Actors, under Cromwell's laws, were to be apprehended a rogues if they were caught "in the act" so to speak of performing their trade. Some left their careers and sought employment elsewhere. Most, however, remained undaunted by parliament's threats. Productions continued quietly in tennis courts, inns and private houses. Officials were bribed to keep silent their knowledge of violations. The theater in England had moved indoors as it had already done in France and Italy. Although the reasons for the move were different, the end result was the same. Up until this time plays had always been performed outdoors in the early afternoon. Performances traditionally relied on sunlight, natural scenery, and minimal set pieces that could be easily transported from one location to another. Indoor productions required something much more elaborate. The preliminary concepts of scenic design and lighting design began to form in England in the late 1650's. During the Restoration, as controls were lifted, technical theater began to flourish. Many early examples of modern stage techniques were born between 1660 and 1800, making the Restoration a significant era in the history of scenic design and lighting for the theater. The art of scenic design did not begin in England. As early as 1570 the Italians were giving elaborate opera performances in the ducal courts using perspective scenes and various types of stage machinery. The French mimicked the design ideas of the Italian's and gave them a name, la scene a l'italienne. (Southern 221) Although Cromwell had banned public theater, opera was still considered a lawful art form. In England, just prior to the Restoration, John Webb designed the scenery for William D'avenant's 'opera' production of The Siege of Rhodes.
Eighteenth century British theatre was perhaps the starting point that would evolve into modern theatre. Women started to be allowed on stage and acting techniques were beginning to change. Leading performers were like celebrities with a number of fans. Theatre was an intricate part of the social ladder. In the overall scheme of things the actors and actresses played an important part in making the theatre what it was. Without the performers there wouldn’t really be theatre, so in order to understand the eighteenth century British theatre the performers of that era need to be understood.
The use of lights throughout the play did not vary often. Throughout most of the play, bright overhead lights portrayed the play’s main set room: a small town beauty salon. The lights created an atmosphere that was not only cheerful, but also warm and inviting. On each side of the stage, warm, more natural lighting was used to make the small outdoor areas more realistic. Lights were also used to convey
The lighting in the performance was fairly basic, for the large majority of the play the lighting was constant. It’s primary use was for functionality purposes, such as to light up the stage so the audience could see, and not to convey any special meaning or set any kind of mood. There were two different types of instances were the lighting would change, too show a passage of ti...
Introduce on the English stage, the purpose of footlights is to “soften heavy shadows” and to create a “general illumination” of the actor and the stage (“footlights”, 1). Oil lamps, that contained a floating wick, were placed at the front of the stage and level with the floor. These lamps were placed in a tin box so the reflection of the light went up on stage. By using this box the audience could not see the possibly distracting open flame. (“footlights”,
Two new theatres were built - "theatre Royal" and the Duke's theatre. Both the theatres were completely modern with latest inventions to provide for the scenery and machinery for the plots.
Difference between Greek and Modern Theatres Theatre today as in ancient Greek times is a popular form of entertainment. The adage is a slam. Today’s theatres share many similarities with the Greek. predecessors, however they are also very different. There are in fact many differences for example; layout, special effects, seating.
first famous theater on record is none other than the Globe Theater. This wasn't your everyday
The 19th century changed people’s perspectives on theater. Theaters grew in size, plays became more professional, and costumes became more extravagant. Theater in the 19th century was influenced by the advanced changes, technology and society. Theater had a big impact on how people viewed things.
The Globe Theater is widely known as the world’s greatest amphitheatre of its time, bringing in crowds of thousands of people. The Globe was also where most of the famous playwright, William Shakespeare, performed his plays. With its unique design, the audience was able to enjoy the plays. Inside of this round and globe-like structure, the people from all around the area packed into the seats to watch Shakespeare and his actors. Despite the Globe Theater’s success, the theater had gone through many shut downs and rebuilding projects. Finally, the Globe was demolished for the last time. It was not until years later that the theater was discovered. Now, people from around the world are learning about this amphitheater and its role in the Renaissance time period. The Globe Theater is known for its structure, audience and actors, and history.
Russell Brown, J. 1995. The Oxford Illustrated History of the Theatre. 3rd ed. Oxford: Oxford University Press.
The changes in technology gave lighting to the theatres. The change in theatre brought around a new group of audiences. Its change from Neoclassicism to Romanticism paved the way for plays such as Hernani. It’s understandable that nineteenth century theatre has changed dramatically.
Theatre serves to reflect society. From Shakespeare to Sophocles, a playwright’s work illustrates the different mechanics within a culture, time period, or society. Theatre offers viewers the experience of taking a step back and looking in on themselves. In this way, theatre is a mirror of the world and the way it functions. In the time period from 1968 to 1983, the world was transitioning.
The theater was one of the primary forms of entertainment in Elizabethan England, as anyone, rich or poor could attend the plays.The rich would sit in boxes or galleries, while the poorer people would have to stand for the entirety of the play (Haigh). The poor would stand in front of the stage which would normally be raised about 4 to 6 feet and the theater could hold on average 3,000 people (Trumbull). The rich however usually watched plays in indoor private theaters, but sometimes would watch the plays in the outdoor public ones. Performances ...