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Character of Victor in Frankenstein
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Victor Frankenstein, the creator of a demon that wreaked havoc upon the Frankenstein family and they’re dear friends without remorse in the novel Frankenstein by Mary Shelley, is the tragic hero of this tale. Through the introduction of the story we see Victor strive towards a cause with his gift in science, however, the method in which he tried to attain his goal was disturbingly immoral and ultimately led to his downfall. Although Mary Shelley initial introduces us to tale of the creature with this attitude of pity and sense of innocence from the audience perspective, the creature later on reverses his archetype throughout the rest of the novel revealing the true nature of the creature and who the real hero of the novel is, Victor. From beginning to end, Victor follows the path of a tragic hero outlined by Aristotle and is why he is the true hero in the novel.
Mary Shelley writes Victor Frankenstein character as a virtuous character, and with the compassion from his dear friend Henry, Elizabeth, and his family he becomes emerse with knowledge and love. As Aristotle explains, a key trait to being a tragic hero is noble origins as well
He’s passion for knowledge combined with the grief for his mother passing led to his tragic flaw. Unlike Victor, the monster had started from nothing and his desire for love and acceptance by society unleashes his inner demons and as result killing those closest to Victor. The creature’s early on intention in the novel are definitely heroic however as the story does progress he becomes more of freak of nature with no remorse to the lives of others displaying that he can not be a hero. Victor however, continually continues down the path of the tragic hero all the way through the story making him the only ideal hero in this
Victor Frankenstein may be the leading character in Mary Shelley's Frankenstein, but a hero he is not. He is self-centered and loveless, and there is nothing heroic about him. There is a scene in Chapter twenty-four where Captain Walton is confronted by his crew to turn southwards and return home should the ice break apart and allow them the way. Frankenstein rouses himself and finds the strength to argue to the Captain that they should continue northwards, or suffer returning home "with the stigma of disgrace marked on your brows." He quite obviously has alterior motives and if he were not the eloquent, manipulative creature he so egotistically accuses his creature of being, he might not have moved the Captain and the men so much that they are blind to the true source of his passion. Unfortunately for Frankenstein, the crew, (however "moved") stand firm in their position. Yet the things he says in his motivational speech are prime examples of the extent to which Frankenstein is blind to his own faults and yet will jump at the chance to harangue others. He is so self-centered that his lack of interaction and love for others after his experiment has been completed, would barely qualify him as a person, if the difference between being human and being a person lies in the ability to have relationships with others.
As a romantic, archetype and gothic novel, Victor is responsible for the monsters actions because Victor abandons his creation meaning the creature is dejected and ends up hideous and fiendish. It is unfair to create someone into this world and then just abandon it and not teach it how to survive. The quote from the creature “Why did you make such a hideous creature like me just to leave me in disgust” demonstrates how much agony the creature is in. He is neglected because of his creator. The monster says “The hateful day when I received life! I accurse my creator. Why did you form a monster so hideous that even you turned from me in disgust?” Victor is wholly at fault for his actions, image and evil.
Victor Frankenstein: The Real Monster. & nbsp; Science is a broad field that covers many aspects of everyday life and existence. Some areas of science include the study of the universe, the environment, dinosaurs, animals, and insects. Another popular science is the study of people and how they function. In Frankenstein by Mary Shelley, Dr. Victor Frankenstein is an inspiring scientist who studies the dead. He wants to be the first person to give life to a dead human being. He spends all of his Frankenstein is to blame for the tragedy, not the monster he has created, because he is the mastermind behind the whole operation, and he is supposed to have everything under control, working properly as a good scientist should. & nbsp; Although some critics say that the monster Victor has created is to blame for the destruction and violence that followed the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being.  something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and & nbsp; I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. (156) & nbsp; Victor is saying that he has isolated himself for two years and in the end, he is not at all happy because of the bad outcome. He also adds, "Winter, spring and summer passed.so deeply was I engrossed in my occupation" (156). By spending most of his time inside on his experiment, never going out, but mostly worrying about his success, he has got himself crazier. This has made him lose sight of his surroundings and judgment & nbsp; Moreover, the monster should not be held responsible for killing Victor's family members and friends as shown in the book and movie, because it is Victor who has brought a dead creature back to life. He expects the monster to know everything when he wakes up cool, calm, and collected. But when the monster is awakened, he does not know anything. He sees a world different from what he is used to, which makes him get nervous and scared, so he&nb has removed him from dead. With the dawning of life, the monster has to learn about his new environment. In the play of Frankenstein, the monster starts to gradually get used to things. The problems he encounters are with Victor's assistant, Peter Krempe, Victor's friend, Henry, and other family members, including Elizabeth, and these are reactions to how these people treat him. These reactions are clearly shown in the movie of Young Frankenstein, where Victor tries to teach the monster how to live like to show off the monster to an audience in a dance routine of sorts. But then people start to scream, panic and throw things at the monster, so he reacts by attacking them to defend himself. In this case, it is clear that Victor tries to push the monster too hard because he wants to be famous.
When Mary Shelley's novel Frankenstein is analyzed, critics comes to a conclusion about Victor Frankenstein's creation. The creature invokes the most sympathy from the readers than any other character in the novel. Because he is abandoned by society which manipulates the creature to do evil things despite his good heart. Therefore Shelley's message throughout the novel is that a person is not born evil, they are made evil.
Mary Shelley shows how both Victor and the monster create sympathy for one another. They are both victims, but they are also wrongdoers. They bring a great burden of suffering to each other lives, causes hatred to be created for the characters.
...e seeking help and strength to take care of problems in their lives. Victor Frankenstein is a man with a loving and caring family. Family and friends are an important part of his life. He has his whole life in front of him, when creates his monster. He creates the monster in the likeness of man with same need of love and affection as man. Although, this is his creation, he lets the monster down and does not care for him. The monster begins to feel neglected and lonely and wants desperately to have a human relationship. The monster turns angry and revengeful because he is so sad and abandoned. He wants Victor to feel the way that he does, all alone. The monster succeeds and Victor ends up losing all the important in his life and his own life. In the end, the monster dies and the need for human relationship becomes the destruction for both the monster and Victor.
Victor Frankenstein was the creator of the monster in the book. He was an ambitious man who had high hopes and dreams for himself, but this characteristic was the cause of his downfall. He had a ruthless desire to obtain forbidden knowledge- a knowledge that only God was worthy of having. This lead him to lock himself in his laboratory, disregarding his family, friends, and health. His one purpose was to create life. In his quest to create a human being and bestow the power of life, Victor eventually did create a creature, but this lead to a situation
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
The monster of the novel is often misattributed with the name, “Frankenstein.” However, Victor Frankenstein can ultimately be considered the true monster of this tale. His obsession would lead to the corruption of his soul and the creation of two monsters—one himself, and the other, the creature. In attempting to take on the role of God, nature would become a monster to Victor and destroy his life. These elements of monstrosity in Frankenstein drive the meaning of its story.
His aspirations and ultimate “failure” are what brand his character the romantic hero of the novel. An excerpt from the novel highlights Dr. Frankenstein’s conflict with the ambition of the romantic hero. The beginning of the passage is primarily introducing Victor’s ultimate goal of discovering a way to overcome the devastating and previously unstoppable force of death. He goes on to explain that he became obsessed with the concept of completing this goal: “.I seemed to have lost all soul or sensation but for this one pursuit.” He notes that his desire for the attainment of this knowledge became so extreme that it overshadowed his concern for his own personal well-being: “My cheek had grown pale with study, and my person had become emaciated with confinement.”
The chief contrast between the novel and the myth is the absence of gods. Victor does “not ever remember to have trembled at a tale of superstition” (Shelley 51) since in his story human abilities replaced supernatural powers. Prometheus was punished by the gods; Frankenstein – by the product of his scientific endeavors. Electricity was his modern version of the stolen fire. In addition to science, other utterly human powers played significant roles in the novel, emphasizing its modern character. In the spirit of Romanticism, Shelley depicted the evils of her contemporary society. Due to his “miserable deformity” (114), the creature met with human prejudice and aggression, of both individuals and crowds. From his experiences with people, even with the De Lacey family that he admired, he learned that man was “at once so powerful, so virtuous…yet so vicious and base” (119). However, unlike other characters, he had managed to escape another man-made evil: the law. Justine, Safie, her father,...
Victor has a lack of respect for the natural world that leads him on the path to becoming a monster. In creating the monster Victor is trying to change the natural world. He is trying to play the role of god by creating life.
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.
Victor Frankenstein is in the first part of the book described as a very noble person, with human curiosities while not common to most people are nevertheless normal. Our sympathy is entirely with him. His desire for knowledge and his eagerness to achieve high goals and to bring the human race further in its effort to erase the pains and sufferings of mortality only make him seem more admirable. He seems to devote his whole life to the benefit of humanity. The sea captain, Walton, sums up this impression when he says " How can I see so noble a creat...