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Essay on techniques used in the pianist
Essay on techniques used in the pianist
Essays on a recent concert experience
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The stage was set up with a piano in the center of stage and a PowerPoint presentations was located on the right side of the stage. The recital begins with Victor Agudelo introducing himself as a composer and pianist .He talked about where his techniques originated from and began playing his first piece “Telaranos para pescar”, also known as “Fishing with Cobwebs”. This piece starts with the dynamic of pianissimo and it crescendo often throughout the piece. It has a duple meter as well as notes being played with accents. There is a wide pitch range and this piece has a polyphonic texture. There are parts of the piece that are played freely and with no rhythmic pulse. This piece have a lot of interesting parts that I did not get to hear during …show more content…
It was hard to follow and it did not sound pleasant. However, I listened to the full piece after the recital and I enjoyed it more than when I was actually there. I found it very unusual how he played the random notes on the piano and where the rests was located. I liked how he started the piece with suspense that made me wonder what he was going to do next, which surprised me. After he played this piece, he rushed through his PowerPoint, which presented the sheet music as well as information about the piece. I was displeased with this because I wanted to know more about the pieces he was performing for the audience. I could tell that others was dissatisfied as well because some people started to leave after ten minutes of the performance as well as people were on their cell phones. However, some of the audience members seemed really interested and payed close attention to the performer. Agudelo then proceeds to his next piece “Memorias Del alma” also known as “Memories of the soul”. The piece has a rubato tempo and begins in pianissimo. There is a wide pitch range played in this piece. The dynamics throughout the piece changes from pianissimo to fortissimo, therefore it gradually becomes louder until the end of the …show more content…
The audience clapped after this piece, so I assumed that they enjoyed this piece just as much as I did and was not too fond of the last one. He then went through the power point presentation rather quickly. One more piece that I would like to mention is “Un Café para El Sonambulo” also known as “A Coffee for the Sleepwalker”, which is my favorite piece composed by Agudelo. The piece has the genre of festival and starts with the dynamic pianissimo then immediately crescendos. It has a wide pitch range playing with a polyphonic texture. There are notes that are played with accents as well as syncopation . Also, the tempo changes throughout the songs as well as having an ABA form. I enjoyed how the piece was dramatic yet calm. The melody, which is “A”, caught my attention the most because he was using word painting. As the notes got higher, the volume did as well and the piece got more dramatic by playing the notes with accents. The audience clapped after this piece as well, however there were quite a few pieces that he played and the audience gave no feedback. During the recital, I looked over the sheet music and noticed that the score had music written for the right hand as well as for the left hand when playing the
The next work of the program, Courtly Airs and Dances, is a multi-movement work composed by Ron Nelson. The piece is split into six movements: Intrada, Basse Danse, Pavane, Saltarello, Sarabande, and Allemande. Each of these present distinct characteristics that separate it from each other movement, yet all are united by being a style of dance. The first movement, Intrada, presents a fanfare-like opening to the multi-movement work. The trumpets and brass section as a whole lead this, as they create a sense of nobility. The key is major and the tempo is one that could be described as allegretto—it is not a fast tempo, yet more brisk than an andante pace. The texture is homophonic, as there are different parts being performed by different
Over all this piece was energetic and full of energy it brought both drama and diversity of melodies and harmonies. I really enjoyed the entire concert and I thought the music was well performed. I would however have liked there to be more compositions included in the concert covering a broader range of Mozart’s quartets and piano concertos. I think that more pieces being played would have allowed for more comparisons to be drawn between pieces and allowed for the listener to enjoy more of the great music that Mozart has to offer.
The mood of the whole concert was very positive, emotional, and inspiring. In many of his pieces I could feel the emotions proclaimed in them. The whole atmosphere of this concert was very relaxing and peaceful. I could really tell throughout Pablo’s performance that he is very passionate about playing the cello. I also liked how Pablo would explain after each of the pieces the meaning behind them. I was very inspired by this whole entire concert and I really enjoyed hearing the cello being played
...ers and the audience. The dramatic nature of this piece alone is something to be reckoned with as it is extremely passionate. The symphony is presented in 4 movements as is common and begins with a Poco Sostenuto- Vivace, followed by a Allegretto movement, Presto movement, and finally ends on an Allegro con brio movement. the central theme of this piece is introduced in the first movement by a flute playing in tripple meter continuously ascending up the scales rising in dynamic contrast, continuing to grow into a louder and more stark contrast between it’s highs and lows. Consistently dance like, the piece is celebratory of its roots buried in historical Austrian music that has been present in the culture for years. The accomplishments of the soldiers for which the piece was composed for are easily told of simply by the energy and power present throughout the piece.
The dynamic levels at the beginning were in piano, but it did not stay that way, there were changes in the sound there were crescendos and decrescendos but mostly toward the end. The harmony was very polyphonic it had many sounds play at one and the texture was also thick it had many layers of sounds because of the number of instruments and the variety of instruments playing simultaneously. The instruments played in this composition were strings, woodwind, brass, and percussion like, cello, flute, French horn, and timpani and they for the tone color the instruments did have a high pitch range. The form for this was theme and variation because he had a theme and variation he took the melody and used it over and over and over again by changing different elements. Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 rhythm was a medium walking pace and the steady beat was recognizable. For dynamics, the composition started off mezzo and had changed where it was forte and had crescendos. The melody seemed to be in minor scale
The first song played was from a genre that I had previously taken a test on, Sonata. The musicians played the song by the book. There were three movements and polyphonic texture. It was even fast and jerky. Nonetheless, this is the part where my rollercoaster was going down. In my opinion it was boring. Although very well played, the song itself did not interest me. I did not like the roadrunner, coyote essence of the song. The piano accompaniment would sometimes play the melody and let the clarinet follow and then they would switch. This to me seemed force instead of like the Sonatas that I listened to in class. However, apart from the musical aspect of the first piece there was a certain intensity expressed by the performers. I had never seen a
Audubade by Libby Larsen (b.1950) was a Contemporary piece performed. This was a solo flute performance by Kristen Smith Stoner. It was a very somber piece with a minor key. It almost brought more quietness to the atmosphere. The notes for this work were quite far apart, thus, making it have a disjunct melody. The texture was homophonic with a very tense dissonant harmony. The tempo and dynamics varied quite often. As the tempo progressively sped up from a moderato to an allegretto and finally to a faster presto, the piece seemed to be getting more and more tense. The dynamics were also changing. From being a moderately soft mezzo piano, it moved back and forth to a louder forte and moderately loud mezzo forte. The formal structure was in the third rondo. It had a returning theme after a small contrast in the middle.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
The first movement is in sonata form - Allegro ma non troppo, un poco maestoso. Strings and horns appear from the distance as if they had been already playing out of earshot. The music gradually intensifies in volume until the final explosion into the first subject. Then this whole process is repeated. The first movement shows a contrast of emotion that seems to return in the recapitulation befor...
There are two main rhythmic ideas that are present in this piece. The first is the regular rhythmic pulse in the pianos and mallet instruments
3 is the second movement of the piece. It lasts around five minutes of the total 22 minutes of the whole Orchestral Suite. Air is written for Trumpet, timpani, oboe, violin, viola and continuo. It is written in major key. The meter is duple, and I would dare to say that it is quadruple. The texture is polyphonic. It has a slow tempo and there is no presence of accelerando nor ritardando. The harmony is consonant. Melody is conjunct and peaceful. Has a lot of repetition. The melody is consistent. The string instruments are prodminant whereas the timpani and oboe just go along with the melody. Esta es una pieza sencilla binaria; claramente no hay devolución del material melódico apertura en la segunda parte del
The piece opens with an allegro, minor melody with cymbal crashes and timpani rolls. There is a short pause then a major trill. Harp glissandos then accompany a legato oboe melody, which is repeated with a pizzicato string bass. The melody is then repeated by the whole orchestra. There is a crescendo with the tim...
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
... then plays allegro passages of semi quavers, accompanied by timpani and descending scales in the woodwind. The clarinet, takes over the main melody whilst the cello accompanies with sequences. The French horn takes over the melody, accompanied by the strings. The flute briefly plays the melody before the cello plays octaves, accompanying the woodwind as they play a reprise of the DSCH theme and the timpani crashes. Repeating the themes in the first movement, the cello plays the DSCH motif followed by the "tate ta, tate ta" rhythm in the strings. The horn then plays the theme in augmentation, whilst the cello plays passages of ascending and descending scales, and the theme is heard again in the strings. The movement builds up with the motif appearing increasingly often in the woodwind and strings and climaxes with octaves by the soloist and a boom from the timpani.
...chestral introduction with an imperfect cadence. A strong rhythmic ¾ allegro passage, with sequences and descending scales is played by the orchestra, with timpani and cymbals. The music modulates, and a short, quiet woodwind passage is then alternated with an orchestral passage with dotted rhythms, creating a `terraced dynamics' effect. Part B begins with a major clarinet melody accompanied by pizzicato strings. A minor flute sequence follows, and is followed by a repetition of the oboe melody. A string sequence is then played, imitated by the oboe. There is a crescendo, then the rhythmic orchestral melody returns, alternated with a short flute passage. There are suspensions, descending scales and a crescendo, followed by a strong rhythmic passage with the timpani playing on the beat. Imperfect cadences are played, before the piece finishes with a perfect cadence.