Vern Tessio

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Vern Tessio and Teddy Duchamps on the other hand contrast this development. They are afflicted with a bad name, Vern being the brother of a member of Ace Merrill's gang and Teddy being the son of a “loony”, but neither of them actually struggle to break free from those prejudices. As far as one can tell from Gordie's narrative Vern does not reflect on his situation, and Teddy worships his father as a war hero, because that is the only way he is able to deal with the traumatic experience of having his ears burned. There does not seem be any character development for either of them throughout the story.
Edmund Leach's theory approaches the problem from a different side. He identifies society, and the need to structure it, as the origin of taboos. By either complying with a taboo or transgressing it the subject defines its position inside a binary system, and thereby its own identity. The subject also organizes its social environment the same way, discriminating between family or not family, friend or not friend, etc., and deals with them accordingly.
For Gordie the first classification is whether he's a living being or not, since his parents do not really acknowledge his existence and his dead brother Dennis continues to threaten Gordie's identity. It is the confrontation with death …show more content…

When Chris stole the milk money no one doubted that he was the thief. But when Chris tries to give the money back he is taken by surprise when his teacher steals the money from him to buy herself a new skirt. Although the crime is the same it seems much worse when it is committed by a guardian or confidant. Chris taking college preparation courses has a similar effect on his coursemates. Some actions are not taboos in themselves, but it depends on who performs them. People and actions which are ambiguous threaten our binary worldview, which often leads to them being perceived as a

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