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The climax in the devil and tom walker
Literary analysis on the devil and tom walker
The climax in the devil and tom walker
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It is inevitable that people wish for things that they do not have. The Devil sometimes tries to use this propensity to tempt people to sin and follow him instead of God. The classic idea of a “deal with the devil” has been the premise for many stories since the late sixteenth century. Many of these stories are similar but also have their own twist on the concept. Faust, part I by Johann Wolfgang von Goethe, “The Devil and Tom Walker” by Washington Irving, and “The Devil and Homer Simpson” by Greg Daniels and Dan McGrath are all a variation of a Faustian Tale, but they each convey different ideas. These Faustian tales have similarities and differences which convey their own message through portrayal of characters, outcomes and plots, and styles …show more content…
of writing. Each character in every story is portrayed differently. In Goethe’s Faust, part I, the main character, Faust, is a very erudite, upper class man, but he is unsatisfied with his life filled “with many woes,” because he wants to be like God, and he wants to achieve happiness(61). In “The Devil and Tom Walker” by Irving, the main character, Tom, is a greedy, “miserly fellow”, who has an unhappy life and “a wife as miserly as himself”(124). He wants to be wealthy, so he becomes a cruel usurer for the Devil. In “The Devil and Homer Simpson,” the main character, Homer, is clueless and rash, and all he wants is donuts. All of these Faust characters are very different, but they have one thing in common: they all want something that they do not have. This is where the Devil comes in, and each story has its own version of it. Faust, part I has a demon named Mephistopheles, disguised as a human, who is very manipulative, flattering, and clever. In “The Devil and Tom Walker,” the Devil is a Native American character who is creepy, powerful, and deceptive.The Devil in “The Devil and Homer Simpson” is one of the characters from the show who appears as the Devil, but he is not very smart or powerful, and he is straightforward. All of the Devil characters appear humanlike which makes them not too intimidating for the Faust main character to even interact with them. Even though Goethe portrays the Devil character as manipulative, which makes the reader almost feel bad for Faust, Faust is still stubborn and wants to be a god, which makes the reader less compassionate toward him when he is not saved and gets taken to hell in the end. These portrayals help convey Goethe’s message that people should think things through before doing them, and true happiness cannot be reached by achieving great worldly things. One should take pleasure in the little things and accept the life that he or she has. Through Irving’s portrayal of the Faust character and the Devil character he conveys the message that a person should not be mean and do evil to get what he or she wants, because the Devil is more evil, and he wants people to do evil and not good. The episode of “The Simpsons” portrays characters as silly mostly for entertainment, but it also conveys the message that people should think of the consequences before they do something. Each writer uses different characters in their own way to show the audience a moral, but they also do this through the plot of each story. Every story has its own plot, which therefore creates a different outcome.
In Faust, part I, Faust is given Mephistopheles as his servant on earth, until he reaches complete happiness, “[t]hen [Faust will] do the same for [him]” in hell(87). Faust never reaches complete happiness in the end and eventually goes to heaven. The deal in “The Devil and Tom Walker” is that Tom gets a pirate’s treasure and a multitude of wealth, but he has to use the money for evil, and the Devil gets his soul. In the end, after he had a lot of evil over his life, he accidentally said, “‘The devil take me,’” without meaning it, and was taken to hell(135). In “The Devil and Homer Simpson,” Homer gets a donut, but “the instant [he] finish[es] it [the Devil] own[s his] soul”(Daniels, McGrath). Homer inevitably eats the donut, but he gets to go on trial for his soul, and his wife, Marge, saves his soul by saying he already promised it to her. In all of these stories, a physical contract was made with the devil, so it seems like the Faust character could not get out of it, but the deal is different for each story, and each one has a different outcome to portray a different message. Goethe conveys that complete happiness cannot be reached, but that it is never too late to be saved. “The Devil and Tom Walker” conveys that it is harmful to try to get a desired thing through evil means by making Tom go to hell in the end after all the evil he had done. In “The Devil and Homer Simpson,” Homer finding a …show more content…
way out in the end was used mostly to keep the mood happy and fun, but also conveys that hell is not that serious, and people can outsmart problems and get themselves out of situations. Another way that these writers convey their messages is through their tone and style of writing. Each author tells the story in a different style than the others and uses that tone to tell their audience something specific.
Faust, part I is a play written in poetic verse in mostly iambic tetrameter and is based on the showing of emotions. Goethe wrote this in the period of Romanticism, which was all about emotions and feelings. The characters in the story express their thoughts and feelings through speech. The whole story is written so the audience can see the emotions of the characters and also feel emotions for themselves, which would therefore make them more accepting of his message. “The Devil and Tom Walker” is a short story written to almost sound like a legend. Washington Irving wrote this in the time of American Romanticism, and he wrote it to make the readers feel fearful but also have a certain respect for the seriousness of temptation. These feelings led the readers to learn from the story and have more prudence in making decisions. “Homer Sells His Soul” is part of an episode of the comedic cartoon “The Simpsons.” The whole tone and mood of the show is not serious and is only meant to entertain. Most of the characters are incompetent, and many stereotypes of hell are used in the episode. Even though the tone is comedic to entertain, it still conveys the theme that people should think about the consequences before acting on something. Each author uses their own tone to convey different messages, but the messages are somewhat the same: think things through
before making a decision. Characters, plot, and style are some ways that authors put a unique twist on the Faustian Tale, which makes them different but similar, each conveying its own message. Characters portrayed in different ways makes the audience have a certain view of them, which can make them understand a theme in the story. The plot of each story makes the audience’s minds go through different adventures, which makes them feel a certain way about the topic or theme. The style of the story most directly affects how the audience feels about the story and makes them hear the ideas of the author, which is the main goal. Though each story is different, the main goal of every Faustian Tale is to convey to the audience that it is a bad idea to make a deal with the Devil, and ultimately that people should think of the consequences before making a life changing decision.
Throughout history, the Devil has constantly tempted people. That much can be agreed upon. However, the similarities between these two works also show that the reason the Devil has tempted people is actually constant as well, to enlarge his kingdom. Unfortunately, their motives for enlarging this kingdom are not so alike. When Dr. Faustus inquires as to what good his soul will do to the Devil, the demon Mephistopheles responds, “[to] enlarge his kingdom […] to have the human souls of men” (Marlow 2). The Devil from Dr. Faustus appears to cultivate his kingdom with the hope of increasing his own power and possibly challen...
Washington Irving displays a sense of humor throughout “The Devil and Tom Walker” about greed, marriage and religion to help the reader, become a better person. Tom Walker makes a Faustian Bargain, also known as a deal with the devil. Tom has a lot of problems with his abusive wife, his desire for riches and getting into the afterlife. Washington Irving tells us the story of Tom Walker in a humorous way. Irving does this to display a message to his readers.
A Faustian legend is a story in which a character trades something of great personal value to the devil in order to receive personal gain. Since this type of literature originated in the Fourth Century it has spread throughout the world. Two relatively recent versions of this legend are “The Devil and Tom Walker” by Washington Irving and “The Devil and Daniel Webster” by Vincent Benét. These stories show many similarities as well as a few differences. While both Benét and Irving present similar themes in setting of the tales and motivation in the Faustian character, they do differ in the nature of that character and their visual presentation of the Devil.
The theme of give your soul to the devil is very old. Most of the time someone would do this to get something very valuable to them. But a lot of the time it ends with someone losing all they have or losing someone they love. The characters in “The Devil and Tom Walker” and “Snow White and the Huntsman,” Were convinced to make a deal with “The Devil.”
We see that good vs. evil has been a theme that is ubiquitous in many writings. The story "The Devil and Tom Walker" is a story about a man who lives an immoral life of greed. Walker lives in a wooded area, where it is solemn, and quiet area of New England. Walker runs into the devil and sees that the devil is cutting down someone else's timber.
Washington Irving the author of the tale “The Devil and Tom Walker” uses stories from literatures past, to make a compelling tale, The Devil and Tom walker represents the importance of processing morals and the problems associated when virtue fails to exist. He also creates the right tone for the story and gives details throughout the story, so the readers figure out the topic of the story and how it will change their perspective on the temptation of greed. “Greed is a bottomless pit which exhausts the person in an endless effort to satisfy the need without ever reaching satisfaction.”-Erich Fromm. He describes each character in a way that you can assume who they are, their character, and the decisions that they might make throughout the story. However, he provides a background for each character to understand their choses and their ultimate demise.
Faust also gets out of his contract. He is finally pleased with this paradise he is going to build. The ability for following generations to enjoy this paradise was his pleasure. This selfless act of joy was what allowed God to save him, even though the contract said otherwise.
Nathaniel Hawthorne’s version of the Faust Legend in the works of “Young Goodman Brown” is considered to be a significantly different version when compared to the common Faust Legend. The article that I found discussing this subject is, The Rewriting of the Faust Myth in Nathaniel Hawthorne’s, “Young Goodman Brown.” By Hubert Zapf. A brief summery as to what this essay is about, Zapf’s entire thesis is filled with information and facts that all leads up to the analyzing of the common use and application of the Faust legend in Nathaniel Hawthorne’s story “Young Goodman Brown”, and how it compares in contrast to other “Faust users”. The points made through out Zapf’s essay consist of what the Faust legend originally is and how Hawthorne used it differently in his story, “Young Goodman Brown”. Zapf is analyzing the similarities, differences, and symbolism of Hawthorne’s version of Faust compared to the traditional out look of the Faust as well as the differences when compared with “Young Goodman Brown”. The comparing of this information is a way for Zapf to show that, “Both the transgression and the price to be paid are symbolically expressed in the central element of the Faust Myth” and to really show that that Hawthorne was using his own version of Faust (19). My own opinion of this essay confides with the fact that I agree the use of the Faust legend in the works of Hawthorne has the foundation of Faust, however there are some differences as well.
Tantillo, Astrida Orle. " Damned to Heaven: The Tragedy of Faust Revisited."Monatshefte Für Deutschsprachige Literatur Und Kultur 99.4 (2007): 454-468. Print.
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
Despite Wilde’s literary focus on Decadent-based themes and Hawthorne’s development of early American Gothic ideals, the threads of Faustian symbolism cross the conventional boundaries that separate literary movements. At the most basic level, Faustian allusions are generally used to develop the good vs. evil archetype, but Wilde and Hawthorne take a more ambitious route, using Faust to communicate a religious message. The Faustian typifications of Gray and Brown extend the good vs. evil archetype to a
Faustus, too, is a superior being. He consciously removes the yoke of academia, and exerts his free will. After freely entering into his contract with Lucifer, he repeatedly considers repenting. When he calls on Christ to help "save distressed Faustus' soul," the evil trinity of Lucifer, Belzebub, and Mephostophilis appear, possibly to tear him to pieces. Under duress, he vows, "never to name God or pray to him." However, with only one-half hour left on earth, he calls on God. Faustus, forever the horse trader, tries to strike a deal with God. He asks God, for Christ's sake and blood, to limit his time in hell from a thousand to a hundred thousand years.
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
Subsequently, the bigger issue at hand; the wager between the Lord and the Devil (Mephisto). The bet between the spiritual beings were whether Faustus: the lone-representative of all humanity, will be able to shoulder the weight of good and evil. Nevertheless, how huge the temptation of personal gain. In this sense, I acquired that the Lord’s view of humanity: is imperfection isn’t absolute and man’s potential for the greater good can be refined.
The first appearance of Faust in the story finds him having doubts about himself and the worth of his time spent in education. Undeterred by this depression, we see his pride has not diminished as he declares he is “cleverer than these stuffed shirts, these Doctors, M.A.s, Scribes and Priests, I’m not bothered by a doubt or a scruple, I’m not afraid of Hell or the Devil” (Goethe 633). Turning to magic to fill the void in his life, Faust conjures a spirit, but shrinks back from it in fear. In the ensuing argument between them, Faust asserts that he is the spirits “equal” (Goethe 637). Mephisto’s second visit at Faust’s residence leads them to having a drawn out discussion over the proposal of Mephisto serving Faust in exchange for his soul. Common sense might ask why a person would willingly discuss a deal with the devil knowing that it probably won’t end well. This instance would have to be answered that the imperious pride of Faust made him “so rash that he would give no heed to the salvation of his soul He thought the devil could not be so black as he is painted nor hell so hot as is generally supposed” (Fischer 107). In spite of his vast education, Faust’s pride pulls him into wagering his soul with Mephisto and causing the deaths of others and his